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New Light on Liszt and His Music
The second volume in the Liszt Studies series looks at discoveries about the composer's life and work.
A Serious Matter and True Joy
We tend to accept that German cities and states run their own cultural institutions (concert halls, theatres, museums). This book shows how this now “self-evident” fact became a reality in the course of the long nineteenth century.
Giacomo Puccini and His World
Giacomo Puccini (1858–1924) is the world's most frequently performed operatic composer, yet he is only beginning to receive serious scholarly attention. In Giacomo Puccini and His World, an international roster of music specialists, several writing on Puccini for the first time, offers a variety of new critical perspectives on the composer and his works. Containing discussions of all of Puccini’s operas from Manon Lescaut (1893) to Turandot (1926), this volume aims to move beyond clichés of the composer as a Romantic epigone and to resituate him at the heart of early twentieth-century musical modernity. This collection’s essays explore Puccini’s engagement with spoken theater and op...
The Oxford Handbook of Early Evangelicalism
Evangelicalism, a worldwide interdenominational movement within Protestant Christianity, is one of the most popular and diverse religious movements in the world today. Evangelicals maintain the belief that the essence of the Gospel consists of the doctrine of salvation by grace, through faith in Jesus' atonement. Evangelicals can be found on every continent and among nearly all Christian denominations. The origin of this group of people has been traced to the turn of the eighteenth century, with roots in the Puritan and Pietist movements in England and Germany. The earliest evangelicals could be found among Anglicans, Baptists, Congregationalists, Methodists, Moravians, and Presbyterians thr...
Munich and Theatrical Modernism
This is the first cultural exploration of playwriting, directing, acting, and theater architecture in fin-de-siegrave;cle Munich. Peter Jelavich examines the commercial, political, and cultural tensions that fostered modernism's artistic revolt against the classical and realistic modes of nineteenth-century drama.
