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Furusato
14 scholars from Japan and Europe explore the concept of 'furusato' (home, hometown, and/or place of origin) by employing a diverse array of disciplinary tools and fields, including history, philosophy, literature, religious studies, and art history.
The Voice of No One
The book addresses Merleau-Ponty's so-called ontology of the flesh, a rather obscure expression that the book explains in depth by drawing from Merleau-Ponty's lecture courses, published in the last years. In light of these publications, the book shows the importance and the novelty of Merleau-Ponty's later philosophy, which until recently has been seldom addressed in its entirety. Thanks to the knowledge of the whole range of Merleau-Ponty's now published body of work and of the as yet unpublished texts, as well as a scholarship acquired through more than 20 years spent working on these themes, the author of the book is able to offer a groundbreaking interpretation of one of the most important philosophers of the 20th century, whose philosophical relevance is now widely acknowledged both in Europe and the USA, and whose scholarship is fast growing, while at the same time still lacking an overall systematic assessment, which this book aims to provide.
Atmosphere/Atmospheres
What is an “Atmosphere”? As part of the book series “Atmospheric Spaces”, this volume analyses a new phenomenological and aesthetic paradigm based on the notion of the “Atmosphere”, conceived as a feeling spread out into the external space rather than as a private mood. The idea of “Atmosphere” is here explored from different perspectives and disciplines, in the context of a full valorization of the so-called “affective turn” in Humanities.
Design (&) Activism
This is a book about how the worlds of design and activism (could) inspire each other. As Design and its conceptual, functional, aesthetic, speculative and interventional concepts inevitably affect our lives, it often actively interferes in common defi nitions, understandings and opinion making, which offers opportunities for ideological engagement (in a good or in a bad sense). The book focuses on theories and practices related to the role of Design in terms of addressing, provoking and creating political discourse. Starting from traditional forms of protest, visual languages of resistance, to new forms of digital participation, this will help us to better understand the rituals, structures and meanings of design activism in history and the present, clarifying that design is intrinsically social and supremely political. And it shall help us to derive arguments and examples for the transformative potential of future design (and) activism.
Knowledge and Arts on the Move
East and West have long stood as towering edifices dividing history and the world into separate spheres. In fact, the two poles have not only shared a multitude of connections over the centuries, they have also played essential roles in shaping the identities of their oppositional others. Cultural exchange, mutual imaginings, and other forms of interaction have contributed to both the creation of an exotic other and a framing and definition of the self. The essays in this collection explore the creation and transformation of self image through the encounter between East and West from a variety of disciplinary approaches. Scholars from Japan and Europe apply methodologies and concerns from history, literature, art history, aesthetics, sociology, political science, law, and anthropology to issues of identity formation and transformation at the nexus of East Asia and Europe.
Performative Citizenship
"The essays collected in this book adopt different disciplinary approaches to point out the forms of citizens' participation developed in the field of contemporary public art and urban design"--Page 2 of cover.
Asian Philosophical Texts
The present volume compiles translations of hitherto neglected texts in Asian philosophical traditions, along with several critical essays dealing with the philosophical issues of translating them into western languages. As the inaugural volume to a proposed series dedicated to making hidden primary sources of Asian philosophies available to the wider audience in western academia and beyond, this book treats diverse primary sources written by a broad range of thinkers from various historical periods and intellectual traditions, including the Indian, Chinese, Korean, and Japanese, among others. The translations, accompanied by critical essays, will shed light on major philosophical movements as Confucianism, Hinduism, Buddhism and others, thereby demonstrating multilayered development of intellectual traditions in Asia.
Introduction to Social Innovation
It is commonly shared the idea that social innovation is the creation of social value by solving social problems. Accordingly, social innovation can be deemed to be the production of new solutions to social problems in a more effective, efficient, and sustainable way. Analyzing the consequences of the current economic crisis and its impact on health care services, there is who has advanced the idea that social innovation can constitute an effective strategy to counter-balance the retrenchment of public social provision.This book tackles the multiple facets of social innovation focusing on its relationship with the new technologies and the new forms of entrepreneurship.
Design is Power
We are no longer used to critically examining the meaning of “design”, which maintains an unexplored dimension in terms of the Power that can be exercised through the cyclic act of creation, preservation and disruption. This assumption induce us focus on the contrast between the “visible” side of the act that involves all its conceptual and practical manifestations, and a hidden or “dark” side that deals with politics and power play, but that however has an major influence in the process and its hierarchical dynamics. This implies an order on the surface seems to be naturally stirred by the so-called “perceptions” that reflect the preferences of overall public opinions: however, looking deeper, all the production acts involves a carefully controlled disequillibrium influenced by social, ecological, economical and political interests. The power fl ow in the act of “design” takes into consideration the paradoxical contradiction between its potentiality and its preservation of power.
The Battle of Algiers
Commissioned by Algerians and made by Italians, with dialogue in Arabic and French, The Battle of Algiers (Gillo Pontecorvo, 1966) is a classic of political cinema, equally influential to art-house and popular cinema. The film's complex consideration of the efficacy of torture and terrorism means it is a key text for thinking about the ethics of conflict, and it is studied not only by scholars of cinema but also by political scientists and historians, not to mention by military and revolutionary groups. If The Battle of Algiers is a 'birth of a nation' film in a melodramatic mode (something regularly disavowed in favour of its supposedly 'documentary' realism), it is also an 'end of empire' film. It ambivalently pictures the failure of a Utopian project imposed by the French colonizer and looks forward in time to circumstances in postcolonial Europe even as it celebrates the achievement of an African nation.
