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The first study of one of the most innovative of contemporary novelists, Liz Jensen, and of the "otherworlds" in her fiction. Liz Jensen, a British author of eight novels, is among today's most innovative writers. Her literary thrillers occupy the terrain between realism and science fiction. This first study of Jensen centers on the very diverse "otherworlds" she creates in each of her novels, which can consist of an indeterminate space of ontological instability, a zone in which real and unreal converge to destabilize the realist text, as in Egg Dancing (1995) and TheNinth Life of Louis Drax (2004). In other novels the otherworld relies on defamiliarization: thus in War Crimes for the Home ...
Why do so many contemporary British novels revert to the Victorian tradition in order to find a new source of inspiration? What does it mean from an ideological point of view to build a modern form of art by resurrecting and recycling an art of the past? From a formal point of view what are the aesthetic priorities established by these postmodernist novels? Those are the main questions tackled by this study intended for anybody interested in the aesthetic and ideological evolution of very recent fiction. What this analysis ultimately proposes is a reevaluation and a redefinition of postmodernism such as it is illustrated by the British novels which paradoxically both praise and mock, honour and debunk, imitate and subvert their Victorian models. Unashamedly opportunistic and deliberately exploiting the spirit of the time, this late form of postmodernism cannibalizes and reshapes not only Victorianism but all the other previous aesthetic movements - including early postmodernism.
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Almanac: The Yearbook of Welsh Writing in English is a stimulating academic journal featuring new research by established and emerging critics in the field. Almanac aims to engage in a lively and informed way both with the Welsh literary past and with contemporary writing, looking towards the future and outwards towards the rest of the world.
This novel goes back through the lives of three women, a psychoanalyst, an art historian and a good woman who all met at Cambridge in the 1950s.
This first collection of critical essays in English on the life and works of the Marquis de Sade deals in particular with the famous marquis' ethics and rhetoric. Stressing the importance and contemporary worth of his production, this unique collection dispels myths and legends concerning this eighteenth-century figure by making available published and unpublished research by internationally known scholars.