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Museum Bodies provides an account of how museums have staged, prescribed and accommodated a repertoire of bodily practices, from their emergence in the eighteenth century to the present day. As long as museums have existed, their visitors have been scrutinised, both formally and informally, and their behaviour calibrated as a register of cognitive receptivity and cultural competence. Yet there has been little sustained theoretical or practical attention given to the visitors' embodied encounter with the museum. In Museum Bodies Helen Rees Leahy discusses the politics and practice of visitor studies, and the differentiation and exclusion of certain bodies on the basis of, for example, age, gender, educational attainment, ethnicity and disability. At a time when museums are more than ever concerned with size, demographic mix and the diversity of their audiences, as well as with the ways in which visitors engage with and respond to institutional space and content, this wide-ranging study of visitors' embodied experience of the museum is long overdue.
Dormer presents a series of lively, clearly argued discussions about the relevance of handicraft in a world whose aesthetics and design are largely determined by technology. The question of computer aided design in craft is also addressed.
Cyfrol yn archwilio gweddwdod Helen Thomas, gwraig y bardd rhyfel Edward Thomas, gan gynnig golwg gyffredinol ar ryfel a galar, priodas a phrofedigaeth. Ceir arweiniad i fyfyrdod ar fywyd Helen gan gerdd y bardd i'w wraig, 'And You, Helen', ynghyd â cherdd hir Deryn Rees-Jones yn dwyn yr un teitl. Cyfoethogir y gyfrol gan luniau Charlotte Hodes. -- Cyngor Llyfrau Cymru
This volume of nine essays draws together leading scholars in anthropology, social history, musicology, and ethnomusicology to address the roles and functions of music in the Chinese ritual context. How does music, one of a constellation of essential performative elements in almost all rituals, empower an officiant, legitimate an officeholder, create a heightened state of awareness, convey a message, or produce a magical outcome, a transition, a transformation? After an introduction by the volume editors, Bell Yung proposes a theoretical framework for dealing with Chinese ritual sound. A group of three essays focuses on the music for rituals that create political and social legitimacy followed by a second group of essays considering the music associated with rites of passage. Two essays then deal with the music accompanying rituals of propitiation. In all these cases, music is seen to play a critical role, if not the core of the ritual.
Wild and beautiful, spoilt and wilful, Sovay finds that her cosseted life in rural England has not prepared her for life as a highway robber, for defending the honour of her family or for trying to save herself from corruption and evil. As Sovay becomes more and more embroiled in adventures she could scarcely have imagined, a story of dark intrigue, thwarted passions and sinister intentions is revealed to her. Will she be able to survive, and if she does so, at what cost?
The unique lives and careers of contemporary Chinese musicians
Ruby considers everyone a suspect but not even she could have guessed that her trip through the Rockies would end with a body thrown from the train and a ride on the ski life from hell.
This is the eBook version of the printed book. If the print book includes a CD-ROM, this content is not included within the eBook version. In more than 30 years of work as a consultant, Jim Champy has learned that th.
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A Choice "Best Academic" book in its first edition, The Recorder remains an essential resource for anyone who wants to know about this instrument. This new edition is thoroughly redone, takes account of the publishing activity of the years since its first publication, and still follows the original organization.