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Bruckner
  • Language: en
  • Pages: 198

Bruckner

The primal role of art in awakening and liberating the soul of humanity - Presents a seven-stage journey of transformation moving from the darkened soul to the light of spiritual illumination - Provides a meditation practice to experience the spiritual energy embedded within art - Includes artists Alex Grey, Jackson Pollock, Mark Rothko, Walter Gaudnek, and others "Art and Spiritual Transformation" presents a seven-stage journey from the darkened soul to the light of spiritual illumination that is possible through the world of art. Finley Eversole introduces a meditation practice that moves beyond the visual content of an art form in order to connect with its embedded spiritual energy, allow...

Bruckner
  • Language: en
  • Pages: 192

Bruckner

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Bruckner
  • Language: en
  • Pages: 190

Bruckner

  • Type: Book
  • -
  • Published: 1960
  • -
  • Publisher: Unknown

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Bruckner and Mahler
  • Language: en
  • Pages: 334

Bruckner and Mahler

  • Type: Book
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  • Published: 1955
  • -
  • Publisher: Unknown

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Index of Patents Issued from the United States Patent and Trademark Office
  • Language: en
  • Pages: 1736

Index of Patents Issued from the United States Patent and Trademark Office

  • Type: Book
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  • Published: 1993
  • -
  • Publisher: Unknown

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Bruckner's Symphonies
  • Language: en
  • Pages: 294

Bruckner's Symphonies

Few works in the nineteenth-century repertoire have aroused such extremes of hostility and admiration, or have generated so many scholarly problems, as Anton Bruckner's symphonies. In this 2004 book, Julian Horton seeks fresh ways of understanding the symphonies and the problems they have accrued by treating them as the focus for a variety of inter-disciplinary debates and methodological controversies. He isolates problematic areas in the works' analysis and reception, and approaches them from a range of analytical, historical, philosophical, literary, critical and psychoanalytical viewpoints. The symphonies are thus explored in the context of a number of crucial and sometimes provocative themes, including the political circumstances of the works' production, Bruckner and post-war musical analysis, issues of musical influence, the problem of editions, Bruckner and psychobiography, and the composer's controversial relationship to the Nazis.

The Symphonic Repertoire, Volume IV
  • Language: en
  • Pages: 1050

The Symphonic Repertoire, Volume IV

This volume contains the symphonies of Brahms, Bruckner, Dvorák and Mahler, covering the period from roughly 1860 to 1930. Other contemporaries are discussed including Goldmark, Zemlinsky and Berg.

Fighting the Kaiser's War
  • Language: en
  • Pages: 258

Fighting the Kaiser's War

Personal accounts of the Great War experiences of British soldiers are well known and plentiful, but similar accounts from the German side of no man's land are rare. This highly original book vividly describes the wartime lives and ultimate fates of ten Saxon soldiers facing the British in Flanders, revealed through their intimate diaries and correspondence. The stories of these men, from front-line trench fighters to a brigade commander, are in turn used to illustrate the wider story of thousands more who fought and died in Flanders 'for King and Country, Kaiser and Reich' with the Royal Saxon Army. This ground-breaking work is illustrated with over 300 mostly unseen wartime photographs and other images, recording the German experience of the war in human detail and giving a rounded picture of how the Saxons lived and died in Flanders.

Hans Richter
  • Language: en
  • Pages: 806

Hans Richter

Christopher Fifield's remarkable study explores the personality, life and work of a conductor who influenced and inspired the leading composers, singers and instrumentalists of his day.

The Cambridge Companion to Bruckner
  • Language: en
  • Pages: 377

The Cambridge Companion to Bruckner

This Companion provides an overview of the composer Anton Bruckner (1824–1896). Sixteen chapters by leading scholars investigate aspects of his life and works and consider the manner in which critical appreciation has changed in the twentieth century. The first section deals with Bruckner's Austrian background, investigating the historical circumstances in which he worked, his upbringing in Upper Austria, and his career in Vienna. A number of misunderstandings are dealt with in the light of recent research. The remainder of the book covers Bruckner's career as church musician and symphonist, with a chapter on the neglected secular vocal music. Religious, aesthetic, formal, harmonic, and instrumental aspects are considered, while one chapter confronts the problem of the editions of the symphonies. Two concluding chapters discuss the symphonies in performance, and the history of Bruckner-reception with particular reference to German Nationalism, the Third Reich and the appropriation of Bruckner by the Nazis.