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Rhetoric and Renaissance Culture
Since Jacob Burckhardt's Kultur der Renaissance in Italien (1869) rhetoric as a significant cultural factor of the renaissance has largely been neglected. The present study seeks to remedy this deficit regarding the arts by concentrating on literary theory and its aspects of imagination (inventio), genre (dispositio of the genera), style (elocutio), mnemonic architecture (memoria) and representation (actio), with illustrative examples taken from Shakespeare's works, but also on the intermedial rhetoric of painting and music. Particular attention is given to the rhetorical ideology of the Renaissance.
Literary Rhetoric
Dedicated to the subject of literary rhetoric, this book is divided in three principal parts: I. An historical outline of the relationship of rhetoric and literature. II. An overview of the realm of rhetoric and its parts and functions, above all in the section of "elocutio" with its classes of figures, where a critical comparison of traditional and modern models of the rhetorical figures is followed by the design of a new one. III. The implementation of this new concept in seven classes of figures and their respective subdivisions: 1. phonological, 2. morphological, 3. syntactic, 4. semantic, 5. graphemic, 6. textological, and 7. intertextual figures. Each chapter is supplemented by analyses of literary texts conceived as a demonstration of the applicability of the theoretical concepts and structures presented before. An extensive bibliography of research literature and detailed indices of names and subjects conclude this treatise.
Rhetorica Movet
This collection of articles in English and German covers a wide range of interdisciplinary topics of historical and modern manifestations of rhetoric in literature, linguistics, philosophy, law, theology, education, politics, and intellectual history.
Rhetorica Movet
This collection of articles in English and German covers a wide interdisciplinary spectrum of topics in literature, linguistics, philosophy, law, theology, education, politics and intellectual history. They deal with historical and modern aspects of rhetoric and reflect the state of rhetorical scholarship in North America and diverse countries of Europe. The topics include, among others, the treatment of 'enargeia' in Quintilians's Institutio Oratoria, the role of Petrus Ramus in the Ciceronian controversy, the social activities of the Rederijkers in the Dutch Republic of the late 16th and early 17th century, the role of 'elocutio' in Renaissance grammar books, Martin Luther's attitude towards rhetoric, the functions of forum and theatre in the history of eloquence, a critical review of models of the word-play, rhetorical interpretations of works by W. Shakespeare, J. Milton, L. Sterne, B. Brecht and G. Benn.
English Renaissance Rhetoric and Poetics
This comprehensive bibliography lists some 500 source texts published in the British Isles or abroad from 1479 to 1660 and more than 2,000 works of secondary literature from 1900 to the present.
Intertextuality
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Enargeia in Classical Antiquity and the Early Modern Age
The present study provides an extensive treatment of the topic of enargeia on the basis of the classical and humanist sources of its theoretical foundation. These serve as the basis for detailed analyses of verbal and pictorial works of the Classical Antiquity and the Early Modern Age.
Across the Lines
This third volume of ASNEL Papers covers a wide range of theoretical and thematic approaches to the subject of intertextuality. Intertextual relations between oral and written versions of literature, text and performance, as well as problems emerging from media transitions, regionally instructed forms of intertextuality, and the works of individual authors are equally dealt with. Intertextuality as both a creative and a critical practice frequently exposes the essential arbitrariness of literary and cultural manifestations that have become canonized. The transformation and transfer of meanings which accompanies any crossing between texts rests not least on the nature of the artistic corpus e...
Allusion and Meaning in John 6
Many interpreters read John 6 as a contrast between Jesus and Judaism: Jesus repudiates Moses and manna and offers himself as an alternative. In contrast, this monograph argues that John 6 places elements of the Exodus story in a positive and constructive relationship to Jesus. This reading leads to an understanding of John as an interpreter of Exodus who, like other contemporary Jewish interpreters, sees current experiences in light of the Exodus story. This approach to John offers new possibilities for assessing the gospel’s relationship to Jewish scripture, its dualism, and its metaphorical language.
