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The Last Sane Woman
Nicola Long is a few years out of a fine arts degree, listless and unenthusiastically employed in London. She begins to spend her hours at a small underfunded archive dedicated to women's art. There she discovers one side of a correspondence beginning in 1976 and spanning a dozen years, written from one woman - a ceramics graduate, uncannily like Nicola - to a friend living a contrasting and conventionally moored life. As Nicola reads on, an acute sense of affinity turns into obsession. She abandons one job after another to make time for the archive. The litany of coincidences in the letters becomes uncanny, and Nicola's feeling of ownership begets a growing dread: should she be afraid of where these letters are leading?
Oliver Reed
The debut collection from Hannah Regel, whose forthcoming novel The Last Sane Woman is out this year with Verso. "In OLIVER REED, growing-up happens naturally, clip clip clop, at the same time as it requires someone or something--line break or literal incision--to break you in. OLIVER REED is about how a pony body gets trained and a pony mind gets educated, over and over and over again. Time, in this book, loops more than it progresses: 'Sorry attends her Birth' after 'Sorry is a Girl, Grown Up.' I wish I'd read OLIVER REED at fourteen or eighteen; then again, I sort of feel like I did. This we already know: if looking at young girls never gets old, writing about them doesn't, either."--from...
The Last Sane Woman
A beguiling debut novel about friendship and failure Nicola Long is a few years out of a fine arts degree, listless and unenthusiastically employed in London. She begins to spend her hours at a small underfunded archive dedicated to women’s art. There she discovers one side of a correspondence beginning in 1976 and spanning a dozen years, written from one woman – a ceramics graduate, uncannily like Nicola – to a friend living a contrasting and conventionally moored life. As Nicola reads on, an acute sense of affinity turns into obsession. She abandons one job after another to make time for the archive. The litany of coincidences in the letters becomes uncanny, and Nicola’s feeling of ownership begets a growing dread: should she be afraid of where these letters are leading?
Writers' Handbook 2024
The 2024 edition of firstwriter.com’s annual directory for writers is the perfect book for anyone searching for literary agents, book publishers, or magazines. It contains over 1,500 listings, including revised and updated listings from the 2023 edition, and 400 brand new entries. Finding the information you need is now quicker and easier than ever before, with multiple tables and a detailed index, and unique paragraph numbers to help you get to the listings you’re looking for. The variety of tables helps you navigate the listings in different ways, and includes a Table of Authors, which lists over 5,000 authors and tells you who represents them, or who publishes them, or both. The numbe...
Writers' Handbook 2023
The 2023 edition of firstwriter.com’s bestselling directory for writers is the perfect book for anyone searching for literary agents, book publishers, or magazines. It contains over 2,000 listings, including revised and updated listings from the 2022 edition, and over 350 brand new entries. Finding the information you need is now quicker and easier than ever before, with multiple tables and a detailed index, and unique paragraph numbers to help you get to the listings you’re looking for. The variety of tables helps you navigate the listings in different ways, and includes a Table of Authors, which lists over 4,000 authors and tells you who represents them, or who publishes them, or both....
Feminism and Art History Now
To what extent have developments in global politics, artworld institutions, and local cultures reshaped the critical directions of feminist art historians? The significant new research gathered here engages with the rich inheritance of feminist historiography since around 1970, and considers how to maintain the forcefulness of its critique while addressing contemporary political struggles. Taking on subjects that reflect the museological, global and materialist trajectories of twenty-first-century art historical scholarship, the chapters address the themes of Invisibility, Temporality, Spatiality and Storytelling. They present new research on a diversity of topics that span political movements in Italy, urban gentrification in New York, community art projects in Scotland and Canada's contemporary indigenous culture. Individual chapter analyses focus on the art of Lee Krasner, The Emily Davison Lodge, Zoe Leonard, Martha Rosler, Carla Lonzi and Womanhouse. Together with a synthesising introductory essay, these studies provide readers with a view of feminist art histories of the past, present and future.
Oppositions
'Mary Gaitskill is willing to think about the problematic with complexity and humanity, and without taking sides or engaging in all the fashionable moral hectoring that passes for serious thought these days.' Eimear McBride Nuanced, daring and tender, these essays from the celebrated author of This is Pleasure and Bad Behavior, consistently fascinate and provoke. Mary Gaitskill takes on a broad range of topics from Nabokov to horse-riding with her unique ability to tease out unexpected truths and cast aside received wisdom. Written with startling grace and linguistic flair, and delving into the complicated nature of love and the responsibility we owe to the people we encounter, the work collected here inspires the reader to think beyond their first responses to life and art. Spanning thirty years of Mary Gaitskill's writing, and covering subjects as diverse as Dancer in the Dark, the world of Charles Dickens and the Book of Revelation with her characteristic blend of sincerity and wit, Oppositions is never less than enthralling.
Strandfeest
Roman
The Good People
'Exquisite' – Daily Mail Shortlisted for the Walter Scott Prize Based on true events, The Good People is Hannah Kent's engrossing novel about superstition and devoted love. Ireland, 1825. Nóra, bereft after the sudden death of her husband, finds herself alone and caring for her young grandson Micheál, who cannot speak or walk. What happened to the healthy, happy grandson she met when her daughter was still alive? Mary arrives in the valley to help Nóra just as the whispers are spreading: stories of unexplained misfortunes, of illnesses, and rumours that Micheál is a changeling child who is bringing bad luck to the valley. Nance has lived in the valley all of her life. She is a healer w...
Weduwe voor een jaar
De bestverkochte roman van John Irving, nu in feestelijke editie
