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Distinguished feminist philosophers consider the future of their field and chart its political and ethical course in this forward-looking volume. Engaging with themes such as the historical trajectory of feminist phenomenology, ways of perceiving and making sense of the contemporary world, and the feminist body in health and ethics, these essays affirm the base of the discipline as well as open new theoretical spaces for work that bridges bioethics, social identity, physical ability, and the very nature and boundaries of the female body. Entanglements with thinkers such as Heidegger, Merleau-Ponty, Beauvoir, and Arendt are evident and reveal new directions for productive philosophical work. Grounded in the richness of the feminist philosophical tradition, this work represents a significant opening to the possible futures of feminist phenomenological research.
At the close of the last millennium, Helen Fielding debuted the irrepressible (and blockbuster-bestselling) Bridget Jones. Now, Fielding gives us a sensational new heroine for a new era...Move over 007, a stunning, sexy-and decidedly female-new player has entered the world of international espionage. Her name is Olivia Joules (that’s "J.O.U.L.E.S. the unit of kinetic energy") and she's ready to take America by storm with charm, style, and her infamous Overactive Imagination. How could a girl not be drawn to the alluring, powerful Pierre Ferramo-he of the hooded eyes, impeccable taste, unimaginable wealth, exotic international homes, and dubious French accent? Could Ferramo really be a major terrorist bent on the Western world’s destruction, hiding behind a smokescreen of fine wines, yachts, and actresses slash models? Or is it all just a product of Olivia Joules’s overactive imagination? Join Olivia in her heart-stopping, hilarious, nerve-frazzling quest from hip hotel to eco-lodge to underwater cave, by light aircraft, speedboat, helicopter, and horse, in this witty, contemporary, and utterly unputdownable novel deluxe.
Cause Celeb is the debut novel from Helen Fielding, the bestselling author of Bridget Jones’s Diary. Disillusioned by her glitzy life in London and her desirable but cruel TV-presenter boyfriend, Rosie Richardson chucks it all in and spends four years running a refugee camp in Africa. Then famine strikes in a nearby province and an influx of starving refugees threatens to overwhelm the camp. Frustrated by the cautious response of the aid agencies, Rosie decides on a drastic short-term solution. She returns to London, breaks back into the celebrity circuit and brings the celebs out to Africa for a star-studded TV emergency appeal.
What are the ethical, political and cultural consequences of forgetting how to trust our senses? How can artworks help us see, sense, think, and interact in ways that are outside of the systems of convention and order that frame so much of our lives? In Cultivating Perception through Artworks, Helen Fielding challenges us to think alongside and according to artworks, cultivating a perception of what is really there and being expressed by them. Drawing from and expanding on the work of philosophers such as Luce Irigaray and Maurice Merleau-Ponty, Fielding urges us to trust our senses and engage relationally with works of art in the here and now rather than distancing and systematizing them as aesthetic objects. Cultivating Perception through Artworks examines examples as diverse as a Rembrandt painting, M. NourbeSe Philip's poetry, and Louise Bourgeois' public sculpture, to demonstrate how artworks enact ethics, politics, or culture. By engaging with different art forms and discovering the unique way that each opens us to the world in a new and unexpected ways, Fielding reveals the importance of our moral, political, and cultural lives.
SEQUEL TO THE MULTI-MILLION COPY BESTSELLER BRIDGET JONES'S DIARY The Wilderness Years are over. But not for long. At the end of Bridget Jones's Diary, Bridget hiccuped off into the sunset with man-of-her-dreams Mark Darcy.
Bridget Jones, beloved Singleton and global phenomenon, is back with a bump in Bridget Jones's Baby: The Diaries. 8:45 P.M. Realize there have been so many times in my life when have fantasized about going to a scan with Mark or Daniel: just not both at the same time. Before motherhood, before marriage, Bridget with biological clock ticking very, very loudly, finds herself unexpectedly pregnant at the eleventh hour: a joyful pregnancy which is dominated, however, by a crucial but terribly awkward question – who is the father? Mark Darcy: honourable, decent, notable human rights lawyer? Or Daniel Cleaver: charming, witty, notable fuckwit? 9:45 PM It’s like they’re two halves of the perfect man, who’ll spend the rest of their lives each wanting to outdo the other one. And now it’s all enacting itself in my stomach. In this gloriously funny, touching story of baby-deadline panic, maternal bliss, and social, professional, technological, culinary and childbirth chaos, Bridget Jones – global phenomenon and the world’s favorite Singleton – is back with a bump.
“The best, the original, the seminal” Mail on Sunday Bridget Jones’s Diary turns 25 this year. Winner of the 1997 British Book of the Year, and named by the Guardian as one of the ten books which best defines the 20th Century, the book has gone on to become a multi-million copy selling international phenomenon, spawning three blockbuster movies, a whole new literary genre, a lexicon of ‘smug marrieds’, ‘singletons’, ‘emotional f***wittage’ and ‘mummy pants’, and the familiar cry of ‘I am Bridget Jones’. This special bumper anniversary compendium also features an introduction and commentary from Helen Fielding, and over 100 pages of rare material taken from 25 years of her writing, including: * Extracts from Helen’s early journalism * A selection of the original Independent newspaper columns. * Bridget Jones interviews Colin Firth * Later columns on #MeToo, Brexit, and Bridget’s lockdown life * A selection of hilarious restaurant reviews featuring the real life inspirations for Jude, Shazzer, Auntie Una, Mum and Daniel Cleaver
The contributors to this international volume take up questions about a phenomenology of time that begins with and attunes to gender issues. Themes such as feminist conceptions of time, change and becoming, the body and identity, memory and modes of experience, and the relevance of time as a moral and political question, shape Time in Feminist Phenomenology and allow readers to explore connections between feminist philosophy, phenomenology, and time. With its insistence on the importance of gender experience to the experience of time, this volume is a welcome opening to new and critical thinking about being, knowledge, aesthetics, and ethics.
Bridget Jones is mad about the boy – the laugh-out-loud No.1 bestseller, soon to be a major film starring Renée Zellweger. ‘In an emergency, I turn to Bridget Jones’ DOLLY ALDERTON What do you do when a girlfriend’s 60th birthday party is the same day as your boyfriend’s 30th? Is it morally wrong to have a blow-dry when one of your children has head lice? Is sleeping with someone after 2 dates and 6 weeks of texting the same as getting married after 2 meetings and 6 months of letter writing in Jane Austen’s day? Pondering these, and other dilemmas, BRIDGET JONES stumbles through the challenges of single motherhood, online dating, and achieving ‘acceptance and calm’ in what SOME people rudely call ‘middle age’. ‘Groundbreaking, iconic...a trailblazer’ CAITLIN MORAN ‘Sharp and humorous...genuinely moving’ NEW YORK TIMES
Bridget Jones, the main character in the novel and the film, "Bridget Jones's Diary, " shares her own ideas on homemaking, cooking, relationships, weight loss, and other subjects in a parody of a self-help book.