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Hans Scharoun, 1893-1972
This text studies the architecture of Hans Scharoun. It provides an analysis of his career until his death in 1972.
Hans Scharoun, a Monograph
Hans Scharoun (1893-1972) was the most significant German architectural Modernist of the 1920's, staying in the country during the Third Reich to re-emerge during the 1950's. Achieving recognition with his controversial house for the Stuttgart Weissenhofsiedlung in 1927, his experiments with free planning and dynamic interior space continued throughout the wartime years. Post-war he emerged with a consolidated architectural philosophy exemplified by the Philarmonie concert hall in Berlin (1956-63) which remains the most sucessful 20th century model for this building type.
Hans Scharoun and China
This book presents the first systematic overview and analysis of the deep connection between Scharoun and China, offering insights into East-West cultural exchange and enriching existing understandings of modernism. The German architect Hans Scharoun has typically been pigeonholed as a leading figure in “expressionist” architecture. As this book shows, however, this understanding oversimplifies the multifaceted nature of Scharoun’s career and overlooks his central role within the tradition of Neues Bauen. The book begins with Scharoun’s early interactions with East Asian architects in the 1930s, his active involvement in the Chinese Werkbund (1941–42), and his extensive research on...
Hans Scharoun and the Development of Small Apartment Floor Plans
Romeo and Julia, two residential high-rises in Stuttgart, built 1954-59 and designed by Hans Scharoun (1893-1972), constitute the most original and far-reaching of the various attempts to re-design the entire "process of living" that this extraordinary protagonist of Germany's modern architecture undertook. Over decades, Scharoun had woven and extensive network of research and knowledge systems as a basis for his floor-plan designs. His unpublished writings and, even more importantly, his lectures from between 1947 and 1958 reveal the countless threads of research and discourse, which his work in residential architecture referenced and absorbed. They highlight the sometimes contradictory, ye...
Hans Scharoun
An exhaustive study of the significant German architectural Modernist.
Philharmonie Berlin, 1956-1963
Rising with its golden roof from the self-inflicted ashes of World War II, right at the center of the remains of Hitler's megalomaniac World Capital Germania, the new concert hall for the Berlin Philharmonic Orchestra has become the symbol of another Germany; a newly democratized nation that sought to reshape itself with the help of cultural experiences. Today, the Philharmonie is the nucleus of Berlin's Kulturforum with five museums, two concert venues and the state library, West Berlin's response during the Cold War to the Museum Island on the east of Berlin.Scharoun (1893-1972) had pursued all his life to project a symbol for new democracy in Germany. Ever since the revolutionary air swep...
On Hans Scharoun
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Hans Scharoun
Hans Scharoun is one of the most important architects of the 20th century; as a proponent of organic architecture, he created unconventional and imaginative buildings which adapt to users' needs in a dynamic way. His oeuvre includes family residences and housing estates but also encompasses the German embassy in Brazil, and urban icons such as the Berlin Philharmonie. The book, a cooperation with Baukunstarchiv (the architecture archive) of the Akademie der Künste, Berlin, documents the entire range of known completed buildings by Scharoun, including, for the first time, early works in East Prussia. The specially taken photographs by Carsten Krohn, together with the historic photographs and plans from the Hans-Scharoun-Archive offer a new overview of this expressive organic architecture.
Hans Scharoun
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Hans Scharoun
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