Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Cameroon
In this volume, which features an abundance of excellent color illustrations, Hans-Joachim Koloss describes the circumstances and settings of his research. His fieldwork largely focused on the secret societies. Hence, an enthralling story unfolds which is not only about the everyday events and problems faced by the researcher, but also about the almost unlimited support granted him by the dignitaries. The comprehensive material collected in the course of his research - particularly on the monarchical and egalitarian as well as religious traditions - lent itself as a basis for a discussion not only of specific aspects of modern fieldwork theory, but also of the results gained by other fieldworkers in Oku. This is the final volume of his Cameroon trilogy. It has been preceded by the volumes World-View and Society in Oku (Cameroon) (2000) and Traditional Institutions in Kembong (Cameroon) (2008).
World-view and Society in Oku (Cameroon)
What is the significance of the famous Cameroon Grassland's masks and how are they used? Regarding the cultural background, there has been, up to now, as good as no information. Hans-Joachim Koloss demonstrates that the masks in Oku are a central cultural element and have a close connection to the supernatural medicine which is a protection from witches and other destructive forces. In addition to a detailed portrayal of the political and social system, he discusses each of the subtle interdependent ties between society and world-view, which include ideas of the sense and purpose of life, the relationship to the environment as well as the values and standards which determine social and political actions
For Hearth and Altar
An extraordinary collection of beautiful ceramic objects that reflect the intimate connection between pottery and village life across the African continent
Royal Art of Benin
Tantalizing trivia. this Hitler, spoiling everything?"
Publications of the Metropolitan Museum of Art, 1964-2005
The present volume, Publications of The Metropolitan Museum of Art, 1964-2005, is a successor to a volume published by the Museum in 1965 entitled Publications of The Metropolitan Museum of Art, 1870-1964. These two bibliographic volumes endeavor to list all the known books, pamphlets, and serial publications bearing the Museum's imprint, and issued by the institution during the first 135 years of its existence (through June 2005). The first volume was compiled by Albert TenEyck Gardner, at the time an Associate Curator of American Paintings and Sculpture, and the present volume has been compiled from the Annual Reports issued by the Museum during the relevant years. Together the two volumes...
Cameroon's Tycoon
Max Esser was an adventurous young merchant banker, a Rhinelander, who became the first managing director of the largest German plantation company in Cameroon. This volume gives a vivid account of the antecedents and early stages as experienced and described by Esser. In 1896 he ventured, with the explorer Zintgraff, into the hinterland to seek the agreement of Zintgraff's old ally, the ruler of Bali, for the provision of laborers for his projected enterprise. The consequences, many optimistically unforeseen, are illustrated with the help of contemporary materials. Esser's account is preceded by a look at his and his family's connections, added to by an account of newspaper campaigns against him, and completed by an examination of his Cameroon collection, which he gave to the Linden Museum in Stuttgart. E.M. Chilver is well known for her joint work with Phyllis Kaberry in Cameroon. Her last university post was as Principal of Lady Margaret Hall, Oxford. Ute Röschenthaler teaches at Frankfurt University.
Heroic Africans
Issued in connection with an exhibition held Sept. 20, 2011-Jan. 29, 2012, Metropolitan Museum of Art, New York, and at the Rietberg Museum, Zeurich, at later dates.
Das frühmittelalterliche Königtum
After the Second World War, the question of the religious character of Germanic kingship was no longer prominent - not least because previously excessively hybrid views had been developed on the existence of a Germanic religious kingship. Now that in the meantime important insights have been gained into the practical exercise of power in the early kingdoms, it is time to enquire again into their ideological and religious foundations. The multiple perspectives developed in these papers lead to new insights which differ distinctly from earlier understandings of the early kingdoms. Above all, weight is added to the doubts about the existence of Germanic religious kingship.
Art and Oracle
Twenty-eight African cultures are represented here by artifacts created to communicate with ancestors, spirits, and gods, about such issues as health, conception, and determination of guilt or innocence. Issued in conjunction with an April-July 2000 exhibit at The Metropolitan Museum of Art, NY, this catalog contains extensive ethnographic, descriptive, and interpretive text in connection with each of 50 pictured pieces, as well as a 13-page essay about divination in Sub-Saharan Africa (by John Pemberton III) and an introductory essay by LaGamma. Annotation copyrighted by Book News, Inc., Portland, OR
