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Come My Children
Hekmat Al-Taweel (1922–2008) was a native Palestinian Christian from Gaza City whose narrative unearths a version of history long excluded from mainstream discourse and provides an unfamiliar perspective on Muslim–Christian relationships. Her stories about life in Gaza highlight shared history, vibrant culture, and cherished traditions. Al-Taweel continued her education after marriage, sought community volunteer work, worked as a teacher and supervisor, and committed to activism throughout her life, all of which contradicts widespread Western orientalized stereotypes of Arab women. She also shares insights into life in Gaza during the British Mandate period as well as the 1948 Nakba and its aftermath. This is the third book in the Women’s Voices from Gaza Series, which honours women’s unique and underrepresented perspectives on the social, material, and political realities of Palestinian life.
Come My Children
"Hekmat Al-Taweel (1922-2008) was a native Palestinian Christian from Gaza City whose narrative provides an unfamiliar perspective on Muslim-Christian relationships in Gaza, highlighting shared history, culture, customs, and traditions. In relating her life story, continuing education after marriage, volunteer work, activism, and aspirations, she invites readers to understand her experiences in a way that contradicts widespread Western orientalized stereotypes of Arab women. She also shares insights into life in Gaza during the British Mandate period and the 1948 Nakba and its aftermath. This is the third book in the Women's Voices from Gaza Series, which honours women's unique and underrepresented perspectives on the social, material, and political realities of Palestinian life."--
Light the Road of Freedom
"Sahbaa Al-Barbari's story provides a unique perspective on Palestinian experience before and after the 1948 Nakba. Born in Gaza, Al-Barbari began her career as a school teacher and was an activist in her community. When Israel occupied the Gaza Strip in 1967, Al-Barbari was exiled from Palestine, continuing her activism as she lived in Egypt, Syria, Lebanon, Cyprus, Kuwait, Tunis, Libya, and Europe. Al-Barbari returned to Gaza in 1996. This is the second book in the Women's Voices from Gaza series, which honours women's unique and underrepresented perspectives on the social, material, and political realities of Palestinian life. The books in this series will benefit Middle East scholars, social justice and human rights advocates, and all who want to know more about the modern history of Palestine."--
A White Lie
Palestinian refugees in Gaza have lived in camps for five generations, experiencing hardship and uncertainty. In the absence of official histories, oral narratives handed down from generation to generation bear witness to life in Palestine before and after the 1948 Nakba—the catastrophe of dispossession. These narratives maintain traditions, keep alive names of destroyed villages, and record stories of the fight for dignity and freedom. The Women's Voices from Gaza Series honours women's unique and underrepresented perspectives on the social, material, and political realities of Palestinian life. In A White Lie, the first volume in this series, Madeeha Hafez Albatta chronicles her life in Gaza and beyond. Among her remarkable achievements was establishing some of the first schools for refugee children in Gaza.
Leaving Other People Alone
Leaving Other People Alone reads contemporary North American Jewish fiction about Israel/Palestine through an anti-Zionist lens. Aaron Kreuter argues that since Jewish diasporic fiction played a major role in establishing the centroperipheral relationship between Israel and the diaspora, it therefore also has the potential to challenge, trouble, and ultimately rework this relationship. Kreuter suggests that any fictional work that concerns itself with Israel/Palestine and Zionism comes with heightened responsibilities, primarily to make narrative space for the Palestinian worldview, the dispossessed Other of the Zionist project. In engaging prose, the book features a wide range of scholarship and new, compelling readings of texts by Theodor Herzl, Leon Uris, Philip Roth, Ayelet Tsabari, and David Bezmozgis. Throughout, Kreuter develops his concept of diasporic heteroglossia, which is fiction's unique ability to contain multiple voices that resist and write back against national centres. This work makes an important and original contribution to Jewish studies, diaspora studies, and world literature.
Now Wash Your Hands!
The perfect picture book to teach children about the importance of washing their hands. There's a very special guest at the school for little animals, and her name is Doris - Doris the Doctorpus. She's here to help the animals learn to wash their hands because of something very very small called GERMS! Doris explains that washing your hands can send germs packing and she's got her very own hand-washing song too. A funny and reassuring story that's perfect for calming worried little ones while reinforcing the importance of keeping hands super-clean. A donation of 50p per copy sold will be donated in aid of the NHS Charities Together COVID-19 Urgent Appeal.
Light the Road of Freedom
Sahbaa Al-Barbari’s story provides a unique perspective on Palestinian experiences before and after the 1948 Nakba. Born and educated in Gaza, Al-Barbari was an activist in her community. When Israel occupied the Gaza Strip in 1967, Al-Barbari and her husband Mu’in Bseiso became refugees, stripped of their residency rights and forced to live in exile for the next three decades. While in exile, moving from Lebanon to Syria, Libya, Kuwait, Egypt, and finally Tunisia, Al-Barbari held tight to her hope of one day returning to Gaza. Her life speaks volumes about the struggle experienced by millions of disenfranchised Palestinians, separated from family members and their homeland. This is the second book in the Women’s Voices from Gaza series, which honours women’s unique and underrepresented perspectives on the social, material, and political realities of Palestinian life.
That's Why I'm a Journalist
News stories are like collective memories, encapsulating the most iconic moments in recent history around the world. But to those who work in journalism, up-close involvement with these stories can also be life-changing. In That’s Why I’m a Journalist, veteran broadcaster Mark Bulgutch interviews 44 prominent Canadian journalists, who each share their behind-the-scenes accounts of some of the most memorable stories of their careers and describe the moment that made them say to themselves, “That’s why I’m a journalist.” Although many of the contributors’ stories are related to their roles in the most high-profile events of the 20th and 21st centuries, from the fall of the Berlin...
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
The Hundred Years' War on Palestine
THE SUNDAY TIMES AND NEW YORK TIMES BESTSELLER 'Riveting and original ... a work enriched by solid scholarship, vivid personal experience, and acute appreciation of the concerns and aspirations of the contending parties in this deeply unequal conflict ' Noam Chomsky The twentieth century for Palestine and the Palestinians has been a century of denial: denial of statehood, denial of nationhood and denial of history. The Hundred Years War on Palestine is Rashid Khalidi's powerful response. Drawing on his family archives, he reclaims the fundamental right of any people: to narrate their history on their own terms. Beginning in the final days of the Ottoman Empire, Khalidi reveals nascent Palest...
