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Poetry. "'Everything beautiful occurs when the body / is suspended,' Helena Mesa quotes a performance artist who hangs his own pierced body in the air. Mesa's poems are artfully suspended between lyric and narrative, between humans and animals, between Latin America and the U.S., between desire and the difficulty of its fulfillment. HORSE DANCE UNDERWATER is an inventive, musical, and powerful debut"--Mark Doty.
"Building on a feminist conception of individual autonomy, explores the obligation of the state to foster autonomy in its citizens, particularly the most vulnerable, through social service delivery. Draws on both successful and less successful examples of service delivery to generate a theoretical account of the autonomy-fostering state"--Provided by publisher.
A study of the tradition in nineteenth-century thought that imagines the body as one of the reproductive media of poetry.
In Mentor and Muse, a collection of twenty-nine insightful essays by some of today’s leading poetic minds, editors Blas Falconer, Beth Martinelli, and Helena Mesa have brought together an illuminating anthology that draws upon both established and emerging poets to create a one-of-a-kind resource and unlock the secrets of writing and revising poetry. Gathered here are numerous experts eager to share their wisdom with other writers. Each author examines in detail a particular poetic element, shedding new light on the endless possibilities of poetic forms. Addressed within are such topics as the fluid possibilities of imagery in poetry; the duality of myth and the personal, and the power of ...
Shifting Terrain places contemporary political, economic, and social questions in long-range historical context. An essay on the new American imperialism is set against one that considers enduring lessons from Thucydides on the hubris of empire. The deep Lockean liberal structure of American politics is treated, along with a case history of the labor movement. Essays on child labor, hunger and poverty explore topics in world political economy as it affects the most dispossessed.
The remarkable and wholly insightful poems collected here bounce the reader through a world where words are not bricks but trampolinesÑspringy, un-static-y things. Feisty, spirited, serious and comic, these poems address a wild range of subjects with an equally wild range of tones. As readers, we find ourselves holding on with white knuckles, but we always want to turn the page. The most modern of roller coasters ride on soft rubber tires and slithery smooth tracks. Gone are the days of jouncing along on steel wheels, smacking over hard metal joints. So it is with this book. Although readers are hurtled through time, space, and a universe of emotions, the ride is seductively smoothÑand the...
"Waters's elegant language suggests that there is grace to be found in facing and speaking of our sorrows. . . . His use of humor creates a tension between the profane and the sublime."—Arts & Letters Among the survivors of the Donner Party—idiom's black sense of humor— Who developed a secret taste for flesh Flaked between the fluted bones of the wrist? In his tenth poetry collection, Michael Waters tackles the dual (and dueling) natures of our humanity: sin and transgression, isolation and atrocity, love and darkness, and the desire for a language that can illuminate such ordinary yet disturbing spaces.
Uses National Rifle Association materials, meetings, leader speeches, and interviews with NRA members to examine how the organization perceives threats to gun rights as an attack in a broad culture war that will ultimately lead to gun confiscation and socialism.