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Feminist Theatre
Focuses on the works of Pam Gems, Michalene Wandor, Caryl Churchill, Megan Terry, and Ntozake Shange.
Feminist Theatre and Theory
Designed to complement the original Casebook series, each New Casebook consists of a sequence of carefully chosen essays and extracts dealing with the central critical issues raised by the texts being studied, and which illustrate some of the more striking features of new critical thinking. This volume looks at feminist theatre and theory.
Making a Spectacle
The first scholarly collection to discuss the intersection of feminism and dramatic theory
Robert Altman's America
Robert Altman is the most quintessentially American of contemporary directors. His films cut across virtually all genres, and though few have met with huge commercial success (apart from the blockbuster M*A*S*H), Altman's unique vision of our society, his distinctive directorial signature, and his defiance of conventional film "language" have all helped reinvent the way we look at America. Keyssar shows why it is time for us to consider this unusual auteur among the pantheon of great directors. She identifies the peculiarities of the Altman style, discusses his films from both a feminist and political perspective, and offers a chapter-length discussion of one of his most important films, Nashville (1975), a "gleeful vision of an American landscape perpetually exploding upon itself."--Publisher description.
Critical Perspectives on Pat Barker
These essays cover the work and career of Pat Barker, providing insight into her novels, from Union Street (1982) through the Regeneration trilogy (1991-95) to Double Vision (2003). The essays are organized into: "Writing Working-Class Women," "Dialogueunder Pressure," "Men at War," "The Talking Cure," and "Regenerating the Wasteland."
The Cambridge Companion to American Women Playwrights
This volume addresses the work of women playwrights throughout the history of the American theatre, from the early pioneers to contemporary feminists. Each chapter introduces the reader to the work of one or more playwrights and to a way of thinking about plays. Together they cover significant writers such as Rachel Crothers, Susan Glaspell, Lillian Hellman, Sophie Treadwell, Lorraine Hansberry, Alice Childress, Megan Terry, Ntozake Shange, Adrienne Kennedy, Wendy Wasserstein, Marsha Norman, Beth Henley and Maria Irene Fornes. Playwrights are discussed in the context of topics such as early comedy and melodrama, feminism and realism, the Harlem Renaissance, the feminist resurgence of the 1970s and feminist dramatic theory. A detailed chronology and illustrations enhance the volume, which also includes bibliographical essays on recent criticism and on African-American women playwrights before 1930.
Anecdotal Theory
Essays weaving theory, story, and personal narrative into a method of critical writing.
The Playwright's Muse
August Wilson penned his first play after seeing a man shot to death. Horton Foote began writing plays to create parts for himself as an actor. Edward Albee faced commercial pressures to modify his scripts-and resisted. After Wit, Margaret Edson swore off playwriting altogether and decided to keep her day job as a kindergarten teacher, instead. The Playwright's Muse presents never-before-published interviews with some of the greatest names of American drama-all recent winners of the Pulitzer Prize. In these scintillating exchanges with eleven leading dramatists, we learn about their inspirations and begin to grasp how the creative process works in the mind of a writer. We learn how their first plays took shape, how it felt to read their first reviews, and what keeps them writing for theater today. Introductory essays on each playwright's life and work, written by theater artists and scholars with strong professional relationships to their subjects, provide additional insight into the writers' contributions to contemporary theater.
Right in Her Soul
Provides an intimate portrait of the twentieth-century American "Reds" journalist, who became involved in the Chinese and Russian Revolutions and with such key personages as Trotsky and Mao.
The Cambridge Companion to Modern British Women Playwrights
This Companion, first published in 2000, addresses the work of women playwrights in Britain throughout the twentieth century.
