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Bogotá, 1947. British architect Luke Vosey has left his past behind to undertake a commission for Anglo-Colombian Oil in South America. For Luke, this new venture seems to offer the chance to start again. But grieving and ashamed of his role in the war, he cannot run from the past or from his nightmares. Luke finds distraction with the whores of Las Cruces and in the friendship of a young newspaper journalist – and finally with Felisa, a young draughtswoman with a passion for politics. Through her, Luke comes to understand the true broken mood of the people of Colombia, with the country teetering on the brink of civil war. Then a bloody assassination on the streets of the capital sees everything he’s worked for destroyed. As the mob tears the city to shreds, and Luke’s past is unveiled, can he survive to save others?
This book illuminates the racialized nature of twenty-first century Western popular culture by exploring how discourses of race circulate in the Fantasy genre. It examines not only major texts in the genre, but also the impact of franchises, industry, editorial and authorial practices, and fan engagements on race and representation. Approaching Fantasy as a significant element of popular culture, it visits the struggles over race, racism, and white privilege that are enacted within creative works across media and the communities which revolve around them. While scholars of Science Fiction have explored the genre’s racialized constructs of possible futures, this book is the first examinatio...
'She lapped in spirals beneath the sheen, feeling the tug of water rush against all of her. When she next surfaced, she couldn't remember what it was to be on land. Seeing her clothing on the bank as things belonging to another...' It all began beside the mill pond. Honest, fair and eager to please, fifteen-year-old May has a secret, and not of her own making. She wears it like an invisible badge, sewn to her skin, as though Ma stitched it there herself. It rubs only when she thinks of Sophie, Pa or the other name that's hidden there; that no one knows about. Caught in an inevitable net of change, May joins the Wrens, leaving her Cotswolds home for war-torn London and the Blitz. As a dispatc...
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Some two thousand women participated in the Long March, but their experience of this seminal event in the history of Communist China is rarely represented. In Choosing Revolution, Helen Praeger Young presents her interviews with twenty-two veterans of the Red Army's legendary 6,000-mile "retreat to victory" before the advancing Nationalist Army. Enormously rich in detail, Young's Choosing Revolution reveals the complex interplay between women's experiences and the official, almost mythic version of the Long March. In addition to their riveting stories of the march itself, Young's subjects reveal much about what it meant in China to grow up female and, in many cases, poor during the first dec...
Thomas Young was born in about 1747 in Baltimore County, Maryland. He married Naomi Hyatt, daughter of Seth Hyatt and Priscilla, in about 1768. They had four children. Thomas died in 1829 in North Carolina. Ancestors, descendants and relatives lived mainly in North Carolina.
Every story needs a hero. Every hero needs a friend. Carla never believed Aoife's tales of fairies, monsters and changeling girls. But she faithfully followed her best friend down into the dangerous fairy world - to rescue a boy, and save a kingdom. Until Aoife sent Carla spinning back to the human world, terrified for her safety. But as Aoife faces demons and death alone, Carla has her own battles at home - creatures to defeat and boys to protect. And it's not long before the promised war between humans and fairies explodes onto the fields of rural Ireland. Whilst Aoife will fight for the Hawthorn Crown in the Land of the Young, Carla must use all her ingenuity and skill to protect the village she grew up in - the village she loves. Every story needs its heroes . . .
The GCSE Drama Coursebook is firmly based on practical explorations of how to make, perform and respond to drama. The resources used to stimulate drama are exciting and varied, ranging from photo-love stories and poems to fine art and contemporary plays.
Note: this is an abridged version of the book with references removed. The complete edition is available on this website. This fascinating study places multiple genres in dialogue and considers both medievalism and genre to be frameworks from which meaning can be produced. It explores works from a wide range of genres-children's and young adult, historical, cyberpunk, fantasy, science fiction, romance, and crime-and across multiple media-fiction, film, television, video games, and music. The range of media types and genres enable comparison, and the identification of overarching trends, while also allowing comparison of contrasting phenomena. As the first volume to explore the nexus of medie...