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The Bully Pulpit and the Melting Pot
Between 1897 and 1933 the presidents of the United States joined progressive reformers in redefining the concept of the United States as a melting pot. Their use of this metaphor to describe assimilation never meant that immigrants had to completely abandon their ethnic cultures. Instead, they argued that the melting pot blended the best of the immigrants traits and traditions to create a new American race united by patriotism and committed to liberal political and economic ideals. While nativists regarded new immigrants from southern and eastern Europe as incapable of assimilation, the presidents celebrated immigrant contributions to America and emphasized the need to improve immigrants' li...
World War One, American Literature, and the Federal State
This book shows an empowered federal state as a significant factor in experimental American culture well before the 1930s.
Modernisation, National Identity and Legal Instrumentalism (Vol. II: Public Law)
This book, one of two volumes, is an anthology that analyses, through selected examples, the role played in the development of public law by the pursuit of goals serving modernisation or national ideologies in various countries, cultural spheres, and periods.
Why Coolidge Matters
Imagine a country in which strikes by public-sector unions occupied the public square; where foreign policy wandered aimlessly as America disentangled itself from wars abroad and a potential civil war on its southern border; where racial and ethnic groups jostled for political influence; where a war on illicit substances led to violence in its cities; where technology was dramatically changing how mankind communicated and moved about—and where the educated harbored increasing contempt for the philosophic underpinnings of our republic. That country, the America of the 1920s, looked a lot like America today. One would think, then, that the President who successfully navigated these challenge...
The Record
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The Steerage and Alfred Stieglitz
When, in 1907, Alfred Stieglitz took a simple picture of passengers on a ship bound for Europe, he could not have known that The Steerage, as it was soon called, would become a modernist icon and, from today’s vantage, arguably the most famous photograph made by an American photographer. In complementary essays, a photo historian and a photographer reassess this important picture, rediscovering the complex social and aesthetic ideas that informed it and explaining how over the years it has achieved its status as a masterpiece. What aspects of Stieglitz’s ideas and sometimes-murky ambitions help us understand the picture’s achievements? How should we assess the photograph in relation to Stieglitz’s many writings about it? The authors of this book explore what The Steerage might mean in at least two senses—by itself, as a grand and self-sufficient work, and also ineluctably bound up with the many stories told about it. They make the photograph, today, what Stieglitz himself made it over the years—a photo-text work.
The Trans-Mississippi and International Expositions of 1898–1899
The Trans-Mississippi Exposition of 1898 celebrated Omaha’s key economic role as a center of industry west of the Mississippi River and its arrival as a progressive metropolis after the Panic of 1893. The exposition also promoted the rise of the United States as an imperial power, at the time on the brink of the Spanish-American War, and the nation’s place in bringing “civilization” to Indigenous populations both overseas and at the conclusion of the recent Plains Indian Wars. The Omaha World’s Fair, however, is one of the least studied American expositions. Wendy Jean Katz brings together leading scholars to better understand the event’s place in the larger history of both Victo...
Rough Writing
As the United States struggled to absorb a massive influx of ethnically diverse immigrants at the turn of the twentieth century, the question of who and what an American is took on urgent intensity. It seemed more critical than ever to establish a definition by which Americanness could be established, transmitted, maintained, and judged. Americans of all stripes sought to articulate and enforce their visions of the nation’s past, present, and future; central to these attempts was President Theodore Roosevelt. Roosevelt fully recognized the narrative component of American identity, and he called upon authors of diverse European backgrounds including Israel Zangwill, Jacob Riis, Elizabeth Stern, and Finley Peter Dunne to promote the nation in popular written form. With the swell and shift in immigration, he realized that a more encompassing national literature was needed to “express and guide the soul of the nation.” Rough Writing examines the surprising place and implications of the immigrant and of ethnic writing in Roosevelt’s America and American literature.
The Lovers' Quarrel
"Traces the core conflict of the American republic - the debate between the central government-favoring Federalists and the individual rights-favoring Anti-Federalists - from the 1790s to the present, showing how these two ideological impulses have fueled practically all of the major political debates and contests in U.S. history"--
