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The New Censors
Amid ongoing debates over a wide variety of art and how it should be regulated, Charles Lyons focuses on the movie industry and the role pressure groups and government has played in shaping contemporary images
Problems in Modern Latin American History
This is a completely revised and updated edition of SR Books' classic text, Problems in Modern Latin American History. This book has been brought up to date by Professors John Charles Chasteen and James A. Wood to reflect current scholarship and to maximize the book's utility as a teaching tool. The book is divided into 13 chapters, with each chapter dedicated to addressing a particular "problem" in modern Latin America-issues that complement most survey texts. Each chapter includes an interpretive essay that frames a clear central issue for students to tackle, along with excerpts from historical writing that advance alternative-or even conflicting-interpretations. In addition, each chapter contains primary documents for students to analyze in relation to the interpretive issues. This primary material includes passages of Latin American fiction in translation, biographical sketches, and images. Designed as a supplemental text for survey courses on Latin American history, this book's provocative "problems" approach will engage students, evoke lively classroom discussion, and promote critical thinking.
The Oxford History of Mexico
The tenth anniversary edition of The Oxford History of Mexico tells the fascinating story of Mexico as it has evolved from the reign of the Aztecs through the twenty-first century. Available for the first time in paperback, this magnificent volume covers the nation's history in a series of essays written by an international team of scholars. Essays have been revised to reflect events of the past decade, recent discoveries, and the newest advances in scholarship, while a new introduction discusses such issues as immigration from Mexico to the United States and the democratization implied by the defeat of the official party in the 2000 and 2006 presidential elections. Newly released to commemorate the bicentennial of the Mexican War of Independence and the centennial of the Mexican Revolution, this updated and redesigned volume offers an affordable, accessible, and compelling account of Mexico through the ages.
Receive Our Memories
Receive our Memories is a rare study of an epistolary relationship for individuals whose migration from Mexico has been looked at en masse, but not from such a personal and human angle. The heart of the book consists of eighty translated and edited versions of letters from Luz Moreno, a poor, uneducated Mexican sharecropper, to his daughter, a recent migr to California, in the 1950s. These are contextualized and framed in light of immigration and labor history, the histories of Mexico and the United States in this period, and family history. Although Moreno's letters include many of the affective concerns and quotidian subject matter that are the heart and soul of most immigrant corresponden...
A Century of Chicano History
This study argues for a radically new interpretation of the origins and evolution of the ethnic Mexican community across the US. This book offers a definitive account of the interdependent histories of the US and Mexico as well as the making of the Chicano population in America. The authors link history to contemporary issues, emphasizing the overlooked significance of late 19th and 20th century US economic expansionism to Europe in the formation of the Mexican community.
Frankie and Johnny
Originating in a homicide in St. Louis in 1899, the ballad of "Frankie and Johnny" became one of America's most familiar songs during the first half of the twentieth century. It crossed lines of race, class, and artistic genres, taking form in such varied expressions as a folk song performed by Huddie Ledbetter (Lead Belly); a ballet choreographed by Ruth Page and Bentley Stone under New Deal sponsorship; a mural in the Missouri State Capitol by Thomas Hart Benton; a play by John Huston; a motion picture, She Done Him Wrong, that made Mae West a national celebrity; and an anti-lynching poem by Sterling Brown. In this innovative book, Stacy I. Morgan explores why African American folklore—a...
From Above and Below
2014 Best International Book Award, Mormon History Association For the first century of their church’s existence, Mormon observers of international events studied and cheered global revolutions as a religious exercise. As believers in divine-human co-agency, many prominent Mormons saw global revolutions as providential precursors to the imminent establishment of the terrestrial kingdom of God. French Revolutionary symbolism, socialist critiques of industrialism, American Indian nationalism, and Wilsonian internationalism all became the raw materials of Mormon millennial theologies which were sometimes barely distinguishable from secular utopianism. Many Mormon thinkers accepted secular rev...
Anxieties of Experience
Anxieties of Experience offers a new interpretation of US and Latin American literature. Rereading a range of canonical works from Walt Whitman's Leaves of Grass to Roberto Bolaño's 2666, it traces the development and interaction of two distinct literary strains in the Americas: the "US literature of experience" and the "Latin American literature of the reader."
Continental Divides
North America is more a political and an economic invention than a place people call home. Nonetheless, the region shared by the United States and its closest neighbors, North America, is an intriguing frame for comparative American studies. Continental Divides is the first book to study the patterns of contact, exchange, conflict, and disavowal among cultures that span the borders of Canada, the United States, and Mexico. Rachel Adams considers a broad range of literary, filmic, and visual texts that exemplify cultural traffic across North American borders. She investigates how our understanding of key themes, genres, and periods within U.S. cultural study is deepened, and in some cases tra...
Good Neighbor Empires
A class of child artists in Mexico, a ship full of child refugees from Spain, classrooms of child pageant actors, and a pair of boy ambassadors revealed facets of hemispheric politics in the Good Neighbor era. Culture-makers in the Americas tuned into to children as producers of cultural capital to advance their transnational projects. In many instances, prevailing conceptions of children as innocent, primitive, dependent, and underdeveloped informed perceptions of Latin America as an infantilized region, a lesser "Other Americas" on the continent. In other cases, children's interventions in the cultural politics, economic projects, and diplomatic endeavors of the interwar period revealed that Latin American children saw themselves as modern, professional, participants in forging inter-American relationships.
