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This riveting book takes the reader around the globe and through the centuries to discover how different cultures have sought to combat and treat physical pain. With colorful stories and sometimes frightening anecdotes, Dr. Thomas Dormandy describes a checkered progression of breakthroughs, haphazard experiments, ignorant attitudes, and surprising developments in human efforts to control pain. Attitudes toward pain and its perception have changed, as have the means of pain relief and scientific understanding. Dr. Dormandy offers a thoroughly fascinating, multi-cultural history that culminates with a discussion of today’s successes--and failures--in the struggle against pain. The book’s exploration is fused with accounts of the development of specific methods of pain relief, including the use of alcohol, plants, hypnosis, religious faith, stoic attitudes, local anesthesia, general anesthesia, and modern analgesics. Dr. Dormandy also looks at the most recent advances in pain clinics and palliative care for patients with terminal disease as well as the prospects for loosening pain’s grip in the future.
This is a book about the meanings we make out of pain. The greatest surprise I encountered in discussing this topic over the past ten years was the consistency with which I was asked a single unvarying question: Are you writing about physical pain or mental pain? The overwhelming consistency of this response convinces me that modern culture rests upon and underlying belief so strong that it grips us with the force of a founding myth. Call it the Myth of Two Pains. We live in an era when many people believe--as a basic, unexamined foundation of thought--that pain comes divided into separate types: physical and mental. These two types of pain, so the myth goes, are as different as land and sea. You feel physical pain if your arm breaks, and you feel mental pain if your heart breaks. Between these two different events we seem to imagine a gulf so wide and deep that it might as well be filled by a sea that is impossible to navigate.
The pain center/clinic is in the stage of transition. It has come a long way since chronic pain was a nonexistent entity and patients with difficult pain problems did not receive well-deserved attention or were lost in the busy practices of vari ous specialty clinics. Thirty-five years ahead of the rest of us, John]. Bonica was the first physician who had a clear vision of a pain center's potential. Twenty years later, in response to loud public demands for relief of chronic pain, this idea was put into practice by a number of others on a somewhat larger scale. A team of specialists from various disciplines, trained in the management of chronic pain, now offer approaches ranging from simple ...
Amarillo became a town in 1887 when merchants opened stores to cater to railroad workers. The first African Americans in the area were Jerry Callaway, who came to the area in 1888 with a white family, and Mathew "Bones" Hooks, a highly respected cowboy who moved to Amarillo in 1900 and later worked for the railroad. By 1908, five African American families had moved to Amarillo. The black community grew and people established churches, businesses, and schools. With the 1950s and 1960s, Amarillo citizens participated in ending segregation and bringing about equality. Today African Americans in Amarillo are still bound together by their churches but have access to many opportunities both locally and nationally. They are justifiably proud of their rich heritage.
Regina Luttrell and Adrienne A. Wallace present an engaging introduction of social media’s integration with modern society. Recognizing categories of relational, societal, and self while analyzing the social media environment, this introductory mass communications textbook establishes a framework for understanding how technology, culture, democracy, economy, and audience fragmentation interact with each media industry differently and relate to media literacy. Armed with this knowledge, future professional communicators gain a better understanding of their audience and the level to which their strategies influence the public. Social Media and Society empowers students as consumers and creat...
Who were the beats? Not the sandle-clad "beatniks" of popular lore but dedicated writers, experimenters, skit improvisers, theorizers, hedonists, close friends, bisexual free lovers, shapers of the future. The beats hung out at Columbia university and cheap Times Square cafeterias, devouring ideas. David Creighton shows how the world has taken up their message. In Ecstasy of the Beats he gives a fresh portrait of Carolyn Cassady, "Queen of the Beats," and of the four major Beat writers. Jack Kerouac's On the Road gave a pattern of adventure to restless youth, Allen Ginsberg donned a prophet's robe by writing Howl, William Burroughs warned against control mechanisms in Naked Lunch, and Neal Cassady's high-energy life made him an icon of freedom. Travelling widely to see where they lived, Creighton enriches the meaning of On the Road and other Beat classics. He invites the reader on the Beats' journey toward ever-deeper levels of understanding and provides interesting insight into Kerouacs French-Canadian roots.
An intriguing scholarly investigation, not so much of the ways the late eighteenth and early nineteenth centuries articulated pain, but of the ways in which pain itself articulated the late eighteenth-century experience. Through analysis of novels, plays, and poems, the author explores the transition from sensibility as a sense of "selflessness" to Romanticism, which puts the self in the foreground as the mediating consciousness. His tightly focused discussion sets a starting point for further critical investigation of the subject.
From the end of the Great War until the onslaught of the Great Depression, Americans had a good time, and nowhere was that more true than in Bar Harbor during high season. Amid peace and prosperity, the wealthy flocked to Mount Desert Island, foxtrotted at the Swimming Club and tangoed at the Dreamwood Ballroom on Ireson's Hill. Rumrunners made covert pickups from isolated coves along the Mount Desert Narrows while Rockefellers, Vanderbilts and Astors coasted serenely in and out of Frenchman's Bay. Horse-drawn carriages found a haven in the quiet roads of Lafayette National Park while roadsters sped along Bay Drive. Year-round residents faced brutal winters, but even then they had spirited celebrations with Winter Carnivals and Hayseed Balls as the '20s roared on in Bar Harbor.