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"A philosophical exploration of the value of aesthetics in loss and grieving. Loss and grief are destabilizing forces. As a bereaved person grapples with the reality that their loved one is gone and feels only shakily connected to the surrounding world, the tangibility of sensory objects can be grounding. In Aesthetics of Grief and Mourning, philosopher Kathleen Marie Higgins highlights the role of aesthetics in the grieving process, offering a guide for how being attuned to aesthetics can aid those experiencing loss. While some activities associated with loss-such as participation in funerals-are culturally scripted, many others are relatively everyday, including attending to sensory objects, telling stories, reflecting on artworks, experiencing music, and engaging in creative projects. Higgins shows how attending to these aesthetic practices helps those who have experienced loss, and she also sheds light on the importance of aesthetic engagement with the world for individual and community flourishing"--
Ancient Greece was the cradle of philosophy in the Western tradition. Meet the Philosophers of Ancient Greece brings the thoughts and lives of the pioneers of Western philosophy down from their sometimes remote heights and introduces them to a modern audience. Comprising seventy essays, written by internationally distinguished scholars in a lively and accessible style, this book presents the values, ideas, wisdom and arguments of the most significant thinkers from the world of ancient Greece. Commencing with Thales of Miletus and continuing to the end of the Ancient Period of philosophy by way of Heraclitus, Parmenides, Protagoras, Socrates, Plato, Aristotle, Archimedes, Epictetus this book explores the major contributions of each philosopher as well as looking at archaeological and historical sites where they lived, worked and thought. This book is an outstanding introduction to the world of the philosophers of Ancient Greece.
Drawing on multidisciplinary findings and ideas, this book discusses fair allocation of social resources, such as goods, services and information, in a novel and integrated way. The role of the essential features of allocation behavior: motivation, cognition and emotion, as well as morality and reactions to perceived unfairness are examined in the newly developed Justice Model. The author offers explanations as to why, how and to what extent, people, in an effort to attain justice, allocate social resources between self and others and among others. It is held that the allocation event, featuring actor, recipient and observer, as well as the resources to be allocated by an actor, can function as a guideline for the essentials of fair behavior. The work explores the conditions under which an actor may deviate from a just division of social resources thus instigating a reaction from recipients and observers. The study covers various levels of analysis ranging from the intra-personal to the societal. The book will be of interest to academics and researchers working in the areas of crime, law, justice, public policy and governance.
This critical intervention in the study of the comic investigates how the comic act is also an expressive and performative act that precedes philosophical conceptualisation. The book puts Bergson, philosophy and the body at the centre of its investigation to explore different aspects of the field, from the history and philosophy of comedy to film and psychoanalysis. The volume develops a theoretical and practice-based framework that will be a valuable resource for students, scholars and practitioners alike in the fields of philosophy, literary studies, theatre and performance studies and comedy studies. List of Contributors: Caterina Angela Agus, Fred Dalmasso, Lisabeth During, Xavier Escribano, Giovanni Fusetti, Davide Giovanzana, Josephine Gray, María J. Ortega Máñez, Meg Mumford, Jean-Michel Rabaté, Carolyn Shapiro, Lisa Trahair
“Acceptable Risk” – On the Rationality (and Irrationality) of Emotional Evaluations of Risk What is “acceptable risk”? That question is appropriate in a number of different contexts, political, social, ethical, and scienti c. Thus the question might be whether the voting public will support a risky proposal or project, whether people will buy or accept a risky product, whether it is morally permissible to pursue this or that potentially harmful venture, or whether it is wise or prudent to test or try out some possibly dangerous hypothesis or product. But complicating all of these queries, the “sand in the machinery” of rational decision-making, are the emotions. It is often not...
This book is a sequel to Heaven and Earth in Ancient Greek Cosmology (Springer 2011). With the help of many pictures, the reader is introduced into the way of thinking of ancient believers in a flat earth. The first part offers new interpretations of several Presocratic cosmologists and a critical discussion of Aristotle’s proofs that the earth is spherical. The second part explains and discusses the ancient Chinese system called gai tian. The last chapter shows that, inadvertently, ancient arguments and ideas return in the curious modern flat earth cosmologies.
Ever since Adam Smith’s musings on ‘the invisible hand’ became more famous than his work on moral sentiments, social theorists have paid less attention to everyday ethics and aesthetics. Smith’s metaphor of the invisible hand posits that social outcomes emerge by dint of the behaviours of individuals rather than their intentions or virtues. Modernist and scientific approaches to determining the common good or good forms of governance have increasingly relied on techniques of generalisation and rationalisation. This shift has meant that we no longer comprehend why and how people display a deep concern for everyday life values in their social practices. People continue to enact these v...
In Miletus, about 550 B.C., together with our world-picture cosmology was born. This book tells the story. In Part One the reader is introduced in the archaic world-picture of a flat earth with the cupola of the celestial vault onto which the celestial bodies are attached. One of the subjects treated in that context is the riddle of the tilted celestial axis. This part also contains an extensive chapter on archaic astronomical instruments. Part Two shows how Anaximander (610-547 B.C.) blew up this archaic world-picture and replaced it by a new one that is essentially still ours. He taught that the celestial bodies orbit at different distances and that the earth floats unsupported in space. This makes him the founding father of cosmology. Part Three discusses topics that completed the new picture described by Anaximander. Special attention is paid to the confrontation between Anaxagoras and Aristotle on the question whether the earth is flat or spherical, and on the battle between Aristotle and Heraclides Ponticus on the question whether the universe is finite or infinite.
This mind-opening take on indigenous psychology presents a multi-level analysis of culture to frame the differences between Chinese and Western cognitive and emotive styles. Eastern and Western cultures are seen here as mirror images in terms of rationality, relational thinking, and symmetry or harmony. Examples from the philosophical texts of Confucianism, Daoism, Buddhism, and classical poetry illustrate constructs of shading and nuancing emotions in contrast to discrete emotions and emotion regulation commonly associated with traditional psychology. The resulting text offers readers bold new understandings of emotion-based states both familiar (intimacy, solitude) and unfamiliar (resonanc...