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The Theater of Heiner Mller
The revised and enlarged edition of the first comprehensive English-language study of the work of Heiner Muller, widely regarded as Bertolt Brecht's spiritual heir and as one of the most important German playwrights of the twentieth century. "Kalb's quest to try and penetrate some of the surfaces of what he calls this 'glacially infuriating writer' is engrossing, and he negotiates his own ambivalences and reservations about Muller as theatre-maker and man with both honesty and adroitness...As a piece of scholarship [this] is a breathtaking tour de force." -Mary Luckhurst, New Theatre Quarterly
Practicing Modernity
Vorwort - I. Sharp: Women and Weimar Berlin - C. Ujma: Theories of Masculinity and the Avant-Garde - T. Elsaesser: The Camera in the Kitchen: Grete Schütte-Lihotsky and Domestic Modernity - A. Baumhoff: Women in the Bauhaus: Gender Issues in Weimar Culture - D. Rowe: Painting herself. Lotte Laserstein between subject and object - U. Seiderer: Between Minor Sculpture and Promethean Creativity. The Position of Käthe Kollwitz in Weimar's Discourse on Art - C. Finnan: Photographers between Challenge and Conformity. Yva's Career and Ruvre - K. Bruns: Thea von Harbou. Writing Skills and Film Aesthetics - J. Trimborn: Leni Riefenstahl's Career before Hitler: Success-stories of an Outsider - C. Sc...
The Fourth Dimension
The author should not disappear into her own work, says Christa Wolf, but should stand up and be counted. In this series of interviews and conversations spanning more than a decade, Christ Wolf does precisely that. Here, one of the greatest contemporary novelists discusses the origins of an inspirations for her best known works. Often taking as her starting point events from the past, her novels, she explains, remain fictions of the present, whether her concern is to reassess the experiences of growing up in Nazi Germany, as in A Model Childhood, or to attempt to trace the roots of the contradictions in which our civilisation is now trapped, as in Cassandra. These conversations, however, tak...
Aftermaths
Aftermaths offers compelling new ideas on exile, migration, and diaspora. Ten contributors-well-established scholars and promising new voices-working in different disciplines and drawing from diverse backgrounds present rich case studies from around the world. Seeking fresh perspectives on the movement of people and ideas, the essays take on a wide range of subjects such as the influence of religion upon diasporic consciousness, the conflict between the local and the transnational, the fate of historical tragedy in globalization, the reinvention of social bonds across migrations, and the agoni.
Building Socialism
Building Socialism reveals how East German writers' engagement with the rapidly changing built environment from the mid-1950s to the early 1970s constitutes an untold story about the emergence of literary experimentation in the post-War period. It breaks new ground by exploring the centrality of architecture to a mid-century modernist literature in dialogue with multiple literary and left-wing theoretical traditions and in tune with international assessments of modernist architecture and urban planning. Design and construction were a central part of politics and everyday life in East Germany during this time as buildings old and new were asked to bear heavy ideological and social burdens. In...
Landscapes of Resistance
This study traces the career of the two filmmakers, Daniele Huillet and Jean-Marie Straub, and explores their connection to German modernism, in particular their relationship to the Frankfurt School.
Searching for a New German Identity
Theresa M. Ganter investigates Heiner Muller's use of the Geschichtsdrama as a tool in his search for post-World War II and post-reunification German identity in 'Germania Tod in Berlin' (1956/1971) and 'Germania 3 Gespenster am Toten Mann' (1996), respectively.
Socialist Realism in Central and Eastern European Literatures Under Stalin
Socialist Realism in Central and Eastern European Literatures' is the first published work to offer a variety of alternative perspectives on the literary and cultural Sovietization of Central and Eastern Europe after World War II and emphasize the dialogic relationship between the ‘centre’ and the ‘satellites’ instead of the traditional top-down approach. The introduction of the Soviet cultural model was not quite the smooth endeavour that it was made to look in retrospect; rather, it was always a work in progress, often born out of a give-andtake with the local authorities, intellectuals and interest groups. Relying on archival resources, the authors examine one of the most controversial attempts at a cultural unification in Europe by providing an overview with a focus on specific case-studies, an analysis of distinct particularities with attention to the patterns of negotiation and adaptation that were being developed in the process.
Silence and Acts of Memory
This book explores silence and memory in Germany's ongoing discourse about the Nazi past. It examines the ways in which exile literature and critical thought by Anna Seghers joins postwar discourse and current historical research to formulate an acceptable memory of private life during the Third Reich. Seghers' work is particularly relevant in light of a postwar rift between private and public memory discourse. Her texts, The Seventh Cross, The Excursion of the Dead Girls, and especially her depictions of female figures offer a rare in-depth examination of ordinary life under Hitler. From exile, Seghers reveals hidden voices and personal experience with the Nazi regime that linger in the silenced voids of history. Silence and Acts of Memory reconnects private and public discourse about traumatic events of the Nazi past; the book contributes valuable insights to the current discourse about the continuing formative process of German national identity. Birgit Maier-Katkin is an Associate Professor of German at the Florida State University.
