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The Dollar Hen
The Dollar Hen s America's classic handbook on free-range egg production. First published in 1909, it walks the reader through valuable concepts available in no other source. With an emphasis on simplicity, practicality, and synergy between hens, crops, soil, and farmer, the book is a timeless guide to poultry farming as it ought to be practiced. The Dollar Hen is volume 5 in the Norton Creek Classics series. Visit http: //www.nortoncreekpress.com for more about these practical, best-of-breed poultry books.
City of Endless Night
Science fiction work from 1920 by Milo Milton Hastings who was an American inventor, author, and nutritionist. He invented the forced-draft chicken incubator and Weeniwinks, a health-food snack. He wrote about chickens, science fiction, and health, among other things.
City of Endless Night
City of Endless Night (1919) is a dystopian novel which first appeared as the story "Children of Kultur" serialized in True Story Magazine in seven installments from May to November, 1919. The word kultur, German for culture, had been made infamous by Allied propaganda in World War I. Set in future of 1941, City of Endless Night anticipates the resurgence of Germany and the rise of fascism. Other highlights of its immense foresight are the idea of a rigidly controlled press, rise of Nazi religion, racial theories and Eugenic breeding. A Must Read! Milo Milton Hastings (1884–1957) was an American inventor, author, and nutritionist. He invented the forced-draft chicken incubator and Weeniwinks, a health-food snack. He wrote about chickens, science fiction, and health.
City of Endless Night
Milo Milton Hastings was an American inventor, author, and nutritionist. He invented the forced-draft chicken incubator and Weeniwinks, a health-food snack. He wrote about chickens, science fiction, and health, among other things.
City of Endless Night
Of the pioneering anti-Utopian novels, one of the finest and least known is City of Endless Night by Milo Hastings, first published in book form by Dodd, Mead in 1920. This unusual work, filled with uncanny prescience about impending events, was born out of the experience of World War I and the impact on Americans of imperial Germany's statist creed, which believed in the subjugation of the individual for the sake of the nation. On all counts of inventiveness, social significance, narrative flow and intrinsic worth, it ranks with When the Sleeper Wakes by H. G. Wells, Messiah of the Cylinder by Victor Rousseau and We by Eugene Zimiatin, all written and published about the same period.
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