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Roman de Silence
This bilingual edition, based on a reexamination of the Old French manuscript, makes Silence available to specialists and students in various fields of literature, to those in women's studies and, most important, to everyone who loves a first-rate story.
Literary Hybrids
Much like the fantastic marginalia of medieval illuminated manuscripts, medieval and modern hybrid characters-including werewolves, serpent women, and wild men-function as a frame, critiquing the discourses that run through their texts. In Literary Hybrids, Erika Hess provides a close reading of one such hybrid-the female cross-dresser in thirteenth-century French romance-examining the interplay between physical and narrative ambiguity. Hess argues that the hybrid figure in medieval and contemporary French literature challenges the traditionally accepted natural order, upsets rational thinking, and underscores a concern with totalizing discourses or perspectives.
Love, War, and the Grail
Includes genealogical charts of kings and noblemen associated with the search for the grail.
Comedy in Arthurian Literature
Articles on comedy in Arthurian romance - French, Dutch, Italian, Scottish and English. The texts analyzed underline the wide dissemination of the Arthurian story in medieval and post-medieval Europe, from Scotland to Italy, while the various analyses of the manifestations of comedy refute the notion of romance as ahumourless genre. Indeed, the comic treatment of conventional themes and motifs appears to be not only characteristic of later romance but an essential element of the genre from its beginnings and from its earliest development. Authors of Arthurian romance, from Chrétien de Troyes to Malory, writing in French, Italian, Middle Dutch, and Middle English, and the creators of an Iris...
Romancing the Grail
Taking as his starting point the assertion by the Russian narrative theorist Mikhail Bakhtin that Parzival achieved a pluralism of novelistic discourse generally associated with more recent works, Groos traces several strands of narrative - especially Arthurian and Grail. He focuses on crucial episodes in the hero's quest, ranging from his discovery of knighthood to the healing of the Fisher King, and shows how Wolfram transposes the clerical French perspective of Chretien de Troyes's Li Contes del Graal into the context of chivalric German culture. Examining the variety of language registers and genres incorporated in Parzival, Groos demonstrates that the interaction of chivalric romance, hagiography, dynastic chronicle, and scientific and medical treatise produces a decentered fictional universe in which various religious and secular viewpoints enter into dialogue.
Love Cures
"Examines literary portrayals of women who practice healing and love magic, and argues that these figures were modeled on informally trained practitioners common in the magico-medical paradigm of the high Middle Ages, and were well-respected and successful"--Provided by publisher.
The Subject Medieval/Modern
This work presents a thorough historicist account of the development of subjectivity in the medieval period, as traced in medieval literature and historical documentation.
Naming and Namelessness in Medieval Romance
A survey of the significance of names, or their absence, in medieval English, French, and Anglo-Norman romance.
Crossing Borders
Given Christianity's valuation of celibacy and its persistent association of sexuality with the Fall and of women with sin, Western medieval attitudes toward the erotic could not help but be vexed. In contrast, eroticism is explicitly celebrated in a large number of theological, scientific, and literary texts of the medieval Arab Islamicate tradition, where sexuality was positioned at the very heart of religious piety. In Crossing Borders, Sahar Amer turns to the rich body of Arabic sexological writings to focus, in particular, on their open attitude toward erotic love between women. By juxtaposing these Arabic texts with French works, she reveals a medieval French literary discourse on same...
