You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Accompanying DVD, photography, editing and sound by Ingo Ahmels, is made up of excerpts from a 1999 conversation with the composer, excerpts from a 2001 conversation between Herbert Henck and the composer, and excerpts from a 2004 conversation between Hans-Joachim Hespos and the composer.
New Music, New Allies documents how American experimental music and its practitioners came to prominence in the West German cultural landscape between the end of the Second World War in 1945 and the reunification of East and West Germany in 1990. Beginning with the reeducation programs implemented by American military officers during the postwar occupation of West Germany and continuing through the cultural policies of the Cold War era, this broad history chronicles German views on American music, American composers’ pursuit of professional opportunities abroad, and the unprecedented dissemination and support their music enjoyed through West German state-subsidized radio stations, new music festivals, and international exchange programs. Framing the biographies of prominent American composer-performers within the aesthetic and ideological contexts of the second half of the twentieth century, Amy C. Beal follows the international careers of John Cage, Henry Cowell, Earle Brown, Morton Feldman, David Tudor, Frederic Rzewski, Christian Wolff, Steve Reich, Pauline Oliveros, Conlon Nancarrow, and many others to Donaueschingen, Darmstadt, Cologne, Bremen, Berlin, and Munich.
Living Waters - Scandinavian Oriental Studies. In Honour of Frede Løkkegaard
David Tudor is remembered today as an extraordinary pianist of post-war avant-garde music who worked closely with composers like John Cage and Karlheinz Stockhausen and as a founding figure of live-electronic music. His bold reinterpretation of Cage's Variations II and his idiosyncratic performances using homemade modular instruments inspired a whole generation of musicians. But his reticence, his unorthodox approaches, and the diversity of his creative output-which began with the organ and ended with visual art-have kept Tudor a puzzle. Reminded by the Instruments sets out to solve the puzzle of David Tudor by applying Tudor's own methods for approaching the materials of others to the vast ...
The collection of essays presented in “Devotional Cross-Roads: Practicing Love of God in Medieval Gaul, Jerusalem, and Saxony” investigates test case witnesses of Christian devotion and patronage from Late Antiquity to the Late Middle Ages, set in and between the Eastern and Western Mediterranean, as well as Gaul and the regions north of the Alps. Devotional practice and love of God refer to people – mostly from the lay and religious elite –, ideas, copies of texts, images, and material objects, such as relics and reliquaries. The wide geographic borders and time span are used here to illustrate a broad picture composed around questions of worship, identity, religious affiliation and...
Early modern Central Europe was the continent’s most decentralized region politically and its most diverse ethnically and culturally. With the onset of the Reformation, it also became Europe’s most religiously divided territory and potentially its most explosive in terms of confessional conflict and war. Focusing on the Holy Roman Empire and the Polish-Lithuanian Commonwealth, this volume examines the tremendous challenge of managing confessional diversity in Central Europe between 1500 and 1800. Addressing issues of tolerance, intolerance, and ecumenism, each chapter explores a facet of the complex dynamic between the state and the region’s Catholic, Protestant, Orthodox, Utraquist, and Jewish communities. The development of religious toleration—one of the most debated questions of the early modern period—is examined here afresh, with careful consideration of the factors and conditions that led to both confessional concord and religious violence.
This comprehensive investigation into the involvement of ordinary Christians in Church activities and in anti-clerical dissent, explores a phenomenon stretching from Britain and Germany to the Americas and beyond. It considers how evangelicalism, as an anti-establishmentarian and profoundly individualistic movement, has allowed the traditionally powerless to become enterprising, vocal, and influential in the religious arena and in other areas of politics and culture.
Apocalyptic expectations played a key role in defining the horizons of life and expectation in early modern Europe. Hope and Heresy investigates the problematic status of a particular kind of apocalyptic expectation—that of a future felicity on earth before the Last Judgement—within Lutheran confessional culture between approximately 1570 and 1630. Among Lutherans expectations of a future felicity were often considered manifestations of a heresy called chiliasm, because they contravened the pessimistic apocalyptic outlook at the core of confessional identity. However, during the late sixteenth and early seventeenth centuries, individuals raised within Lutheran confessional culture—math...
Although baptized as a child and serving faithfully as a pastor and theologian in the German Evangelische Kirche, Paul Leo was persecuted, removed from his church position, and imprisoned by the Nazi regime due to his Jewish ancestry. Leo was a descendent of Moses Mendelssohn, the famous Jewish philosopher, and Fanny Hensel née Mendelssohn-Bartholdy, the composer and pianist. The book carefully documents how the Nazis took severe measures against Leo, a Christian minister, because of his Jewish lineage. This eventuated in his incarceration in Buchenwald concentration camp before he was able to flee Germany as an exile to the United States. His escape from Germany was mediated through a refugee camp in the Netherlands and emigration to the US through the sponsorship of his colleague and friend Otto Piper, on the faculty of Princeton Theological Seminary. The story of Paul Leo in America includes his teaching at Western Theological Seminary in Pittsburgh, pastorates in southern Texas, and professorship at Wartburg Theological Seminary in Dubuque, Iowa. This book highlights the teaching and scholarly publications by Leo and his marriage to the accomplished artist Eva (Dittrich) Leo.
In the first single-author account of German history from the Reformation to the early nineteenth century since Hajo Holborn's study written in the 1950s, Dr Whaley provides a full account of the history of the Holy Roman Empire. Volume II extends from the Peace of Westphalia to the Dissolution of the Reich.