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German Immigrants
"This is the third volume of the German Immigrants series (see also Items 6580, 6581, and 6583), this one listing passengers from Bremen to New York between 1863 and September 1867. Owing to the total destruction of the original Bremen passenger lists, this volume, like the others, is the only practical means of discovering information on thousands of individuals for whom immigrant origin data was thought to be irretrievably lost. In effect, it is a partial reconstruction of the Bremen records, based on official passenger lists and manifests in the custody of the National Archives. It is, therefore, a record of arrivals rather than departures, and it is the closest we are ever likely to come to duplicating information in the lost Bremen records"--Publisher website (December 2007).
"Claude Debussy as I Knew Him" and Other Writings of Arthur Hartmann
Arthur Hartmann (1881-1956), a celebrated violinist who performed over a thousand recitals throughout Europe and the United States, met Claude Debussy in 1908, after he had transcribed "Il pleure dans mon coeur" for violin and piano. Their relationship developed into friendship, and in February 1914 Debussy accompanied Hartmann in a performance of three of Hartmann's transcriptions of Debussy's works. The two friends saw each other for the last time on the composer's birthday, 22 August 1914, shortly before Hartmann and his family fled Europe to escape the Great War. With the publication of Hartmann's memoir "Claude Debussy as I Knew Him", along with the twenty-two known letters from Claude ...
Pictures at an Exhibition
Based on the autograph manuscript and earliest editions, editor Nancy Bricard addresses the sources and discrepancies between the various publications of Moussorgsky's most important contribution to piano literature---Pictures at an Exhibition. This well-researched edition describes the close relationship between the composer and Russian artist Victor Hartmann, whose paintings and sketches inspired the creation of this collection of musical works. Bricard offers fascinating insight into the composer's compositional process by including music passages in her footnotes that Moussorgsky had discarded from the autograph. Also discussed are matters of tempo, fingering, pedaling and interpretation, as well as background on the historical, cultural and social environment that influenced the composer's music.
The Body Populace
How data gathered from national conscriptions in pre–World War I Europe influenced understandings of population fitness and redefined society as a collective body. In pre–World War I Europe, individual fitness was increasingly related to building and preserving collective society. Army recruitment offered the most important opportunity to screen male citizens' fitness, raising questions of how to define fitness for soldiers and how to translate this criteria outside the military context. In this book, Heinrich Hartmann explores the historical circumstances that shaped collective understandings of fitness in Europe before World War I and how these were intertwined with a fear of demograph...
Global Physical Climatology
Global Physical Climatology is an introductory text devoted to the fundamental physical principles and problems of climate sensitivity and change. Addressing some of the most critical issues in climatology, this text features incisive coverage of topics that are central to understanding orbital parameter theory for past climate changes, and for anthropogenic and natural causes of near-future changes--Key Features* Covers the physics of climate change* Examines the nature of the current climate and its previous changes* Explores the sensitivity of climate and the mechanisms by which humans are likely to produce near-future climate changes* Provides instructive end-of-chapter exercises and appendices
Handbook of Phenomenological Aesthetics
Historically, phenomenology began in Edmund Husserl’s theory of mathematics and logic, went on to focus for him on transcendental rst philosophy and for others on metaphysics, philosophical anthropology, and theory of interpretation. The c- tinuing focus has thus been on knowledge and being. But if one began without those interests and with an understanding of the phenomenological style of approach, one might well see that art and aesthetics make up the most natural eld to be approached phenomenologically. Contributions to this eld have continually been made in the phenomenological tradition from very early on, but, so to speak, along the side. (The situation has been similar with phenomen...
Lost Angeles
Michael Dressel's street photography relies on his long practiced ability to anticipate events that are about to happen and the readiness to capture these moments. In Lost Angeles, the viewer is invited to view some of Dressel's most poignant portraits and to be transported to that moment and place. Dressel professes to loving Los Angeles "warts and all" and is clearly comfortable moving through the city's streets, angling for those "magical" moments and showing us things that most would rather look away from. Mr. Dressel was born in East Berlin and spent 2 years in a Stasi prison after being captured while climbing the Berlin wall. He moved from Berlin to Los Angeles in 1986 and has spent t...
Attention Deficit Disorder
Can drugs cure Attention Deficit Disorder? Why are some ADD children and adults more successful that their normal peers? What professions are best for ADD people?
Dream Reader
A comprehensive survey of contemporary approaches to understanding dreams. If you can have only one book on dreams, this is the one to have.
