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The Germanization of Early Medieval Christianity
While historians of Christianity have generally acknowledged some degree of Germanic influence in the development of early medieval Christianity, Russell goes further, arguing for a fundamental Germanic reinterpretation of Christianity. This first full-scale treatment of the subject follows a truly interdisciplinary approach, applying to the early medieval period a sociohistorical method similar to that which has already proven fruitful in explicating the history of Early Christianity and Late Antiquity. The encounter of the Germanic peoples with Christianity is studied from within the larger context of the encounter of a predominantly "world-accepting" Indo-European folk-religiosity with predominantly "world-rejecting" religious movements. While the first part of the book develops a general model of religious transformation for such encounters, the second part applies this model to the Germano-Christian scenario. Russell shows how a Christian missionary policy of temporary accommodation inadvertently contributed to a reciprocal Germanization of Christianity.
Justice and the Social Context of Early Middle High German Literature
This book argues that far from preaching traditional, otherworldly ideals, the authors or these religious works were deeply engaged in the social, political, and spiritual issues that characterized the Holy Roman Empire at a time of radical transformation.
Anglo-German Linguistic Relations
This is a collection of papers presented at the conference «Anglo-German Linguistic Relations», held at Queen Mary, University of London in November 2007. The papers cover a wide variety of topics about the relationship between the English and German languages or relate to cultural and literary contacts between English-speaking and German-speaking regions. Individual papers discuss Anglo-German linguistic interplay and affinities both as contemporary phenomena and from a historical perspective. Themes include codification, translation and discourse production from the 17th century to the Second World War; shared metaphors in English and German; political propaganda in English and German; and authorial positioning and perspective in a selection of autobiographical and literary works.
Deutsch Als Fremdsprache
To initiate its new Ph.D. Program in Transcultural German Studies, jointly offered by the University of Arizona and the University of Leipzig, the Department of German Studies at the University of Arizona organized an international conference on Transcultural German Studies in Tucson from March 29-31, 2007. Conference participants sought to define the nature of Transcultural German Studies. This new, interdisciplinary field of inquiry investigates the cultural landscapes of the German-speaking world in the light of globalization and inter- and transcultural contact. The contributions that comprise the volume are by scholars who work in a number of related fields, exploring transcultural phen...
The History and Anatomy of Auctorial Self-Criticism in the European Middle Ages
This study outlines the history and anatomy of the European apology tradition from the sixth century BCE to 1500 for the first time. The study examines the vernacular and Latin tales, lyrics, epics, and prose compositions of Arabic, English, French, German, Greek, Icelandic, Italian, Spanish, and Welsh authors. Three different strands of the apology tradition can be proposed. The first and most pervasive strand features apologies to pagan deities and-later-to God. The second most important strand contains literary apologies made to an earthly audience, usually of women. A third strand occurs more rarely and contains apologies for varying literary offenses that are directed to a more general ...
Engaging Moments
This book presents the first collection of the earliest West Germanic bridal-quest narratives together with a comparative study of them. In contrast to earlier studies, the author locates the origin of this narrative tradition in the oral and written Germanic literary tradition, a result that leads to a re-assessment of the genesis of vernacular German and Scandinavian literature. The chapters deal in chronological order with the Latin chronicles of the Germanic peoples and with the early Latin and vernacular literature in Germany and Scandinavia.
Bodies of Pain
This study provides a much needed re-evaluation of the role of pain and suffering in Hartmann von Aue. By critically and carefully combining traditional philology with modern theoretical analysis, drawing on theorists such as Mary Douglas, Michele Foucault, Norbert Elias and Elaine Scarry, the author shows how the 'body' is symbolically structured in Hartmann's work to create a distinctly medieval signification system of pain. This system is analysed through an examination of the physical body and social body of the court, and the harmonious and refined image of courtly society as depicted in Hartmann's work where it is shown that the very ideological system that informs courtly life causes suffering in both the physical and social bodies.
Volume 19, Tome VI: Kierkegaard Bibliography
The long tradition of Kierkegaard studies has made it impossible for individual scholars to have a complete overview of the vast field of Kierkegaard research. The large and ever increasing number of publications on Kierkegaard in the languages of the world can be simply bewildering even for experienced scholars. The present work constitutes a systematic bibliography which aims to help students and researchers navigate the seemingly endless mass of publications. The goal has been to create the most exhaustive bibliography of Kierkegaard literature possible, and thus the bibliography is not limited to any specific time period but instead spans the entire history of Kierkegaard studies.
Volume 12, Tome I: Kierkegaard's Influence on Literature, Criticism and Art
While Kierkegaard is primarily known as a philosopher or religious thinker, his writings have also been used extensively by literary writers, critics and artists worldwide who have been attracted to his creative mixing of genres, his complex use of pseudonyms, his rhetoric and literary style, and his rich images, parables, and allegories. The goal of the present volume is to document this influence in different language groups and traditions. Tome I explores Kierkegaard’s influence on literature and art in the Germanophone world. He was an important source of inspiration for German writers such as Theodor Fontane, Thomas Mann, Rainer Maria Rilke, Alfred Andersch, and Martin Walser. Kierkeg...
