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Hans Juergen Wirth, a leading German psychoanalyst and editor of the journal Psychosozial, brings cultural breadth, historical perspective, and analytic astuteness to bear in considering the "collective trauma" of 9/11. His meditation, which brings into its compass the psychic structure of suicide bombers and the psycho-political causes and consequences of the Iraq war, is especially insightful in considering the psychological meaning of 9/11 for the world outside the U.S. In complementary forays into psyche and politics, Wirth explores the relationship of xenophobia and violence; the story of Jewish analysts who emigrated from Nazi Germany to the United States; the idea of man in psychoanalysis; and the family dynamics that sustain the AIDS phobia. These wonderfully illuminating essays, both cautionary and constructive, show how clinical experience with the unconscious processes of violence, traumatization, and destructiveness can be foundational to new political strategies for dealing with collective violence.
First published in 1952, the International Bibliography of the Social Sciences (anthropology, economics, political science, and sociology) is well established as a major bibliographic reference for students, researchers and librarians in the social sciences worldwide. Key features * authority: Rigorous standards are applied to make the IBSS the most authoritative selective bibliography ever produced. Articles and books are selected on merit by some of the world's most expert librarians and academics. * breadth: today the IBSS covers over 2000 journals - more than any other comparable resource. The latest monograph publications are also included. * international Coverage: the IBSS reviews scholarship published in over 30 languages, including publications from Eastern Europe and the developing world. *User friendly organization: all non-English titles are word sections. Extensive author, subject and place name indexes are provided in both English and French.
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Kristine Stiles has played a vital role in establishing trauma studies within the humanities. A formidable force in the art world, Stiles examines the significance of traumatic experiences both in the individual lives and works of artists and in contemporary international cultures since World War II. In Concerning Consequences, she considers some of the most notorious art of the second half of the twentieth century by artists who use their bodies to address destruction and violence. The essays in this book focus primarily on performance art and photography. From war and environmental pollution to racism and sexual assault, Stiles analyzes the consequences of trauma as seen in the works of artists like Marina Abramovic, Pope.L, and Chris Burden. Assembling rich intellectual explorations on everything from Paleolithic paintings to the Bible’s patriarchal legacies to documentary images of nuclear explosions, Concerning Consequences explores how art can provide a distinctive means of understanding trauma and promote individual and collective healing.