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Heinrich Zimmer
Heinrich Zimmer (1890-1943) is best known in the English-speaking world for the four posthumous books edited by Joseph Campbell and published in the Bollingen Series: Myths and Symbols in Indian Art and Civilization, Philosophies of India, The Art of Indian Asia, and The King and the Corpse. These works have inspired several generations of students of Indian religion and culture. All the papers in this volume testify to Zimmer's originality and to his rightful place in that small group of great scholars who were part of the first generation to confront the end of European empires in India and the rest of Asia. In her introduction, Margaret Case contrasts Zimmer's approach to India with that ...
Philosophies of India
A Princeton Classics edition of an essential work of twentieth-century scholarship on India Since its first publication, Philosophies of India has been considered a monumental exploration of the foundations of Indian philosophy. Based on the copious notes of Indologist, linguist, and art historian Heinrich Zimmer, and edited by Joseph Campbell, this book is organized into three sections. “The Highest Good” looks at Eastern and Western thought and their convergence; “The Philosophies of Time” discusses the philosophies of success, pleasure, and duty; and “The Philosophies of Eternity” presents the fundamental concepts of Buddhism, Brahmanism, Jainism, Sankhya and yoga, and Tantra. This work examines such areas as the Buddhist Tantras, Buddhist Genesis, the Tantric presentation of divinity, the preparation of disciples and the meaning of initiation, and the symbolism of the mandala-palace Tantric ritual and twilight language. It also delves into the Tantric teachings of the inner Zodiac and the fivefold ritual symbolism of passion. Appendices, a bibliography, and general and Sanskrit indexes are included.
The King and the Corpse
Drawing from Eastern and Western literatures, Heinrich Zimmer presents a selection of stories linked together by their common concern for the problem of our eternal conflict with the forces of evil. Beginning with a tale from the Arabian Nights, this theme unfolds in legends from Irish paganism, medieval Christianity, the Arthurian cycle, and early Hinduism. In the retelling of these tales, Zimmer discloses the meanings within their seemingly unrelated symbols and suggests the philosophical wholeness of this assortment of myth. Copyright © Libri GmbH. All rights reserved.
Myths and Symbols in Indian Art and Civilization
This book interprets for the Western mind the key motifs of India`a legends myth, and folklore, taken directly from the sanskrit, and illustrated with seventy plates of Indian art. It is primarily an introduction to image thinking and picture reading in Indian art and thought and it seeks to make the profound Hindu and Buddhist intuitions of the riddles of life and death recongnizable not merely as Oriental but as universal elements.
Artistic Form and Yoga in the Sacred Images of India
"The book is as vital today as it was the year it was written, still unmatched for the eloquence of its recognition and celebration of this inspiration of Indian art." --From the foreword This pioneering work opened C. G. Jung's eyes to the psychological and spiritual significance of the Indian mandala, and it remains the clearest introduction to the essence of Indian art and yoga for both the specialist and general reader. Heinrich Zimmer (1890-1943) was the first to identify the radical difference between Western classical and Indian art. His revolutionary approach to understanding the stylized, often sexual, sacred symbols of India was simply to take them on their own terms as techniques of spiritual transformation.
Eastern Wisdom, Modern Life
Alan Watts introduced millions of Western readers to Zen and other Eastern philosophies. But he is also recognized as a brilliant commentator on Judeo-Christian traditions, as well as a celebrity philosopher who exemplified the ideas — and lifestyle — of the 1960s counterculture. In this compilation of controversial lectures that Watts delivered at American universities throughout the sixties, he challenges readers to reevaluate Western culture's most hallowed constructs. Watts treads the familiar ground of interpreting Eastern traditions, but he also covers new territory, exploring the counterculture's basis in the ancient tribal and shamanic cultures of Asia, Siberia, and the Americas. In the process, he addresses some of the era's most important questions: What is the nature of reality? How does an individual's relationship to society affect this reality? Filled with Watts's playful, provocative style, the talks show the remarkable scope of a philosopher at his prime, exploring and defining the sixties counterculture as only Alan Watts could.
Psychology and the East
'These writings of his are strongly alive; in most instances Jung does not present us with final solutions and last words about any of the great East-West problems, but rather with suggestions for a deeper kind of approach, thus opening up new planes of investigation.' - Journal of Analytical Psychology “My own world of European consciousness had become peculiarly thin... it is quite possible that India is the real world and that the white man lives in a madhouse of abstractions.” C.G. Jung was inspired to write these words after his very first visit to India. Long concerned with the hold that myth and archetype had on the human psyche, it was inevitable that the legendary psychoanalyst would turn his attention to Eastern modes of thought. Psychology and the East collects together many of Jung’s most memorable writings on the subject, including his Psychological commentaries on the I Ching and The Tibetan Book of the Dead, his thoughts on Buddhism and Islam and a full travelogue of that fateful first encounter with India in 1936.
A Source Book in Indian Philosophy
Here are the chief riches of more than 3,000 years of Indian philosophical thought-the ancient Vedas, the Upanisads, the epics, the treatises of the heterodox and orthodox systems, the commentaries of the scholastic period, and the contemporary writings. Introductions and interpretive commentaries are provided.
The Wisdom of the Serpent
SHAMAN AND SERPENT In the tradition of Jungian analysis, a psychiatrist and an anthropologist explore the meanings and manifestations of death through ritual, religion and myth. The knowledge that he must die is the force that drives man to create. The tribal initiation of the shaman, the archetype of the serpent, exists universally in man’s experience, exemplifying the death of the Self and a rebirth into a transcendent, “unknowable” life. In The Wisdom of the Serpent: The Myths of Death, Rebirth and Resurrection, first published in 1963, the authors trace the images and patterns of psychic liberation through personal encounter, the cycles of nature, spiritual teaching religious texts, myths of resurrection, poems and epics. They translate these elements of common human experience into a them for modern man: the reinterpretation of the individual freed from the mortal boundaries of the Self. First published in 1963, this classic work in analytical psychology includes notes on the illustrations, appendix and references.
Papers from the Eranos Yearbooks, Eranos 5
Essays by Ernst Benz, Henry Corbin, Jean Daniélou, Mircea Eliade, G. van der Leeuw, Fritz Meier, Adolf Portmann, Daisetz T. Suzuki, Paul Tillich, Lancelot Law Whyte, and Heinrich Zimmer. Originally published in 1964. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
