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The Imperial Sublime
The Imperial Sublime examines the rise of the Russian empire as a literary theme simultaneous with the evolution of Russian poetry between the 1730s and 1840—the century during which poets defined the main questions facing Russian literature and society. Harsha Ram shows how imperial ideology became implicated in an unexpectedly wide range of issues, from formal problems of genre, style, and lyric voice to the vexed relationship between the poet and the ruling monarch.
The Imperial Sublime
The Imperial Sublime examines the rise of the Russian empire as a literary theme simultaneous with the evolution of Russian poetry between the 1730s and 1840—the century during which poets defined the main questions facing Russian literature and society. Harsha Ram shows how imperial ideology became implicated in an unexpectedly wide range of issues, from formal problems of genre, style, and lyric voice to the vexed relationship between the poet and the ruling monarch.
Resignification of Borders: Eurasianism and the Russian World
Eurasianism has proved to be an unexpectedly diverse and highly self-reflexive concept. By transforming the way we describe the Eurasian landmass, it also resignifies our field of studies and its disciplinary boundaries. In this process, Eurasianism itself is subject to a constant resignification. The present volume builds on this notion while pursuing an innovative approach to Eurasianism. The authors advance the well-established positions that view Eurasianism as a historical intellectual movement or as an ideology of Russian neo-Imperialism, and proceed to unpack an innovative vision of Eurasianism as a process of renegotiating cultural values and identity narratives—in and beyond Russia. This procedural approach provides deeper insight into the operationality of the identity narratives and shifting semantics of Eurasianism in its relation to the Russian World.
Into Our Labours
Into our Labours explores the literary representation of work across the globe since 1850, setting out to show that the literature of modernity is best understood in the light of the worlding of capitalism. The book proposes that a determinative relation exists between changing modes of work and changes in the forms, genres, and aesthetic strategies of the writing that bears witness to them. Two aspects of the ‘worlding’ of modernity, especially, are emphasised. First, an ‘inaugural’ experience of capitalist social relations, whose literary registration sometimes makes itself known through a crisis of representation, as the forms of space- and time-consciousness demanded by life in c...
The Unseen Truth
Sarah Lewis unearths the critical moment when Americans were confronted with the fictions shoring up the nation's racial regime and learned to disregard them. When popular nineteenth-century images of the Caucasus proved the lie of white supremacy, a new visual regime arose to suppress the evidence of the incoherence of racial order.
Comintern Aesthetics
Comintern Aesthetics shows how the cultural and political networks emerging from the Comintern have continued, even after its demise in 1943.
The Stalin Cult
Between the late 1920s and the early 1950s, one of the most persuasive personality cults of all times saturated Soviet public space with images of Stalin. A torrent of portraits, posters, statues, films, plays, songs, and poems galvanized the Soviet population and inspired leftist activists around the world. In the first book to examine the cultural products and production methods of the Stalin cult, Jan Plamper reconstructs a hidden history linking artists, party patrons, state functionaries, and ultimately Stalin himself in the alchemical project that transformed a pock-marked Georgian into the embodiment of global communism. Departing from interpretations of the Stalin cult as an outgrowt...
Post-Imperial Possibilities
A history of three transnational political projects designed to overcome the inequities of imperialism After the dissolution of empires, was the nation-state the only way to unite people politically, culturally, and economically? In Post-Imperial Possibilities, historians Jane Burbank and Frederick Cooper examine three large-scale, transcontinental projects aimed at bringing together peoples of different regions to mitigate imperial legacies of inequality. Eurasia, Eurafrica, and Afroasia—in theory if not in practice—offered alternative routes out of empire. The theory of Eurasianism was developed after the collapse of imperial Russia by exiled intellectuals alienated by both Western imp...
The Vortex That Unites Us
The Vortex That Unites Us is a study of totality in Russian literature, from the foundation of the modern Russian state to the present day. Considering a diversity of texts that have in common chiefly their prominence in the Russian literary canon, Jacob Emery examines the persistent ambition in Russian literature to gather the whole world into an artwork. Emery reveals how the diversity of totalizing figures in the Russian canon—often in alliance with ideologies like the totalitarian state or enlightenment reason—strive for the frontiers of space and time in order to guarantee the coherence of the globe and the continuity of history. He expores subjects like romantic metaphors of supern...
A Planetary Avant-Garde
A Planetary Avant-Garde explores how experimental poetics and literature networks have aesthetically and politically responded to the legacy of Iberian colonialism across the world. The book examines avant-garde responses to Spanish and Portuguese imperialism across Europe, Latin America, West Africa, and Southeast Asia between 1909 and 1929. Ignacio Infante critically traces the hegemony and resistance to the colonial regimes of Spain and Portugal across particular avant-garde networks, expanding our understanding of Western colonial and imperial ideologies of the early twentieth century. The book extends geopolitical dimensions of the historical avant-garde into a wider transnational and p...
