You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Almost four years since its initial appearance, Hans Ibelings' essay on the new tendency towards abstract, neutral architecture has lost none of its relevance. His identification and examination of the last word in modern architecture of the post-war International Style stands strong in projects by OMA, Jean Nouvel, Dominique Perrault, Herzog & de Meuron, and Toyo Ito, and is well understood in relation to one of the dominant forces of the present time: globalization. This enlarged edition of Supermodernism includes a new final chapter in which Ibelings charts the latest examples of supermodernism, as well as a revised introduction and conclusion in which he responds to the numerous reactions his provocative stance has triggered.
"Architecture, Europe, and twentieth century. These are the three terms that define the scope of this book. The century is extended to a hundred-and-twenty years, the architecture is limited to the cultural portion of the production, and Europe is the entire continent, from the North Pole to the Mediterranean Sea, from Iceland to the Urals."--Pref.
"This is the story of the rise and sprawl of the condo tower in Toronto. The sheer number of new towers, their size, mass, volume, and height, let alone the speed by which they are being built, is remarkable. The only thing that isn't remarkable about Toronto's condominiums is their architecture"--Page [4] of cover.
The architecture and architectural culture of the Netherlands have been causing quite a stir in recent years: a great many remarkable new buildings and projects testify to the current flowering in Dutch architecture, urban planning, and landscaping that's so exciting to so many in and out of the field. Artificial Landscape illustrates the results of this late twentieth century surge of creativity and traces the background of its success, examining both the 'Dutch phenomenon' and its socio-historical context to find out what makes it work so well. What we find is that even in a period of globalization there is still such a thing as a Dutch 'climate, ' yet despite this culture's specific natio...
The work of Team V Architecture is informed by the confidence in architecture's incontrovertibility. The studio was founded 6 1⁄4 years ago and now celebrates its first twenty-five quarters. On this occasion, the book offers the first overview on its architectural practice. The projects cover a broad spectrum from interior to urban design. They particularly stand out due to their conviction in the intricate relationship between architectural appearance and argument. Consequently, the book is dedicated to this thesis which will be addressed as a general critical topic: form is not the result of free will or determinism, but rather the logical consequence of a complex debate about why and how a certain form can embody a project's values, solutions, and aspirations.
In the Netherlands, for decades a bastion of modernism, neomodernism and supermodernism, a contemporary traditionalism has been causing a stir since the 1990s. Traditionalists draw from the past and prefer means that have already proved their worth. Contemporary traditionalism, stripped of all populistic and moralistic arguments for and against, is analysed from different angles, including an international and historical perspective.
Our thermal environment is as rich in cultural associations as our visual, acoustic, olfactory, and tactile environments. This book explores the potential for using thermal qualities as an expressive element in building design. Until quite recently, building technology and design has favored high-energy-consuming mechanical methods of neutralizing the thermal environment. It has not responded to the various ways that people use, remember, and care about the thermal environment and how they associate their thermal sense with their other senses. The hearth fire, the sauna, the Roman and Japanese baths, and the Islamic garden are discussed as archetypes of thermal delight about which rituals ha...
The global crisis that erupted in 2008 has left unmistakably deep scars in architectural culture. But what is happening now is not solely attributable to what began as a mortgage crisis; many of the causes lie deeper, and go back further than a few years. In a way, the recession has simply accelerated, and exacerbated, various pre-existing trends. Without overstating the case, the West, and above all Europe, is undergoing such major change at the beginning of the twenty-first century that it is no longer logical to expect the future to be simply an extrapolation and continuation of the recent past. And this could well have far-reaching consequences for architecture. Of course, this is not the first time that people have declared that things will never be the same again. And up to now reality has usually turned out to be a good deal better than predicted. But there are reasons why architects in Europe should consider the possibility that this time it really might turn out differently.
Europe City: Lessons from the European Prize for Urban Public Space presents a multifaceted and diverseplatform of ideas about European public space and its social, cultural and economic significance. Based onseven themes--or lessons to be learned--, this discussion is approached from different disciplines, resulting ina wide-ranging reflection on public space as the intrinsic element that binds the European urban experiencetogether. These themes are Memory, Mobility, Mixture, Margins, Waterfronts, Marketplaces and Democracy, illustrated by a selection of about fifty projects of diverse scales and programs. The book also features ahistoric overview of European public space as well as impressions from international professionals. With aforeword by Kenneth Frampton and an epilogue by Zygmunt Bauman.The European Prize for Urban Public Space is an initiative of the Centre de Cultura Contemporània deBarcelona (CCCB) and is co-organized with AzW Vienna; AF, London; DAM Frankfurt; Cité de l'architectureet du patrimoine, Paris; MAO Ljubljana, and MFA Helsinki.
Amsterdam's Oostelijk Havengebied or eastern docks area consists of a number of artificial archipelagos laid out around 1900. When the once-flourishing docks fell into disuse, it was decided to transform the area into a high-grade residential district. Begun in the 1970s, that transformation is now almost completed. Many big-name Dutch architects contributed to fleshing out these plans with housing. So the eastern docks area is not just a successful and highly sort-after residential district, it is as much a catalogue of 20 years of Dutch architecture and urbanism of the highest quality. This book gives a complete overview in words and images of the planning and architecture of these eastern harbour docklands supplemented by themed essays by specialists. The book also gives a broad overview of Dutch housing of the past few decades.