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Colonial Phantoms
Using a blend of historical and literary analysis, Colonial Phantoms reveals how Western discourses have ghosted—miscategorized or erased—the Dominican Republic since the nineteenth century despite its central place in the architecture of the Americas. Through a variety of Dominican cultural texts, from literature to public monuments to musical performance, it illuminates the Dominican quest for legibility and resistance.
Being La Dominicana
Rachel Afi Quinn investigates how visual media portray Dominican women and how women represent themselves in their own creative endeavors in response to existing stereotypes. Delving into the dynamic realities and uniquely racialized gendered experiences of women in Santo Domingo, Quinn reveals the way racial ambiguity and color hierarchy work to shape experiences of identity and subjectivity in the Dominican Republic. She merges analyses of context and interviews with young Dominican women to offer rare insights into a Caribbean society in which the tourist industry and popular media reward, and rely upon, the ability of Dominican women to transform themselves to perform gender, race, and class. Engaging and astute, Being La Dominicana reveals the little-studied world of today's young Dominican women and what their personal stories and transnational experiences can tell us about the larger neoliberal world.
The Paradox of Paternalism
Latin American Studies Association Haiti-Dominican Republic Section Isis Duarte Book Prize From the rise of dictator Rafael Trujillo in the early 1930s through the twelve-year rule of his successor Joaquín Balaguer in the 1960s and 1970s, women are frequently absent or erased from public political narratives in the Dominican Republic. The Paradox of Paternalism shows how women proved themselves as skilled, networked, and non-threatening agents, becoming indispensable to a carefully orchestrated national and international reputation. They garnered concrete political gains like suffrage and paved the way for their continued engagement with the politics of the Dominican state through intense p...
Hollywood Highbrow
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically chan...
Nueva York, 1613-1945
The population of New York City is approaching the milestone of being one-third Hispanic, a demographic transformation that will have a huge impact on the city's culture, daily life and its very future. This marks a new phase in New York's relations to the Hispanic world, as Latino cultures and the Spanish language become an ubiquitous and important presence in the city. The roots of this transformation run deep. The history of the city's ties to the Spanish-speaking world is as old as New Amsterdam itself, and is largely unknown. Accompanying a major exhibition organised by the New York Historical Society and El Museo del Barrio (an abbreviated version of which will travel through the Unite...
A Series of Plays
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Dear Black Girls
Dear Black Girls is a letter to all Black girls. Every day poet and educator Shanice Nicole is reminded of how special Black girls are and of how lucky she is to be one. Illustrations by Kezna Dalz support the book's message that no two Black girls are the same but they are all special--that to be a Black girl is a true gift. In this celebratory poem, Kezna and Shanice remind young readers that despite differences, they all deserve to be loved just the way they are.
Wicked Weeds
A Zombie's search for his lost humanity and the intellectual quest of the only woman who can bestow it.
To the End of the Earth
"Drawing on individual biographies (including those of colonial officials accused of secretly practicing Judaism), family histories, Inquisition records, letters, and other primary sources, Hordes provides a detailed account of the economic, social, and religious lives of crypto-Jews during the colonial period and after the annexation of New Mexico by the United States in 1846"--Jacket.
The Borders of Dominicanidad
In The Borders of Dominicanidad Lorgia García-Peña explores the ways official narratives and histories have been projected onto racialized Dominican bodies as a means of sustaining the nation's borders. García-Peña constructs a genealogy of dominicanidad that highlights how Afro-Dominicans, ethnic Haitians, and Dominicans living abroad have contested these dominant narratives and their violent, silencing, and exclusionary effects. Centering the role of U.S. imperialism in drawing racial borders between Haiti, the Dominican Republic, and the United States, she analyzes musical, visual, artistic, and literary representations of foundational moments in the history of the Dominican Republic:...
