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Modern Hebrew Fiction
Gershon Shaked's history of modern Hebrew fiction traces the emergence and development of a literature "against all odds"--from its European roots in the 1880s, when it had neither a country nor a spoken language, to the flowering of a literary culture on Israeli soil from the founding of the State through the 1990s. The product of more than 20 years of research, it is unique in its scope, profiling four generations of Hebrew writers from Mendele Mokher Seforim, I. L. Peretz, and Haim Nahman Bialik through Shmuel Yosef Agnon, Aharon Appelfeld, Amalia Kahana-Carmon, Amos Oz, and A. B. Yehoshua, to the recent writings of David Grossman, Meir Shalev, and Orly Castel-Bloom. Through detailed discussions of themes and style in specific texts, Shaked conveys the richness of the Hebrew literary tradition. At the same time, through biographical surveys, historical observations, and socio-cultural and political analyses, he illuminates the relationship of these writings to the context in which they were produced, revealing the complex intertextual play between Hebrew literature and life.
Here and Now
The emergence of Zionism in the late nineteenth-century and the evolution of Zionist society in Palestine were profoundly influenced by the Hebrew literature of the day. As Todd Hasak-Lowy cogently argues in this book, Hebrew authors wrote with the belief that accurately representing Jewish society—including its history—in their texts would both record the past and establish its future course. Hasak-Lowy traces the tensions between the extraliterary—the historical, social, and political—and the literary—the aesthetic, formal, and stylistic—in Hebrew fiction. Focusing on canonical Hebrew texts by S.Y. Abramovitz,Y. H. Brenner, S.Y. Agnon, and S. Yizhar, the author establishes how their works and the works of other Jewish authors served as the intellectual and political leadership to the not yet fully amalgamated nineteenth-century diaspora.
Literary Passports
Literary Passports is the first book to explore modernist Hebrew fiction in Europe in the early decades of the twentieth century. It not only serves as an introduction to this important body of literature, but also acts as a major revisionist statement, freeing this literature from a Zionist-nationalist narrative and viewing it through the wider lens of new comparative studies in modernism. The book's central claim is that modernist Hebrew prose-fiction, as it emerged from 1900 to 1930, was shaped by the highly charged encounter of traditionally educated Jews with the revolution of European literature and culture known as modernism. The book deals with modernist Hebrew fiction as an urban phenomenon, explores the ways in which the genre dealt with issues of sexuality and gender, and examines its depictions of the complex relations between tradition, modernity, and religion.
The Yeshiva and the Rise of Modern Hebrew Literature
The Yeshiva and the Rise of Modern Hebrew Literature argues that the institution of the yeshiva and its ideals of Jewish textual study played a seminal role in the resurgence of Hebrew literature in modern times. Departing from the conventional interpretation of the origins of Hebrew literature in secular culture, Marina Zilbergerts points to the practices and metaphysics of Talmud study as its essential animating forces. Focusing on the early works and personal histories of founding figures of Hebrew literature, from Moshe Leib Lilienblum to Chaim Nachman Bialik, The Yeshiva and the Rise of Modern Hebrew Literature reveals the lasting engagement of modern Jewish letters with the hallowed tradition of rabbinic learning.
Israeli Mythogynies
SUNY Series in Modern Jewish Literature and Culture. Index.
The Oxford Book of Hebrew Short Stories
Glenda Abramson's informative introduction sets the scene for a powerful literary collection, the definitive anthology of a vibrant modern genre.
The Boom in Contemporary Israeli Fiction
Five essays explore facets of what Mintz calls the complexity of cultural reverberations in Israeli fiction of the past two decades.
1948 and After
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The Oxford Book of Hebrew Short Stories
Glenda Abramson's informative introduction sets the scene for a powerful literary collection, the definitive anthology of a vibrant modern genre.
Modern Hebrew Literature
"Mendele Mocher Sforim. Shem and Japheth on the train.--Peretz, Y. L. Scenes from Limbo.--Feierberg, M. Z. In the evening.--Ahad Ha-Am. Imitation and assimilation.--Bialik, H. N. The short Friday. Revealment and concealment in language.--Brenner, Y. H. The way out.--Barash, A. At heaven's gate.--Agnon, S. Y. Agunot. The lady and the peddler. At the outset of the day. Forevermore.--Hazaz, H. Rahamim. The sermon.--Yizhar, S. The prisoner.--Amichai, Y. The times my father died.--Oz, A. Before his time.--Yehoshua, A. B. Facing the forests."
