You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
NATIONAL BESTSELLER • A curmudgeonly professor journeys to a small town in the far north in this “incredibly fun journey through fae lands and dark magic” (NPR), the start of a heartwarming and enchanting new fantasy series. “A darkly gorgeous fantasy that sparkles with snow and magic.”—Sangu Mandanna, author of The Very Secret Society of Irregular Witches A BEST BOOK OF THE YEAR: The New York Times Book Review, NPR, PopSugar Cambridge professor Emily Wilde is good at many things: She is the foremost expert on the study of faeries. She is a genius scholar and a meticulous researcher who is writing the world’s first encyclopaedia of faerie lore. But Emily Wilde is not good at pe...
Dive into the dark underbelly of South Miami Beach. Detective Trace Strickland's life is shattered when his girlfriend, Nora—a beloved dancer—is brutally murdered. As suspicion tightens around him, Trace is driven to clear his name, launching a perilous investigation that plunges him into the city’s seedy underworld. Uncovering a web of organized crime, a sadistic serial killer, and the mysterious Camila—Nora's secretive confidante—Trace finds himself tangled in a deadly game. Camila, a dancer with her own hidden past, becomes more than just an ally as they race against time to uncover the truth. Together, they confront their darkest fears and track down the ruthless mastermind behind Nora's murder. Sweet Demon Love Baby is an electrifying thriller, filled with pulse-pounding suspense, relentless action, and twists that will keep you guessing until the very end.
Step into the dazzling world of South Miami Beach, where glitz and glamour hide a sinister truth in The Most Beautiful Insanity, the electrifying start to the South Beach Crime Thriller Series. When a gorgeous fashion model dies from a suspicious overdose, the dark side of the glamorous modeling industry is thrust into the spotlight. Enter Detective Trace Strickland, who plunges headfirst into the city’s pulsating nightlife, uncovering a twisted web of lies that leads straight to Drexel Waters—a dangerously charming male model with a taste for excess. Not only is Drexel responsible for the girl's death, but he’s also an old friend of Detective Strickland, making this case personal—and deadly. As the billionaire father of the victim sets out on a ruthless quest for vengeance, a deadly game of cat-and-mouse ensues, with Drexel at the center. Detective Strickland must navigate a maze of betrayal, danger, and moral ambiguity. But in South Beach, where everyone has something to hide, even the police can’t be trusted.
What is a mixed movie? A film to which artists of various nationalities contribute. Popular examples are "Land of the Pharaohs," "The Bridge on the River Kwai," "Casino Royale" and "The Sundowners." British players like Errol Flynn, Stewart Granger, Rex Harrison and James Mason have always been welcome in Hollywood. Not so well known are the numerous examples of American actors who lent their talents to British films, such as Robert Ayres, Phyllis Kirk, Mona Freeman, Frank Sinatra, Carol Lynley, William Bendix, Russ Tamblyn, William Holden, Raquel Welch, Joan Crawford, Gene Tierney, Van Johnson, Vincent Price, Tab Hunter, Alex Nicol, Zachary Scott, and Wayne Morris, to mention but a few such appearances that are detailed in this book.
For more than 100 years, the character of Sherlock Holmes has appeared in scores of films, as well as in a number of television series. For many people, the films made between 1939 and 1946, starring Basil Rathbone as Holmes, with Nigel Bruce as his companion Dr. Watson, remain the most popular. My own introduction to these films began as a small boy, viewing them on television with my father, who had himself seen them all as a boy or very young adult. Rathbones portrayal of Holmes seems to me the most accurate, in the regard of following the way Sir Arthur Conan Doyle wrote the character, and each of the fourteen films he made playing Holmes have many charming characters and great dialogue....
Few people would argue with the films selected for detailed notices and reviews in this book. Many of the movies are award-winners, and most chalked up impressive figures at the box-office. Who would dispute the inclusion of Citizen Kane or Rebecca or The Best Years of Our Lives? However, along with The Yearling and Reap the Wild Wind and Hello, Frisco, Hello, I've also included a few surprises. A magnificent publication. -- Rodney Bourke in International Movie Making (April 2006).
Beginning with the era of synchronized sound in the 1920s, music has been an integral part of motion pictures. Whether used to heighten the tension of a scene or evoke a subtle emotional response, scores have played a significant—if often unrealized—role in the viewer’s enjoyment. In The Invisible Art of Film Music, Laurence MacDonald provides a comprehensive introduction for the general student, film historian, and aspiring cinematographer. Arranged chronologically from the silent era to the present day, this volume provides insight into the evolution of music in cinema and analyzes the vital contributions of scores to hundreds of films. MacDonald reviews key developments in film musi...
Digging up old acquaintances for an evening's entertainment is a favorite pastime for your THRILLER THEATRE host Margali, so you're certain to enjoy the splendid company you'll find unearthed here, Couch Pumpkin. There are werewolves, mummies and vampires, to be sure -- and a charmingly international cast, from Russian tales that inspired Italian terrors, to a French fright-fable of madness and possession, to proper British chillers that unleash Egyptian curses -- or inspire Japanese monsters! There's even a positively "ripping" yarn in the original short story which preceded its later novelization. (We're strictly old-school when it comes to slashers, brave heart.) So if the only good thing on the telly tonight is your cat, just turn down the lights and enter your own private THRILLER THEATRE. It's showtime for those lovely NIGHTMARES THAT LEFT A FILM.
Thirteen of Hollywood's horror classics in detail: Dr. Jekyll and Mr. Hyde (1931), The Old Dark House(1932), The Mask of Fu Manchu (1932), Mark of the Vampire (1935), Mad Love (1935), The Black Room (1935), The Walking Dead (1936), Cat People (1942), Bluebeard (1944), The Lodger (1944), The Picture of Dorian Gray (1945), Hangover Square (1945) and Bedlam (1946). From original interviews and research, the styles of the various studios (from giant M-G-M to Poverty Row's PRC), along with the performers, directors, and backstage events, are examined.
This book revisits Oscar Wilde's major writings through the field of performance studies. Wilde wrote about performance as a cultural dialectic, as a form of serious and critical play, and as the basis of a subversive poetics. In his studies at Oxford University, his famous lecture tour of the United States and Canada, his friendships with famous actresses Sarah Bernhardt and Lillie Langtry, the writing of his critical essays, The Picture of Dorian Gray, Salome, and his society comedies, and culminating in his post-prison writings De Profundis and The Ballad of Reading Gaol, Wilde develops a rich theory of performance that addresses aesthetics, ethics, identity and individualism. This book also traces Wilde's often-troubled relationship with late-Victorian society in terms of its attempts to define his public performances by stereotyping him as both irrelevant and dangerous, from the early newspaper caricatures to its later description of him as a sexual monster.