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Come My Children
Hekmat Al-Taweel (1922–2008) was a native Palestinian Christian from Gaza City whose narrative unearths a version of history long excluded from mainstream discourse and provides an unfamiliar perspective on Muslim–Christian relationships. Her stories about life in Gaza highlight shared history, vibrant culture, and cherished traditions. Al-Taweel continued her education after marriage, sought community volunteer work, worked as a teacher and supervisor, and committed to activism throughout her life, all of which contradicts widespread Western orientalized stereotypes of Arab women. She also shares insights into life in Gaza during the British Mandate period as well as the 1948 Nakba and its aftermath. This is the third book in the Women’s Voices from Gaza Series, which honours women’s unique and underrepresented perspectives on the social, material, and political realities of Palestinian life.
Light the Road of Freedom
"Sahbaa Al-Barbari's story provides a unique perspective on Palestinian experience before and after the 1948 Nakba. Born in Gaza, Al-Barbari began her career as a school teacher and was an activist in her community. When Israel occupied the Gaza Strip in 1967, Al-Barbari was exiled from Palestine, continuing her activism as she lived in Egypt, Syria, Lebanon, Cyprus, Kuwait, Tunis, Libya, and Europe. Al-Barbari returned to Gaza in 1996. This is the second book in the Women's Voices from Gaza series, which honours women's unique and underrepresented perspectives on the social, material, and political realities of Palestinian life. The books in this series will benefit Middle East scholars, social justice and human rights advocates, and all who want to know more about the modern history of Palestine."--
A White Lie
Palestinian refugees in Gaza have lived in camps for five generations, experiencing hardship and uncertainty. In the absence of official histories, oral narratives handed down from generation to generation bear witness to life in Palestine before and after the 1948 Nakba—the catastrophe of dispossession. These narratives maintain traditions, keep alive names of destroyed villages, and record stories of the fight for dignity and freedom. The Women's Voices from Gaza Series honours women's unique and underrepresented perspectives on the social, material, and political realities of Palestinian life. In A White Lie, the first volume in this series, Madeeha Hafez Albatta chronicles her life in Gaza and beyond. Among her remarkable achievements was establishing some of the first schools for refugee children in Gaza.
Leaving Other People Alone
Leaving Other People Alone reads contemporary North American Jewish fiction about Israel/Palestine through an anti-Zionist lens. Aaron Kreuter argues that since Jewish diasporic fiction played a major role in establishing the centroperipheral relationship between Israel and the diaspora, it therefore also has the potential to challenge, trouble, and ultimately rework this relationship. Kreuter suggests that any fictional work that concerns itself with Israel/Palestine and Zionism comes with heightened responsibilities, primarily to make narrative space for the Palestinian worldview, the dispossessed Other of the Zionist project. In engaging prose, the book features a wide range of scholarship and new, compelling readings of texts by Theodor Herzl, Leon Uris, Philip Roth, Ayelet Tsabari, and David Bezmozgis. Throughout, Kreuter develops his concept of diasporic heteroglossia, which is fiction's unique ability to contain multiple voices that resist and write back against national centres. This work makes an important and original contribution to Jewish studies, diaspora studies, and world literature.
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
The Mosquito Bite Author
Originally published in 2011, The Mosquito Bite Author is the seventh novel by the acclaimed Turkish author Barış Bıçakçı. It follows the daily life of an aspiring novelist, Cemil, in the months after he submits his manuscript to a publisher in Istanbul. Living in an unremarkable apartment complex in the outskirts of Ankara, Cemil spends his days going on walks, cooking for his wife, repairing leaks in his neighbor’s bathroom, and having elaborate imaginary conversations in his head with his potential editor about the meaning of life and art. Uncertain of whether his manuscript will be accepted, Cemil wavers between thoughtful meditations on the origin of the universe and the trajectory of political literature in Turkey, panic over his own worth as a writer, and incredulity toward the objects that make up his quiet world in the Ankara suburbs.
About Trees
About Trees considers our relationship with language, landscape, perception, and memory in the Anthropocene. The book includes texts and artwork by a stellar line up of contributors including Jorge Luis Borges, Andrea Bowers, Ursula K. Le Guin, Ada Lovelace and dozens of others. Holten was artist in residence at Buro BDP. While working on the book she created an alphabet and used it to make a new typeface called Trees. She also made a series of limited edition offset prints based on her Tree Drawings.
The Italian
An emblematic story of the shipwreck of the Arab Spring At his father's funeral, to the great consternation of all present, Abdel Nasser beats the imam who is celebrating the funeral rite. The narrator, a childhood friend of the protagonist, retraces the story of "the Italian" from his days as a free and rebellious adolescent spirit to the leader of a student movement and then affirmed journalist. Those were crucial years in Tunisia, years of great tension, change, and repression. Against this background full of revolutionary ferments stands the tormented love story between Abdel Nasser and Zeina, a brilliant and beautiful philosophy student. Their dreams will unfortunately end up being wrecked under the ruthless gears of a corrupt and chauvinist society. Abdel Nasser's transformation from a young idealist with high hopes to a successful, but disillusioned and tired journalist is masterfully narrated in a stream of stories, digressions and flashbacks in which the narrative tension is always high. Winner of the 2015 International Prize for Arabic Fiction
Home Reading Service
In this poignant novel, a man guilty of a minor offense finds purpose unexpectedly by way of his punishment—reading to others. After an accident—or “the misfortune,” as his cancer-ridden father’s caretaker, Celeste, calls it—Eduardo is sentenced to a year of community service reading to the elderly and disabled. Stripped of his driver’s license and feeling impotent as he nears thirty-five, he leads a dull, lonely life, chatting occasionally with the waitresses of a local restaurant or walking the streets of Cuernavaca. Once a quiet town known for its lush gardens and swimming pools, the “City of Eternal Spring” is now plagued by robberies, kidnappings, and the other myriad ...
Killing the Water
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