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This text might be rendered on a screen. It could appear on paper as well. I have written it using a computer. As you are reading this text, some thing is functioning as an interface. Although I do not know exactly what this thing is, I know for certain that there is some thing here, slipping your mind as you read this text. This knowledge and this slipping away is the subject of this book. This research project questioned the sustaining support of digital objects: It aimed to challenge the habitualisation towards digital devices, the forgetting of the physical interface that leads to the supposition of digital immateriality. By handling computers as absurd things that escape language, the author sought to position himself among these strange and aloof digital entities and their effects.
Wie wird Wissen aus den Weiten des digitalen Raums herausgefiltert? Wie wird es generiert und evaluiert? Was wird als Wissen verfügbar gemacht - und was nicht? Die Beiträger*innen des Bandes widmen sich diesen Fragen und untersuchen die Auswirkungen der zunehmenden Digitalisierung auf die Erzeugung, Auswahl und Bewertung wissenschaftlicher Erkenntnis unter den Aspekten der Datafizierung, Publizierung und Metrisierung. Sie bringen Expertisen aus der Philosophie, der Informations- und Bibliothekswissenschaft sowie der Wissenschaftspolitik ein und reflektieren in kritischer und konstruktiver Weise die Gestaltung und Folgen der digitalisierten Wissenschaftspraxis.
Design has long expressed and established itself as an independent research competence – a fact that also companies, institutions and politicians have come to acknowledge. What is still needed, however, is a stronger public platform for design to confidently reflect upon this process and to establish and communicate the specific innovative and experimental dimension of design research. For this reason, BIRD, the Board of International Research in Design, has developed the New Experimental Research in Design / NERD format. The edited conference contributions of twelve young researchers from all over the world provide an impressive and diverse and insightful range of intelligent and inspiring approaches in design research, giving rise to further debate and action in the rapidly evolving field.
Inequality remains one of the most intensely discussed topics on a global level. As well as figuring prominently in economics, it is possibly the most central topic of sociology. Despite this, there has been no book until now that unites approaches from economics and sociology. Organized thematically, this volume brings international scholars together to offer students and researchers a cutting-edge overview of the core topics of inequality research. Chapters cover: the theoretical traditions in economics and sociology; the global and national structures of inequality in the contemporary world; the main dimensions of inequality (including gender, race, caste, migration, education and poverty); and research methodology. In presenting this overview, Inequality in Economics and Sociology seeks to build a bridge between the disciplines and the approaches. This book offers an encompassing understanding of an increasingly fragmented and highly specialized field of research. It will be invaluable for students and researchers seeking a single repository on the current state of knowledge, current debates and relevant literature in this key area.
"This text here might be rendered on a screen. It could appear on paper as well. I have written it on a computer. As you are reading it, something is functioning as an interface. Although I do not know exactly what this thing is, I know for certain that there is something here, slipping your mind as you read this text." This knowledge and slipping away questions the sustaining support of digital objects: It aimed to challenge the habitualisation towards digital devices, the forgetting of the physical interface that leads to the supposition of digital immateriality, by making the computer apparent as an absurd thing that escapes language. The author positions himself among these strange and aloof digital things and their effects.
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Essays presented at a conference held in Madison, Wis., in April 2009 during observances of the twenty-fifth anniversary of the founding of Max Kade Institute for German-American Studies at University of Wisconsin-Madison.
Renowned for its international coverage and rigorous selection procedures, this series provides the most comprehensive and scholarly bibliographic service available in the social sciences. Arranged by topic and indexed by author, subject and place-name, each bibliography lists and annotates the most important works published in its field during the year of 1997, including hard-to-locate journal articles. Each volume also includes a complete list of the periodicals consulted.
Leading artists, theorists, and writers exhume the dystopian and utopian futures contained within the present “I am the supercommunity, and you are only starting to recognize me. I grew out of something that used to be humanity. Some have compared me to angry crowds in public squares; others compare me to wind and atmosphere, or to software.” Invited to exhibit at the 56th Venice Biennale, e-flux journal produced a single issue over a four-month span, publishing an article a day both online and on site from Venice. In essays, poems, short stories, and plays, artists and theorists trace the negative collective that is the subject of contemporary life, in which art, the internet, and globalization have shed their utopian guises but persist as naked power, in the face of apocalyptic ecological disaster and against the claims of the social commons. “I convert care to cruelty, and cruelty back to care. I convert political desires to economic flows and data, and then I convert them back again. I convert revolutions to revelations. I don’t want security, I want to leave, and then disperse myself everywhere and all the time.”