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The Portal
PAUL RICE travels with his new girlfriend to meet her family and spend a week in their recently renovated home in Lanark, Wisconsin, where he finds a town haunted by a history of strange killings and disappearances, a Catholic priest frightened to come out at night, and a teenager who is afraid of his room and sleeps with the light on. By week’s end Paul comes face to face with a resident evil that is centuries old, very much alive, and only waits to be released from a house that has been its dark shrine for generations. “This is a well written – and genuinely creepy – story.” - Harper Collins Publishers
The Chosen
After helping the police solve the Lanark murders, Paul Rice thought he was finished with the supernatural for good and he and his girlfriend could forget about everything that happened and settle down to living a normal life. But it was not to be, his girlfriend decides to suddenly leave him and four attractive women come into his life as prearranged by someone pulling paranormal strings. There are more murders and Paul later finds that he and the four women knew each other during the Salem Witch Trials in another lifetime.
A Companion to the Classical Tradition
A Companion to the Classical Tradition accommodates the pressing need for an up-to-date introduction and overview of the growing field of reception studies. A comprehensive introduction and overview of the classical tradition - the interpretation of classical texts in later centuries Comprises 26 newly commissioned essays from an international team of experts Divided into three sections: a chronological survey, a geographical survey, and a section illustrating the connections between the classical tradition and contemporary theory
Bulletin
None
Cultural Memory in Seamus Heaney’s Late Work
Cultural Memory in Seamus Heaney’s Late Work considers the ways that memory functions in Heaney’s poetry. Joanne Piavanini argues that the shaping of collective memory is one of Heaney’s major contributions as a poet. Locating Heaney in a transnational literary sphere, this book argues that his late work isdefined by a type of cosmopolitanism openness: the work moves beyond national identity to explore multiple allegiances and identifications. Moreover, Piavanini demonstrates that memory is a helpful lens to look at Heaney’s late work, in particular, because of the interplay of past, present and future in these works: in the construction of a collective memory of the Troubles; in the use of the elegy to commemorate the passing of important contemporary poets; in his writing on events with transnational significance, such as 9/11; in the slippages between past and present in poems about his family; and through the literary afterlives of texts—specifically, his appropriation of canonical classical texts. Drawing on approaches and concepts from memory studies, Piavanini considers Heaney’s late work to develop an analysis of poetry as a vehicle of memory.
Bulletin
None
Classical Enrichment
This collection brings together twenty eight chapters written by Stephen Harrison’s colleagues and former students from around the globe to celebrate both his distinguished teaching and research career as a classicist and his outstanding and admirable service to the international classical community. The wide variety of original contributions on topics ranging from Greek to Latin and ancient literature’s reception in opera and contemporary writing is divided into five parts. Each corresponds to the staggering publication record of the honorand, encompassing, as it does, a broad literary spectrum, starting from the literature of the end of the Roman Republic and coming down to Neo-Latin and the reception of Classics in Irish, in English poetry and in European literature and culture in general. This corpus of compelling chapters is hoped to match Stephen Harrison’s rich research output in an illuminating dialogue with it.
