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The Elements of Typographic Style
The fourth edition, fully revised enlarged and reset in 2012, further updated in 2017. Version 4.3 of the 4th edition (2019) includes many updates; see title page verso for a list of pages.
The Complete Japanese Joinery
La menuiserie japonaise complète est le manuel le plus accessible et le plus complet disponible en anglais sur l'art du travail du bois au Japon. Ce livre couvre tous les aspects du métier complexe et exigeant du travail du bois japonais, y compris le soin et l'utilisation des outils, la disposition et le marquage du bois, la découpe des joints et leur assemblage final.
Letterletter
"Letterletter was originally a series of 15 issues of a journal published sporadically and distributed to a select few. As Robert Bringhurst notes in his introduction, the middle two pages of the first four-page issue of Letterletter held "more information on the structure and nature of letterforms than most professional typographers then working had ever seen in their lives."".
Journal Keeping
Luann Budd offers to help you get started journaling, and she introduces you to the power of writing as a spiritual discipline through helpful tips and examples from her own journals.
Letter Forms
"To understand the language and development of type is to know its history. Letter Forms is a collection of essays by and about Stanley Morison, adviser to Monotype, and the greatest type historian of our time. An essay by Beatrice Warde is an illuminating introduction to the man referred to as a "typographic firmament." In his own words Morison then relates the history of classifying typographical variations and delves into the literature on the subject of letterforms. Finally, the author uncovers the significance of the discovery of a 16th century manuscript by Horfei in the Vatican Library."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Aging
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EBOOK: The Complete Guide to Referencing and Avoiding Plagiarism
"Excellent piece of knowledge packed into a book. I love it and would recommend it to friends and family intending to engage in research." 5 Star Amazon Review, 2013 • Why is accurate referencing important? • How do I reference print and digital sources correctly? • What must I do to avoid plagiarism in my written work? • How can I use referencing to assert my own ideas? The Complete Guide to Referencing and Avoiding Plagiarism, Third Edition demystifies the referencing process and provides essential guidance on how to avoid plagiarism when writing for university. It provides clear guidelines on why and when to reference, as well as how to correctly cite from a huge range of sources....
Academic Writing and Publishing
Academic Writing and Publishing will show academics (mainly in the social sciences) how to write and publish research articles. Its aim is to supply examples and brief discussions of recent work in all aspects of the area in short, sharp chapters. It should serve as a handbook for postgraduates and lecturers new to publishing. The book is written in a readable and lively personal style. The advice given is direct and based on up-to-date research that goes beyond that given in current textbooks. For example, the chapter on titles lists different kinds of titles and their purposes not discussed in other texts. The chapter on abstracts instructs the reader on writing structured abstracts from the start.
Soundweaving
This book is about music improvisation. It forges exciting and provocative new links between a range of theories and practices in texts that explore topics as varied as object-oriented ontology, game theory, ethical responsibility and breath. In improvisatory fashion, this book has been edited so that it weaves the texts amongst each other, subversively inserting a tactile piece of text – a text interlaced, as a woven cloth, among the contributing authors. The writings in this volume are both timely and diverse, exploring as they do an array of interdisciplinary and critical discourses, thereby illuminating the field of improvisation from different perspectives within the radical and diverse contexts that undercut contemporary improvisation studies and practices. It consists of eight chapters as researched by practising musicians and theorists and an introduction by one of the most inspiring improvisers of our generation – Evan Parker.
