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Laughing Fit to Kill
Reassessing the meanings of "black humor" and "dark satire," Laughing Fit to Kill illustrates how black comedians, writers, and artists have deftly deployed various modes of comedic "conjuring"--the absurd, the grotesque, and the strategic expression of racial stereotypes--to redress not only the past injustices of slavery and racism in America but also their legacy in the present. Focusing on representations of slavery in the post-civil rights era, Carpio explores stereotypes in Richard Pryor's groundbreaking stand-up act and the outrageous comedy of Chappelle's Show to demonstrate how deeply indebted they are to the sly social criticism embedded in the profoundly ironic nineteenth-century ...
Townsend
Townsend is nestled comfortably in the north-central region of the state, on the border of New Hampshire. Its location is close enough to major travel routes that it continues to grow, yet far enough from large cities to retain elements of its rural character. Within the history of Townsend, three distinct sections of the town emerged: Townsend Harbor, Townsend Center, and West Townsend. Each thrived as a separate center with its own businesses, schools, and colorful residents. Together they share their stories and memories to create the complete history of Townsend. From the incorporation of the town in 1732 to the thriving mill industry of the 19th century; from the Rufus Porter murals covering the walls of an upstairs room at the Reed Homestead to Elsa Williams's mission to bring the art of needlepoint to Townsend; and from a 25,000-person Red Cross fund-raiser held at Wyndecrest in 1922 to the tradition of gathering around the common for concerts on summer evenings, Townsend remains devoted to remembering history and celebrating community.
Re-forming the Past
The slave experience was a defining one in American history, and not surprisingly, has been a significant and powerful trope in African American literature. In Re-Forming the Past, A. Timothy Spaulding examines contemporary revisions of slave narratives that use elements of the fantastic to redefine the historical and literary constructions of American slavery. In their rejection of mimetic representation and traditional historiography, postmodern slave narratives such as Ishmael Reed's Flight to Canada, Octavia Butler's Kindred, Toni Morrison's Beloved, Charles Johnson's Ox Herding Tale and Middle Passage, Jewelle Gomez's The Gilda Stories, and Samuel Delaney's Stars in My Pocket like Grain...
The Man from the Train
"From legendary writer Bill James, in collaboration with his daughter, Rachel, a compelling, dramatic, and meticulously researched narrative about a century-old series of unsolved axe murders across America, and how the authors came to solve them"--Jacket.
Pursuing a Promise
In Statesboro, Georgia, two schools coexisted: one white and the other black. Yet, these schools were intertwined by their geographical location and the traditions of the segregated South. There are many glaring similarities between the white students of Georgia Southern University's forerunner, the First District A&M School, and the black students of the Statesboro Industrial and High School. Yet as happened all too often in the South as implementation of the federal court's desegregation orders took shape, "Negro" schools were downgraded or outright closed. Statesboro was no different. While, First District A&M became a regional university, Statesboro Industrial and High School was downgra...
Before Abolition
This book includes information about more than seven thousand black people who lived in Clark County, Kentucky before 1865. Part One is a relatively brief set of narrative chapters about several individuals. Part Two is a compendium of information drawn mainly from probate, military, vital, and census records.
Sites of Slavery
In Sites of Slavery Salamishah Tillet examines how contemporary African American artists and intellectuals—including Annette Gordon-Reed, Barbara Chase-Riboud, Bill T. Jones, Carrie Mae Weems, and Kara Walker—turn to the subject of slavery in order to understand and challenge the ongoing exclusion of African Americans from the founding narratives of the United States.
