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First Harp Book
Harp
The Harp
"Written by an art historian who is also a performing harpist, this book provides, in a single source, information on the development of the harp and its technique and repertoire. The first part is devoted to a lucid exposition of the history of the instrument and is documented by over 70 illustrations of carvings, illuminated manuscripts, paintings, and musical instruments. Dr. Rensch traces the harp from its representation on monuments of the ancient East to its present-day form. There is material from Egypt, Mesopotamia, Israel, and Greece, with a rich haul from medieval manuscripts and carvings of Western Europe. Harps portrayed by master painters, from the early Renaissance to the baroq...
The Story of the Harp
Although the Harp, mainly by reason of the introduction of the pianoforte, has not maintained its prestige in the salons of the great, yet it still holds an honoured place in the orchestra, and claims many amateur votaries. Of course there is a professorship of the harp in the principal musical conservatoires; and all the big European and American festivals requisition the instrument either for solo or concerted work. The chief object of this title is to present in a popular form the various evolutions of the harp until its final development by Erard, at the commencement of the nineteenth century, and to furnish a readable account of the leading harpists from mediæval days to our own times; as also to point out the bearing of the harp in the orchestra, and its introduction into the scores of such giants as Wagner, Berlioz, Meyerbeer, and Gounod.
The Jews-Harp in Britain and Ireland
The jews-harp is a distinctive musical instrument of international importance, yet it remains one of those musical instruments, like the ocarina, kazoo or even the art of whistling, that travels beneath the established musical radar. The story of the jews-harp is also part of our musical culture, though it has attracted relatively little academic study. Britain and Ireland played a significant role in the instrument‘s manufacture and world distribution, particularly during the nineteenth and first half of the twentieth centuries. Drawing upon previously unknown written sources and piecing together thousands of fragments of information spanning hundreds of years, Michael Wright tells the st...
Guide to the Contemporary Harp
Harps and harp music have enjoyed a renaissance over the past century and today can be heard in a broad array of musical contexts. Guide to the Contemporary Harp is a comprehensive resource that examines the vibrant present-day landscape of the harp. The authors explore the instrument from all angles, beginning with organology; moving through composition, notation, and playing techniques; and concluding with the contemporary repertoire for the harp. The rapid diversification in these areas of harp performance is the result of both technological innovations in harp making, which have produced the electric harp and MIDI harp, and innovative composers and players. These new instruments and techniques have broadened the concept of what is possible and what constitutes harp music for today. Guide to the Contemporary Harp is an essential guide for any harpist looking to push the instrument and its music to new heights.
The harp primer
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The Story of the Irish Harp
Since early times in Ireland and nearby Celtic lands, the Irish harp and its music have captivated musicians and audiences alike. Numerous historical aspects, such as the function of the harper at Tara, the seat of ancient Irish kings, is explored in this comprehensive history of the harp of Ireland. Through the ages, the harp has been a symbol of the lyrical nature of Ireland and the Irish people. This book explores the reawakening of this beautiful instrument in Ireland and around the world in the mid-twentieth century and beyond, touching on the quite recent development of the popular Folk and Celtic harps of today.
