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Presents a look at the northern Atlantic Coast of North America, describing its ecosystems; forest realms; geological structures; the fish, bird, and plant life that flourish there; and the conservation efforts that have been made to preserve it.
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A Place Between the Tides is an evocative mix of scientific observation and personal memories that captures the tremendous vitality and vulnerability of marshlands. For every nature writer there seems to be one special place that demonstrates the ways of the natural world and its relationship with humans. For Thoreau, it was a pond; for Annie Dillard, a creek; for author Harry Thurston, it is the salt marsh where land meets sea, one of the most biologically diverse habitats on Earth but one that is increasingly threatened. This is the story of Thurston's return to the beloved environment of his boyhood. Elegantly moving back and forth in time, and deftly interweaving a naturalist's observations with a personal journey, he describes the seasons of the marsh over two decades. Altogether, Thurston documents more than 100 species of fish, birds, and mammals, a myriad of creatures hiding in tidal pools, and 70 species of plants.
In Keeping Watch at the End of the World, Harry Thurston explores the ways in which poetry stands sentinel at the edge-places where known and unknown meet. Whether that frontier lies between land and sea, present and past, health and illness, or youth and aging, Thurston holds that the poet's duty is to survey the horizon and "see things before they take shape," chronicling occurrences both acute and remote. A poet-naturalist in the tradition of Thoreau, Thurston reminds us of the importance of being fully present in the midst of our own brief lives, of shaping what we see into poetry's "steeped words-dark, light, and sweetened gifts."
In the winter of 2009, Harry Thurston travelled to Campbell River on Vancouver Island to serve a term as writer-in-residence in the former home of the renowned fisherman and environmentalist Roderick Haig-Brown. While there, he and his longtime friend Allan Cooper embarked on a poetic correspondence; Thurston would send his Campbell River poems east and Cooper would reply. In this, they were consciously following the model of the Wang River Sequence, a poetic correspondence written by the Chinese poets Wang Wei and P'ei Ti over 1200 years ago. "Our poetry-separately-has always been rooted deeply in the natural world," writes Thurston. "Like many other Western poets, we have looked to the East, to classical Chinese poetry, as one model to best express our relationship with what we now call the environment, a no less reverential term than Nature." The resulting twenty-one poems are reflective and richly imagistic, chronicling a single winter season as experienced by two writers on opposite Canadian coasts.
Now in paperback, the acclaimed biography of the magician's magician, Howard Thurston. “There is no greater expert on the history of stage magicians than Jim Steinmeyer. His deep knowledge of the subject, combined with a remarkable mastery of magical know-how, makes this book a smart, fantastic read. I can't recommend it enough!” —Neil Patrick Harris “Steinmeyer produces an engaging full-length biography of the man Orson Welles called ‘the master’…Steinmeyer recovers, from the shadows of his greatest rival, a figure whose grandiose productions were an American institution for almost 30 years.” —Publishers Weekly “Magician and author Jim Steinmeyer rescues a forgotten Amer...
After a fifteen-year hiatus, If Men Lived On Earth heralds the return of Atlantic Canada's premier nature writer to his first love - poetry. Mining the image-rich mythologies and landscapes of his Maritime home, Thurston demonstrates a passionate understanding of both human society and the natural world with which it is intertwined. From the Bay of Fundy to the Galapagos Islands, Thurston takes us on a journey of discovery, charting our terrestrial location with an accuracy unmatched by any global positioning satellite. These poems embody an intimate understanding of what it is to be truly both of and on the earth.
In "Canadian Wetlands," Rod Giblett reads the Canadian canon against the grain, critiquing its popular representation of wetlands and proposing alternatives by highlighting the work of recent and contemporary Canadian authors, such as Douglas Lochhead and Harry Thurston, and by entering into dialogue with American writers. The book will engender mutual respect between researchers for the contribution that different disciplinary approaches can and do make to the study and conservation of wetlands internationally."
This large-format chapbook includes 13 full-colour reproductions of Holownia's photographs, accompanied by 13 poems by Nova Scotia naturalist and poet Harry Thurston. A stunning integration of image, text, and typography, the book is typeset in Walbaum and printed offset on HannoArt paper.