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A haunting vision. A spine-chilling nightmare. A missing boy.When Joe, Maisie and Sam met in a residential children's home, they pledged to look out for each other; three friends who were inseparable until the night Sam went missing...Twenty years later, Maisie suffers flashbacks, unable to understand what lies at the root of her recurring nightmares. Shocked to find Joe, homeless on Bognor seafront, she helps him turn his life around, but it doesn't seem long before their past comes back to haunt them.What really went on at Orchard Grange all those years ago?Where did Sam go? Only he can provide the answers but they need to find him.Within weeks of Maisie and Joe being reunited, a series of eerie events rips the fabric of their world. A mysterious black car is tailing them. A campaign of online abuse makes Joe wonder if his enemies are still around. He has never forgotten Mr Mortimer from the children's home, but a shocking attempt on his life launches a police investigation.Lethal Ties is a tense psychological thriller, an untangling of secrets with an utterly chilling twist.
An examination of how the dead were memorialised in late medieval French literature. Awarded a commendation in the Society for French Studies R. Gapper Book Prize for the best book published in 2016 by a scholar working in French studies in Britain or Ireland. Who am I when I am dead? Several late-medieval French writers used literary representation of the dead as a springboard for exploring the nature of human being. Death is a critical moment for identity definition: one is remembered, forgotten or, worse, misremembered. Works in prose and verse by authors from Alain Chartier to Jean Bouchet record characters' deaths, but what distinguishes them as epitaph fictions is not their commemorati...
LONGLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION 2019 A New York Times 2019 Notable Book 2019 BOOK OF THE YEAR: Oprah Magazine, Time, Vulture, and Entertainment Weekly 'The Need is a profound meditation on the nature of reality, a fearless examination of parenthood, and also somehow a thriller. This is an extraordinary and dazzlingly original work from one of our most gifted and interesting writers' Emily St. John Mandel She crouched in front of the mirror in the dark, clinging to them. The baby in her right arm, the child in her left. There were footsteps in the other room... Molly is exhausted, anxious, losing her grip on reality. Her husband is away and she is running between her childr...
I had no idea I was a powerful witch until yesterday.No owl dropped a letter inviting me to the most famous secret school for witches in the whole world.I'm learning everything from a bunch of guys who've promised to protect me.The trouble is, all witches are not the same. I have unique abilities and I'm not sure I can master them in time.Here are some facts that go together:Beck is a hunk of a man who isn't fond of clothes (I'm not complaining).He also has powerful magical abilities in relation to water.He can make it rain, and even better, he can stop it.Apparently, the human body is 60% water.The effect Beck has on me makes me both damp and human.Witches are human, by the way. So, all tha...
'Rappaport uses new sources to give a vivid account of Albert's death . . . a valuable and insightful book which will change our view of Queen Victoria.' Spectator When Queen Victoria's husband, Prince Albert, died in December 1861 the nation was paralysed with grief. His death was a catastrophe for Victoria, who not only adored her husband but had, through twenty-one years of marriage, utterly relied on him: as companion, father of their children, friend, confidant, and unofficial private secretary. Without Albert to guide and support her, the Queen retreated into a state of pathological grief which nobody could penetrate and few understood. Drawing widely on contemporary letters, diaries and memoirs, Rappaport brings new light to bear on the causes of Albert's death and tracks Victoria's mission to commemorate her husband in perpetuity. Richly compelling, this is the story of a magnificent obsession that even death could not sever.
**Business Book Awards 2023: People, Culture & Management Book of the Year** The way we value and manage time at work is broken. Businesses are squandering time when making decisions, delivering work and managing people. Employees are rewarded for 24/7 availability, speed of response and hours worked. The results are clear: low productivity; high stress and burnout; falling retention; and stalling diversity. The Future of Time reveals how ‘re-working’ time – transforming organizations by adopting positive time practices – can help you build a more diverse, engaged and productive workforce. Diagnostics to quickly assess the ‘time defects’ damaging your business Compelling evidence...
In eighth century India, Andal is born into a world where girls are married and with child by fourteen. Defying the mores of her time, she refuses marriage to a mortal man. Only a god will do. Andal’s imagination is boundless and her antics set the town’s tongues wagging. As Andal becomes more and more absorbed by her visions, she composes songs to her divine lover. Saisha discovers Andal’s songs in a book on a trip to India with her partner Marcus. The verses are confronting and unearth memories Saisha thought were long ago buried. Not only is she unable to conceive, for the past two decades Marcus has chosen celibacy. What defines her as a woman when these two primal desires remain unfulfilled? Andal’s words are deceptively simple, yet shine a lamp on the labyrinths of Saisha’s sexuality and her quest to find peace with the choices she has made.
Why do good girls fall for bad boys?Tamara leaves London and puts ten thousand miles between her and her ex. But as she vows to start over, she meets Jake - and life gets more complicated than she could ever have imagined. Jake is the direct competitor for the family business, and a man with a dark secret, and Tamara struggles to fight her attraction to him as she deals with secrets of her own and an ex who refuses to give up.Tamara is soon drawn in to the small community of Brewer Creek where she becomes the coordinator for an old fashioned Friendship Tree - a chart telling people who they can call on in times of trouble. And before long, she realises the Friendship Tree does a lot more than organise fundraising events and working bees; it has the power to unite an entire town.Should you ever try to run from your past?
'A quite delightful book on the joys, and universality, of physics. Czerski's enthusiasm is infectious because she brings our humdrum everyday world to life, showing us that it is just as fascinating as anything that can be seen by the Hubble Telescope or created at the Large Hadron Collider.' - Jim Al-Khalili Our world is full of patterns. If you pour milk into your tea and give it a stir, you'll see a swirl, a spiral of two fluids, before the two liquids mix completely. The same pattern is found elsewhere too. Look down on the Earth from space, and you'll find similar swirls in the clouds, made where warm air and cold air waltz. In Storm in a Teacup, Helen Czerski links the little things w...
Losing It has been shortlisted for the PG Woodhouse Comedy Literary Prize as well as The Edinburgh First Book Award 2015. Millie was at one time quite well known for various TV and radio appearances. However, she now has no money, a best friend with a better sex life than her, a daughter in Papua New Guinea and too much weight in places she really doesn't want it. When she's asked to be the front woman for a new diet pill, she naively believes that all her troubles will be solved. She will have money, the weight will be gone, and maybe she'll get more sex. If only life was really that easy. It doesn't take her long to realize it's going to take more than a diet pill to solve her never-ending woes... Losing It is the hilarious debut from Helen Lederer, one of the UK's favourite comediennes.