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Hinduism and the Religious Arts
The roots between the Hindu religion and the wider culture are deep and uniquely complex. No study of either ancient or contemporary Indian culture can be undertaken without a clear understanding of Hindu visual arts and their sources in religious belief and practice. Defining what is meant by religion - no such term exists in Sanskrit - and what is understood by Hindu ideals of beauty, Heather Elgood provides the best synthesis and critical study of recent scholarship on the topic. In addition, this book offers critical background information for anyone interested in the social and anthropological roots of artistic creativity, as well as the rites, practices and beliefs of the hundreds of millions of Hindus in the world today.
Studying Hinduism
This book is an indispensable resource for students and researchers wishing to develop a deeper understanding of one of the world's oldest and most multifaceted religious traditions. Sushil Mittal and Gene Thursby, leading scholars in the field, have brought together a rich variety of perspectives which reflect the current lively state of the field. Studying Hinduism is the result of cooperative work by accomplished specialists in several fields that include anthropology, art, comparative literature, history, philosophy, religious studies, and sociology. Through these complementary and exciting approaches, students will gain a greater understanding of India's culture and traditions, to which Hinduism is integral. The book uses key critical terms and topics as points of entry into the subject, revealing that although Hinduism can be interpreted in sharply contrasting ways and set in widely varying contexts, it is endlessly fascinating and intriguing.
The Archaeology of Sacred Spaces
This volume focuses on the religious shrine in western India as an institution of cultural integration in the period spanning 200 BCE to 800 CE. It presents an analysis of religious architecture at multiple levels, both temporal and spatial, and distinguishes it as a ritual instrument that integrates individuals and communities into a cultural fabric. The work shows how these structures emphasise on communication with a host of audiences such as the lay worshipper, the ritual specialist, the royalty and the elite as well as the artisan and the sculptor. It also examines religious imagery, inscriptions, traditional lore and Sanskrit literature. The book will be of special interest to researchers and scholars of ancient Indian history, Hinduism, religious studies, architecture and South Asian studies.
The Divine Body in History
This is a study in the field of comparative philosophy of religion. It initiates a dialogue between St Augustine and Rāmānuja by focusing on two central themes - time and embodiment - that play a crucial role in their thought. The elaborations of these two themes by St Augustine and Rāmānuja have continued to exert a tremendous influence on the histories of European thought and of Hindu movements centred around the notion of bhakti. The examination of the symbolism through which these thinkers articulate their understanding of time and embodiment also challenges certain stereotypes related to classical Indian thought and Latin Christendom, such as the former's lack of historical consciousness and the latter's denigration of the human body. This study shows how the 'west' and 'east' have traditionally engaged with concepts such as temporality, progress and the metaphysical status of finite and bio-physical reality.
The Routledge Handbook of Material Religion
The Routledge Handbook of Material Religion places objects and bodies at the center of scholarly studies of religious life and practice. Propelling forward the study of material religion, the Handbook first reveals the deep philosophical roots of its key categories and then advances new critical analytics, such as queer materialities, inescapable material entanglements, and hyperobjects that explode the small-scale personal view on religions. The Handbook comprises thirty chapters, written by an international team of contributors who offer a global perspective of religious pasts and presents, divided into four thematic parts: Genealogies of Material Religion Materializing the Terms of the St...
Art and Religion in Africa
Annotation. Explores the interactive and interdependent relationship between art and religion in Africa, challenging Western perceptions of what is "important" in the continent's visual and performing arts. Case studies and examples reflect the geographical and gendered diversity of the arts and highlight changes imposed by Christianity, Islam, and the newer religious movements in post-colonial Africa. Includes bandw photos and illustrations and a few color photos. Annotation copyright by Book News, Inc., Portland, OR.
The Routledge Handbook of Hindu Temples
This handbook is a comprehensive study of the archaeology, social history and the cultural landscape of the Hindu temple. Perhaps the most recognizable of the material forms of Hinduism, temples are lived, dynamic spaces. They are significant sites for the creation of cultural heritage, both in the past and in the present. Drawing on historiographical surveys and in-depth case studies, the volume centres the material form of the Hindu temple as an entry point to study its many adaptations and transformations from the early centuries CE to the 20th century. It highlights the vibrancy and dynamism of the shrine in different locales and studies the active participation of the community for its ...
Goddess Kali, God Thoughts, Sri Sri Ramakrishna and A Few Slices of Sri Sri Ramakrishna’s Soul (Introducing ‘SoulOlogy’)
Hinduism is a polytheistic religion. For the Hindus, Goddess Kali is the only austere, down-to-earth deity who believes in absolute simplicity and openness. She does not hide her body; she is naked with her private parts covered by a garland of severed hands of demons slain by her. Her mind is overt as she sticks out her tongue representing her thirst for the blood of evil people whom she is determined to overpower and also her feeling of shame. Her soul yearns for pure and authentic love. She is unlike other Hindu goddesses who are opulently dressed and majestically ornamented. Kali’s child, God incarnate Sri Sri Ramakrishna, like his mother goddess is casual not only about his dress but ...
Belief, Bounty, and Beauty
This study is focused on the interaction of material and symbolic values in the domain of sacred trees in India. By presenting samples from 3,000 years of Indian ritual practice, it is shown that in many sacred geographies trees continue to connect the present with the past, the material with the symbolic, and the contemporary ecological with the traditionally sacred. Although in India religion may have become very much a temple cult, its embeddedness in the natural world enhances today's 'green' interpretation of religious traditions. That in environmental matters such religious inspiration may be both successful and highly ambivalent at the same time is the thought-provoking position taken in the final chapters.
The Oxford Handbook of Religion and the Arts
This volume offers 37 original essays from leading scholars on the crucial topics, issues, methods, and resources for studying and teaching religion and the arts.
