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Koekboya
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Nomads in Anatolia
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Madder Red
Madder red is an ancient dyestuff, extracted from the root of the madder plant, growing in many countries around the world. The secret and devilishly complex Oriental dyeing process to obtain the lustrous colour known as Turkey Red was avidly sought by Europeans, from the time before the fall of Ancient Rome. It was finally cracked by the French about 1760, who were able to dye wool, silk and cotton bright red. After the lowlands of the Caspian Caucasus had been subdued by the Russians in the early 1800s, madder was cultivated there and rapidly became the main crop. The quest for Turkey Red went hand in hand with an avalanche of scientific research, which not only improved the yield of dyestuff from the roots but led to its chemical synthesis and in 1870 the collapse of the world-wide madder industry. Many of the nascent dye companies grew into chemical giants of our time. Further regional and cultural background may be found in Chenciner's Daghestan: Tradition and Survival, also published in the Caucasus World series.
Flowers Underfoot
Rich color illustrations and a scholarly text characterize this catalogue of a landmark exhibition of Mughal carpets held at the Metropolitan Museum of Art, New York, November 1997-March 1998. Though exquisite, Indian carpets are little known even to carpet experts. This volume (and the exhibition) focus on the 16th to the 18th century, a peak period for stunning works. The text surveys the era in terms of history, the role of commerce, technical characteristics, and the carpets themselves, which exemplify the broad range of imperial and provincial production during the "classical" period of Indian carpet weaving. Carpets are organized by style and pattern and include a group from Kyoto. Three appendices analyze animal fibers and dyes. Oversize (9.50x12.25"). Annotation copyrighted by Book News, Inc., Portland, OR
Oriental Rugs Today
Demystifying a confusing and intimidating subject, Oriental Rugs Today is the first book devoted exclusively to new pieces. It discusses issues of dye and finish, looks country by country at examples from every major contemporary source, and profiles the artisans who revived the use of handspun wool and natural dyes. Written for both aficionado and novice, this edition includes 20 percent more material and new information on Nepalese and Iranian rugs, making this must-have guide to the subject. 100color photos are included.
The Politics of Public Memory in Turkey
Turkish society is frequently accused of having amnesia. It has been said that there is no social memory in Turkey before Mustafa Kemal Atatürk founded modern Turkey after World War I. Indeed, in 1923, the newly founded Turkish Republic committed to a modernist future by erasing the memory of its Ottoman past. Now, almost eighty years after the establishment of the republic, the grandchildren of the founders have a different relationship with history. New generations make every effort to remember, record, and reconcile earlier periods. The multiple, personalized representations of the past that they have recovered allow contemporary Turkish citizens to create alternative identities for them...
Textile Economies
Textiles have been a highly valued and central part of human societies across culture divides and over millennia. This volume is centered around the a number of themes textile production, textiles as trade goods, textile as symbols, textiles in tourism and textile the transnational processes. Textile Economies appeals to abroad range of scholars image in the intersection of material culture political economy, and globalization such as sociologists, cultural anthropologists, economists, Museum curators and historians. Book jacket.
Iban Ritual Textiles
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And Then We Work for God
Turkey's contemporary struggles with Islam are often interpreted as a conflict between religion and secularism played out most obviously in the split between rural and urban populations. The reality, of course, is more complicated than the assumptions. Exploring religious expression in two villages, this book considers rural spiritual practices and describes a living, evolving Sunni Islam, influenced and transformed by local and national sources of religious orthodoxy. Drawing on a decade of research, Kimberly Hart shows how religion is not an abstract set of principles, but a complex set of practices. Sunni Islam structures individual lives through rituals—birth, circumcision, marriage, military service, death—and the expression of these traditions varies between villages. Hart delves into the question of why some choose to keep alive the past, while others want to face a future unburdened by local cultural practices. Her answer speaks to global transformations in Islam, to the push and pull between those who maintain a link to the past, even when these practices challenge orthodoxy, and those who want a purified global religion.
