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Helen Maria Williams and the Age of Revolution
Eventually settling in Paris with her mother and two sisters, Williams hosted a Parisian salon that was frequented by many of Europe's most important politicians, artists, writers, and thinkers, including J. P. Brissot, Madame Roland, Mary Wollstonecraft, Thaddeus Kosciuszko, and Alexander von Humboldt.".
Julia (1790)
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Wordsworth and Helen Maria Williams; or, the Perils of Sensibility
This book examines the connection between William Wordsworth and the work of Helen Maria Williams and the effect this connection may have had on his reception by such hostile critics as Francis Jeffrey. Why did Wordsworth write his first published poem to Helen Maria Williams? What role did she play in forming his views of poetry, and of the French Revolution? Why was Wordsworth able to recite in 1820 a poem by Miss Williams that he first read in 1790? Was his own poetical sensibility comparable with that of the older woman? Did the reception of Wordsworth’s Poems, in Two Volumes by Francis Jeffrey and others —as ‘puerile’, ‘namby-pamby’, ‘lisping’ and ‘affected’ — reflect a belief that manly sense and feminine sensibility, are not compatible? If so, why did Wordsworth run that risk? This little book attempts to suggest answers to some of those questions, and to provoke more systematic considerations of them all.
Letters Written in France
Helen Maria Williams was a poet, novelist, and radical thinker deeply immersed in the political struggles of the 1790s. Her Letters Written in France is the first and most important of eight volumes chronicling the French Revolution to an England fearful of another civil war. Her twenty-six letters recounting old regime tyranny and revolutionary events provide both an apology for the Revolution and a representation of it as sublime spectacle.
Revolutionary Women Writers
This book brings together two of the most significant British women writers of the Romantic period, Charlotte Smith and Helen Maria Williams, and explores the poetics and politics of their work. In the 1790s, when Charlotte Smith and Helen Maria Williams were at the peak of their critical reputations, they were known to each other and often cited together approvingly. It was Smith who provided the young William Wordsworth with a letter of introduction to Williams when he visited France in 1791 (though she had left by the time he got there). By the end of the decade, Smith and Williams were being cited together more pejoratively, as two of a number of women who came to stand for the amoral, sexually suspect and politically naïve English 'Jacobins,' who were vilified in the conservative press. Neither were in fact 'Jacobins,' but they were revolutionary. This book looks at how Smith and Williams earned such reputations and at the politics and poetics of the works that reveal Smith to be a self-constructed Romantic and Williams as a mistress of intimate disguise.
Julia (1790)
This is a critical edition of 'Julia' which also features a bio-critical introduction that makes the novel more accessible. Written at the beginning of the French Revolution, the narrative is interspersed with poems on topics ranging from moonlight contemplations in natural landscapes to the terrors of imprisonment.
