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The Medieval Heart
Heather Webb studies medieval notions of the heart to explore the "lost circulations" of an era when individual lives and bodies were defined by their extensions into the world rather than as self-perpetuating, self-limited entities. Drawing from the works of Dante, Catherine of Siena, Boccaccio, Aquinas, and Cavalcanti and other literary, philosophic, and scientific texts, she reveals medieval answers to such fundamental questions as: Where is life located? What does it consist of? Where does it begin? And how does it end? Against the modern idea of the isolated self, the medieval heart provides a model for rethinking the body's relationship to the world it inhabits.
Rodin's Lover
A mesmerizing tale of art and passion in Belle Époque France As a woman, aspiring sculptor Camille Claudel has plenty of critics, especially her ultra-traditional mother. But when Auguste Rodin makes Camille his apprentice--and his muse--their passion inspires groundbreaking works. Yet, Camille's success is overshadowed by her lover's rising star, and her obsessions cross the line into madness. Rodin's Lover brings to life the volatile love affair between one of the era's greatest artists and a woman entwined in a tragic dilemma she cannot escape.
Dante's Persons
Dante's Persons is a study of the concept of personhood in Dante's Comedy. Focusing on the encounters staged in Purgatory and Paradise, the book shows how Dante redefines personhood in his otherworlds as depending on mutual recognition and interpersonal attention. The book argues that Dante fills his text with characters that readers are meant to relate to as persons. He accomplishes this by means of dense corporeal detail, suchas gestures and postures. Building from this possibility of recognizing characters as persons, Dante's text offers readers opportunities to act and to join the community that extends between the living and the dead.
Last Christmas in Paris
An unforgettably romantic novel that spans four Christmases (1914-1918), Last Christmas in Paris explores the ruins of war, the strength of love, and the enduring hope of the Christmas season. New York Times bestselling author Hazel Gaynor has joined with Heather Webb to create this unforgettably romantic novel of the Great War. August 1914. England is at war. As Evie Elliott watches her brother, Will, and his best friend, Thomas Harding, depart for the front, she believes—as everyone does—that it will be over by Christmas, when the trio plan to celebrate the holiday among the romantic cafes of Paris. But as history tells us, it all happened so differently… Evie and Thomas experience a...
The Next Ship Home
"An unflinching look at the immigrant experience, an unlikely and unique friendship, and a resonant story of female empowerment."—Pam Jenoff, New York Times bestselling author of The Woman with the Blue Star Ellis Island, 1902: Two women band together to hold America to its promise: "Give me your tired, your poor ... your huddled masses yearning to breathe free..." A young Italian woman arrives on the shores of America, her sights set on a better life. That same day, a young American woman reports to her first day of work at the immigration center. But Ellis Island isn't a refuge for Francesca or Alma, not when ships depart every day with those who are refused entry to the country and when...
Meet Me in Monaco
"A fragrant French bonbon of a book: love, glamour, perfume, and paparazzi all circling around the wedding of the century..."--Kate Quinn, New York Times bestselling author of THE ALICE NETWORK and THE HUNTRESS. Named one of InStyle's best books to put in your totebag for the summer! Named one of Popsugar’s best books to put in your beachbag this summer and one of the best books of July! Set in the 1950s against the backdrop of Grace Kelly’s whirlwind romance and unforgettable wedding to Prince Rainier of Monaco, New York Times bestselling author Hazel Gaynor and Heather Webb take the reader on an evocative sun-drenched journey along the Côte d’Azur in this page-turning novel of passi...
Dante, Artist of Gesture
Dante, Artist of Gesture proposes a visual technique for reading Dante's Comedy, suggesting that the reader engages with Dante's striking images of souls as if these images were arranged in an architectural space. Art historians have shown how series of discrete images or scenes in medieval places of worship, such as the mosaics in the Baptistery of San Giovanni in Florence or the frescoes in the Scrovegni Chapel in Padua, establish not only narrative sequences but also parallelisms between registers, forging links between those registers by the use of colour and gestural forms. Heather Webb takes up those techniques to show that the Comedy likewise invites the reader to make visual links be...
Becoming Josephine
A sweeping historical debut about the Creole socialite who transformed herself into an empress Readers are fascinated with the wives of famous men. In Becoming Josephine, debut novelist Heather Webb follows Rose Tascher as she sails from her Martinique plantation to Paris, eager to enjoy an elegant life at the royal court. Once there, however, Rose's aristocratic soldier-husband dashes her dreams by abandoning her amid the tumult of the French Revolution. After narrowly escaping death, Rose reinvents herself as Josephine, a beautiful socialite wooed by an awkward suitor--Napoleon Bonaparte. "A debut as bewitching as its protagonist." --Erika Robuck, author of Hemingway's Girl and Call Me Zelda "Vivid and passionate." --Susan Spann, author of The Shinobi Mysteries
Vertical Readings in Dante's Comedy
This collection – to be issued in three volumes – offers an unprecedented repertoire of vertical readings for the whole poem. As the first volume exemplifies, vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante. The volume has its origin in a series of thirty-three public lectures held in Trinity College, the University of Cambridge (2012-2016) which can be accessed at the Cambridge Vertical Readings in Dante’s Comedy website.
Vertical Readings in Dante's Comedy
Vertical Readings in Dante’s Comedy is a reappraisal of the poem by an international team of thirty-four scholars. Each vertical reading analyses three same-numbered cantos from the three canticles: Inferno i, Purgatorio i and Paradiso i; Inferno ii, Purgatorio ii and Paradiso ii; etc. Although scholars have suggested before that there are correspondences between same-numbered cantos that beg to be explored, this is the first time that the approach has been pursued in a systematic fashion across the poem. This collection – to be issued in three volumes – offers an unprecedented repertoire of vertical readings for the whole poem. As the first volume exemplifies, vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante. The volume has its origin in a series of thirty-three public lectures held in Trinity College, the University of Cambridge (2012-2016) which can be accessed at the ‘Cambridge Vertical Readings in Dante’s Comedy’ website.
