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"Challenging the cornerstone assumption of Sloan as a neutral spectator, Coco suggests the ways that he used art to define himself as both man and artist, at a time when the ideals of masculinity and artistic identity were at issue. Examining his self-admitted fear of women, she demonstrates how Sloan's perception of them, as potentially threatening to his manhood and his career, manifests itself subtextually in the fetishized nature of his windowed compositions.".
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Catalogue for a full-career retrospective of the American realist artist and illustrator John Sloan (1871-1951). This book features work from the Sloan collection at the Delaware Art Museum.
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Descriptions and histories of the 1,265 oils by John Sloan (1871-1951), more than 1,000 of which are illustrated. Includes critical commentary, the artist's own comments, and an analysis of Sloan's work and his role in American painting. Indexing by title and subject. Illustrated.
A close look at early 20th-century New York City is revealed through the eyesof Ashcan artist John Sloan.
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