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ÊConstantinople has been so often written about that it is useless to describe its lovely aspect in detail. Every one knows that there are minarets and towers rising up, in fairy-like grace, from amid gardens and cypress groves; but Òhe who would see it arightÓ should have his first view in all the bright unreality of a sunny summer morning. Soon after dawn, in the tender duskiness of the early hours, when the light steals down shyly from the veiled east, and before the business and noise of a great city begin, Constantinople is like the sleeping beauty in the wood. A great hush is over everything, broken only when the sun comes up in a blaze of light, flooding sea, earth, and city with a...
Until now, the notion of a cross-cultural dialogue has not figured in the analysis of harem paintings, largely because the Western fantasy of the harem has been seen as the archetype for Western appropriation of the Orient. In Intimate Outsiders, the art historian Mary Roberts brings to light a body of harem imagery that was created through a dynamic process of cultural exchange. Roberts focuses on images produced by nineteenth-century European artists and writers who were granted access to harems in the urban centers of Istanbul and Cairo. As invited guests, these Europeans were “intimate outsiders” within the women’s quarters of elite Ottoman households. At the same time, elite Ottom...
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In a nuanced reading of Ingres's Bain turc and other works, Yeazell concludes that for some the appeal of the harem lay in the fantasy of eluding time and death."--BOOK JACKET.
An interdisciplinary collection of essays exploring the harem as it was imagined, represented, and experienced in Middle Eastern and North African societies, and by visitors to those societies.
Throughout my childhood, my grandmother Yasmina, who was illiterate and grew up in a harem, repeated that to travel is the best way to learn and to empower yourself. "When a woman decides to use her wings, she takes big risks," she would tell me, but she was convinced that if you didn't use them, it hurt.... So recalls Fatema Mernissi at the outset of her mesmerizing new book. Of all the lessons she learned from her grandmother -- whose home was, after all, a type of prison -- the most central was that the opportunity to cross boundaries was a sacred privilege. Indeed, in journeys both physical and mental, Mernissi has spent virtually all of her life traveling -- determined to "use her wings...
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Reproduction of the original: Turkish Harems and Circassian Homes by Harvey Mrs
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.