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“Engaging…. Nimble-footed…. Amusing….Throughout, Hauser weaves in passages connecting Brown to her contemporaries and the cultural landscape of the 1960s…[to] situate her life in the context of its times.”— New York Times Book Review This female Mad Men-like story chronicles the legendary Cosmopolitan magazine editor’s rise to power as both a cultural icon and trailblazer who redefined what it means to be an American woman. In the mid-Sixties, Helen Gurley Brown, author of the groundbreaking Sex and the Single Girl, took over the ailing Cosmopolitan magazine and revamped it into one of the most successful brands in the world. At a time when magazines taught housewives how to ...
The 1962 blockbuster that took on “one of the most absurd (if universal) myths of our time: that every girl must be married” (The New York Times). Helen Gurley Brown, the iconic editor in chief of Cosmopolitan for thirty-two years, is considered one of the most influential figures of Second Wave feminism. Her first book sold millions of copies, became a cultural phenomenon, and ushered in a whole new way of thinking about work, men, and life. Feisty, fun, and totally frank, Sex and the Single Girl offers advice to unmarried women that is as relevant today as it was when it burst onto the scene in the 1960s. This spirited manifesto puts women—and what they want—first. It captures the exuberance, optimism, and independence that have influenced the lives of so many contemporary American women.
"The first biography of Helen Gurley Brown, author of the 1962 international bestseller Sex and the Single Girl and 32-year editor of Cosmopolitan magazine. Scanlon had unprecedented access to Brown's papers, and she presents Brown in the context of the feminist movement, highlighting her role as an advocate of professional accomplishment and sexual freedom for women"--Provided by publisher.
The legendary founding editor of "Cosmopolitan" magazine is also a master of correspondence: from rants to raves, from love notes to memos to the fashion editor. This book is a confection of her finest writing.
The former editor-in-chief of "Cosmopolitan" magazine details her difficult childhood, her career, her forty-year marriage, and her quest for a youthful appearance.
When Helen Gurley Brown’s Sex and the Single Girl first appeared in 1962, it whistled into buttoned-down America like a bombshell: Brown declared that it was okay— even imperative—for unmarried women to have and enjoy a sex life, and that equal rights for women should extend to the bedroom and the workplace. “How dare you?” thundered newspapers, radio hosts, and (mostly male) citizens. But more than two million women bought the book and hailed her as a heroine. Brown was also pilloried as a scarlet woman and a traitor to the women’s movement when she took over the failing Hearst magazine Cosmopolitan and turned it into a fizzy pink guidebook for “do-me” feminism. As the first...
Helen Gurley Brown adds dazzle to dull office days in her follow-up to the phenomenal bestseller Sex and the Single Girl The classic book from 1965 tells what it was really like to be the girl in a Mad Men–style workplace. Sex and the Office became the definitive, comprehensive guide to working life for an entire generation of women. Alongside advice about how to deal with your boss, manage office politics, and make the most of personal and professional opportunities in the office, Helen Gurley Brown also shares stories from her own office days. A classic of its time, this stands as a frank look at how to get ahead, not just through working hard but through playing hard, too.
One woman’s investigation into the nature of memory, the past, and above all, love. All families have their myths and Juliet Nicolson’s was no different: her flamenco dancing great-great-grandmother Pepita, the flirty manipulation of her great-grandmother Victoria, the infamous eccentricity of her grandmother Vita, her mother’s Tory-conventional background. A House Full of Daughters takes us through seven generations of women. In the nineteenth-century slums of Malaga, the salons of fin-de-siècle Washington DC, an English boarding school during the Second World War, Chelsea in the 1960s, these women emerge for Juliet as people in their own right, but also as part of who she is and where she has come from
‘If you find the subject of food to be both vexing and transfixing, you’ll love What She Ate’ Elle
Jonah entered Helen Brown's life not long after she was diagnosed with breast cancer and had begun recovery from a mastectomy. His arrival coincided with the finalisation of her previous book, Cleo, as well as preparations for the wedding of her son and struggles with her daughter's determination to embark on a spiritual journey. Jonah, as it happened, was just as headstrong as Helen's daughter. So while Helen attempted to deal with her own mortality and help arrange a wedding, her daughter took off to war-torn Sri Lanka and Jonah fled down the street. In Cats and Daughters, Helen Brown writes with honesty and humour about family life, its serious setbacks and life-changing events. She also learns that sometimes the best thing a strong mother and cat slave can do is step back, have faith in those she loves and be grateful nothing's perfect. As Helen writes in her dedication, this book is 'to cats and daughters who don't always come when called'.