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Stanley Anderson
Despite living through some of the most dramatic changes of the twentieth century, Stanley Anderson CBE (1884-1966) created a vision of an essentially timeless English rural tradition in his etchings and woodcuts. He trained as an engraver, first on a heraldic engraving apprenticeship with his father and later at the Royal College of Art and Goldsmiths' College, London. Anderson became a master of his craft: elected as a fellow of the Royal Society of Painter-Etcher and Engravers in 1923. When he later took up woodcutting, he became immersed in a technique that was considered as deeply English as the subjects he depicted. Anderson was a key figure in the engraving revival in the 1920s; the t...
Charles Tunnicliffe
Published on the occasion of the exhibition "Second nature: the art of Charles Tunnicliffe RA," held at the Tennant Gallery, Royal Academy of Arts, London, 11 July - 8 October 2017.
Immaterial Culture
This book engages with the lesser known radio plays of American network radio during its golden age, which are often dismissed today as commodified nostalgia. The author explores the reasons behind the suppression of these works and encourages discourse about cultural products that defy classification.
Reading the Eighteenth-Century Novel
Reading the Eighteenth-Century Novel is a lively exploration of the evolution of the English novel from 1688-1815. A range of major works and authors are discussed along with important developments in the genre, and the impact of novels on society at the time. The text begins with a discussion of the “rise of the novel” in the long eighteenth century and various theories about the economic, social, and ideological changes that caused it. Subsequent chapters examine ten particular novels, from Oroonoko and Moll Flanders to Tom Jones and Emma, using each one to introduce and discuss different rhetorical theories of narrative. The way in which books developed and changed during this period, breaking new ground, and influencing later developments is also discussed, along with key themes such as the representation of gender, class, and nationality. The final chapter explores how this literary form became a force for social and ideological change by the end of the period. Written by a highly experienced scholar of English literature, this engaging textbook guides readers through the intricacies of a transformational period for the novel.
Gwilym Prichard
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Tuning in to the Neo-Avant-garde
This collection offers the first in-depth study of the radio medium's significance as a site of artistic experimentation for the literary neo-avant-garde in the postwar era. It addresses institutional and contextual aspects of audio drama, as well as intermedial and material issues alongside ideological and political topics.
Claudia Williams
Provides a closer look at Claudia Williams artistic development and influences, her use of textures and patterns and her varying approaches to subjects.
Pragmatic Perspectives on Postcolonial Discourse
In sociolinguistic research on Englishes world-wide, little has been published on the pragmatics of postcolonial varieties. This interdisciplinary volume closes this research gap by providing integrative investigations of postcolonial discourses, probing the interstices between linguistic methodologies and literary text analysis. The literary texts under discussion are conceptualized as media both reflecting and creating reality, so that they provide valuable insights into postcolonial discourse phenomena. The contributions deal with the issue of how postcolonial Englishes, such as those spoken in India, Nigeria, South Africa and the Caribbean, have produced different pragmatic conventions in a complex interplay of culture-specific and global linguistic practices. They show the ways in which hybrid communicative situations based on ethnic, cultural, and linguistic diversity result in similarly hybrid social and communicative routines. The central pragmatic paradigms discussed here include im/politeness, speech act conventions, conversational maxims, deixis, humour, code-switching and -mixing, Othering, and linguistic exclusion.
Theater of the Mind
In this work, Neil Verma applies an array of critical methods to more than 6000 recordings to produce an account of radio drama from the Depression to the Cold War.
Queer Wales
The relationship between nation and queer sexuality has long been a fraught one, for the sustaining myths of the former are often at odds with the needs of the latter. This collection of essays introduces readers to important historical and cultural figures and moments in queer life, and it addresses some of the urgent questions of queer belonging that face Wales today.
