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Frank Stella
The oeuvre of Frank Stella (*1936 in Malden, Massachusetts) blurs the boundaries between painting, sculpture, and architecture. Over a period of five decades, the artist consistently reinvented himself, always seeking new challenges. Frank Stella: Connections brings together a careful selection of paintings and sculptures in broad thematic groupings. Within the scope of what is only a rough chronology, leaps in time enable encounters, juxtapositions, and dialogues between works from different series, thus exploring the underlying motifs and extraordinary rigor of Stella's artistic work. The publication comprises early Minimalist works, examples from major series such as the Irregular Polygons and Protractor paintings of the sixties, the Polish Village series, Circuits, and the Cone and Pillar series of the seventies and eighties. It also includes the metal reliefs and monumental floor sculptures the artist has produced in the last two decades. Exhibition schedule: Haunch of Venison, London, September 29-November 19, 2011 Publisher's note.
Castellani + Castellani
Castellani e Castellani is a special exhibition of both new and seminal work by Enrico Castellani, one of Italy's most influential artists.The show features new paintings that continue the dialogue set forth in his formative Angolare series as well as present his critically acclaimed Spazio Ambiente, a roomlike environment from 1970 that has rarely been exhibited publicly, and which is graciously on loan from the Fendi collection.Although created decades apart, the works exemplify Castellani's signature style and merge art, space and architecture to transcend the confines of painting.Formally trained as an architect, Castellani focuses on manipulating the surface configurations of his canvases to alter perceptions of space. In a recent interview with the artist, Hans Ulrich Obrist described Castellani's break from traditionally conceived paintings as 'an epiphany'.Published on the occasion of the exhibition at Hanuch of Venison, New York, 11 November 2011 - 7 January 2012.
Barber Osgerby, Projects
The definitive monograph of internationally acclaimed designers ? creators of the Tip Ton and the 2012 Olympic Torch. Collaborators for over 20 years, Edward Barber and Jay Osgerby have applied their talents to everything from industrial design and furniture to lighting and installations. The most comprehensive survey of their work to date, this book offers a unique, 360-degree view of their approach and working methods. Stunning images explore their work thematically, while six essays provide an exclusive look into career-defining projects.
Art and its Market
The new look on the history of art and its blind spots, the far-reaching digitization of structures and content, the changing role of museums and art criticism, new forces from influencers to NFTs: Hardly any market system has evolved as profoundly in the last decade as the distribution of art. With 25 years of experience in the art industry, Dirk Boll acts as a continuous chronicler and seasonal commentator of these pervasive developments. His handbook Art and its Market is a reliable source of in-depth knowledge about the inner workings of global art market systems. How do auctions, the network of galleries, and fairs work? How are prices being made, and how do trends both in the production of art as well as its collection emerge? What is more, this edition provides comprehensive information on the practical issues of art acquisition: What are the customs and pitfalls, the economic interdependencies between the artists, buyers and other market players, and the legal regulations governing the trade with art?
"Marketing Art in the British Isles, 1700 to the Present "
A cultural history of the first truly modern art market, Marketing Art in the British Isles, 1700 to the Present furthers the burgeoning exploration of Britain's struggle to carve a niche for itself on the international art scene. Bringing together scholars from the UK, US, Europe, and Asia, this collection sheds new light on such crucial notions as the internationalization of the art market; the emergence of an increasingly complex exhibition culture; issues of national rivalry and emulation; artists' individual and collective strategies for their own promotion and survival; the persistent anti-commercialism of an elite group of art lovers and critics and accusations of philistinism levelle...
Collected by Thea Westreich Wagner and Ethan Wagner
Published on the occasion of an exhibition celebrating the Wagners' promised gift of more than 850 works of art to the Whitney Museum of American Art, New York, and the Musaee national d'art moderne, Centre Pompidou, Paris, held at the Whitney Museum of American Art, November 20, 2015-March 6, 2016, and at the Centre Pompidou, June 16, 2016-January 2017.
Site-writing
The prominent cultural critic Mieke Bal defines the new discipline of 'art writing' as a fresh mode of criticism, which aims to 'put the art first'. Following this definition, "Site-Writing: The Architecture of Art Criticism" puts the sites of the critic's engagement with art first. The book puts into shape what happens when discussions concerning situatedness and site-specificity enter the writing of art criticism. The sites explored are the material, emotional, political and conceptual settings of the artwork's construction, exhibition and documentation, as well as those remembered, dreamed and imagined. Through five different spatial configurations - both psychic and architectural - "Site-Writing" explores artworks by artists as diverse as Jananne Al-Ani, Elina Brotherus, Nathan Coley, Tracey Emin, Christina Iglesias and Do-Ho Suh, aiming to adapt such psychoanalytic ways of working as free association and conjectural interpretation to art criticism.
Have You Ever Really Looked at the Sun?
Catalog of an exhibition held May 1, 2010-Aug. 14, 2010 at Haunch of Venison in London.
Graham Sutherland
Catalog of an exhibition held at Modern Art Oxford, Oxford, Dec. 10, 2011-Mar. 18, 2012.
...isms: Understanding Modern Art
An engaging and informative guide to all the significant "isms"—schools and movements—that have shaped modern and contemporary art from Impressionism to the present. Following on the heels of the bestselling Isms: Understanding Modern Art comes this handy small-format guide to the history and development of modern art since the Impressionist era. Loaded with reproductions of key artworks and rounded out with a glossary and index of names, this guide is the best single-volume concise introduction to modern art for beginners, as well as an engaging new way of conceptualizing modern art for aficionados and collectors. ...isms: Understanding Modern Art sorts art into a chronological sequence...
