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Why We Sing: Music, Word, and Liturgy in Early Christianity
Open Access for this publication was made possible by a generous donation from Segelbergska stiftelsen för liturgivetenskaplig forskning (The Segelbergska Foundation for Research in Liturgical Studies). In a seminal study, Cur cantatur?, Anders Ekenberg examined Carolingian sources for explanations of why the liturgy was sung, rather than spoken. This multidisciplinary volume takes up Ekenberg’s question anew, investigating the interplay of New Testament writings, sacred spaces, biblical interpretation, and reception history of liturgical practices and traditions. Analyses of Greek, Latin, Coptic, Arabic, and Gǝʿǝz sources, as well as of archaeological and epigraphic evidence, illuminate an array of topics, including recent trends in liturgical studies; manuscript variants and liturgical praxis; Ignatius of Antioch’s choral metaphor; baptism in ancient Christian apocrypha; and the significance of late ancient altar veils.
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The Georgia Dutch
This is the first comprehensive history of the German-speaking settlers who emigrated to the Georgia colony from Germany, Alsace, Switzerland, Austria, and adjacent regions. Known collectively as the Georgia Dutch, they were the colony's most enterprising early settlers, and they played a vital role in gaining Britain's toehold in a territory also coveted by Spain and France. The main body of the book is a chronological account of the Georgia Dutch from their earliest arrival in 1733 to their dispersal and absorption into what was, by 1783, an Anglo-American populace. Underscoring the harsh daily life of the common settler, George Fenwick Jones also highlights noteworthy individuals and even...
The Gospel of Judas
"Appendix A" (p. [134]-187) contains the Coptic text of the Gospel of Judas as transcribed from the Codex Tchacos, with English translation on facing pages.
Revelation and Revolution
The focus of this work is on the basic writings of radical reformer and religious revolutionary Thomas Muntzer (before 1490-1525). Also included are materials written just before Muntzer's execution -- his confession, retraction, and last letter.
Theatre, Globalization and the Cold War
This book examines how the Cold War had a far-reaching impact on theatre by presenting a range of current scholarship on the topic from scholars from a dozen countries. They represent in turn a variety of perspectives, methodologies and theatrical genres, including not only Bertolt Brecht, Jerzy Grotowski and Peter Brook, but also Polish folk-dancing, documentary theatre and opera production. The contributions demonstrate that there was much more at stake and a much larger investment of ideological and economic capital than a simple dichotomy between East versus West or socialism versus capitalism might suggest. Culture, and theatrical culture in particular with its high degree of representational power, was recognized as an important medium in the ideological struggles that characterize this epoch. Most importantly, the volume explores how theatre can be reconceptualized in terms of transnational or even global processes which, it will be argued, were an integral part of Cold War rivalries.
Die wahrhaft königliche Stadt
English In Eine wahrhaft königliche Stadt, Daniela Kah describes how contemporary residents and visitors were able to experience and perceive the presence of the Holy Roman Empire (or its representatives, e.g., the king) in three late medieval cities -- Augsburg, Nürnberg and Lübeck. After receiving privileges from the king, these cities initiated large construction projects designed to assert their imperial status. These projects had a major impact on everyday life and made the Empire visible and graspable within the city. However, in the 13th century the cities increasingly deployed symbols and signs to represent their self-understanding as 'imperial'. ‘Being immediate to the Empire...
