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At a time when the media’s relation to power is at the forefront of political discussion, this book considers how journalists can affect public discourse on politics, economy and society at large. From well-known and respected authors providing all new material, Making Journalists considers journalism education, training, practice and professionalism across a wide range of countries, including Saudi Arabia, Africa, India, USA and the UK. The book offers insights into: what journalism is how education makes the journalist and, therefore, the news models of journalism taught and practised across the globe the ethical implications of the process. When news reporting can lead to decisions on whether or not to got to war, everything can be affected by journalists and their mediation of the world. This text brings these present issues together in one invaluable resource for all students of journalism, politics and media studies.
When the southern African country of Rhodesia was reborn as Zimbabwe in 1980, democracy advocates celebrated the defeat of a white supremacist regime and the end of colonial rule. Zimbabwean crowds cheered their new prime minister, freedom fighter Robert Mugabe, with little idea of the misery he would bring them. Under his leadership for the next 30 years, Zimbabwe slid from self-sufficiency into poverty and astronomical inflation. The government once praised for its magnanimity and ethnic tolerance was denounced by leaders like South African Nobel Prize-winner Desmond Tutu. Millions of refugees fled the country. How did the heroic Mugabe become a hated autocrat, and why were so many outside...
Who owns the media and communications in Africa today and with what implications? The book elegantly answers this urgent question by unpacking multiple dimensions of media ownership through rare and authoritative perspectives, including both historical and contemporary digital developments. It traces the evolving forms of ownership of media and communications in specific African contexts, showing how they interact with broader changes in and outside the continent. The book also shows how Big Techs, such as Meta (formerly known as Facebook), are involved in a scramble for Africa’s digital ecosystem and how their advance brings both opportunities and concerns about ownership and control. The...
Media, Ritual and Identity examines the role of the media in society; its complex influence on democratic processes and its participation in the construction and affirmation of different social identities. It draws extensively upon cultural anthropology and combines a commanding overview of contemporary media debates with a series of fascinating case studies ranging from political ritual on television to broadcasting in the third world.
Kindled by her own intimate history with her cell phone and a growing curiosity about information and communication technologies in general, Powell discusses her thoughts, reactions to and interpretations of some of the literature on these technologies. She draws on and reviews contributions by some authors on the social shaping of ICTs and social media to offer a more complete understanding of technology in relation to those who use and are used by it. From publisher description.
"This edition of Sally Ledger's study of Henrick Ibsen includes a renewed bibliography and an expanded critical evaluation. It surveys Ibsen's total dramatic output, carefully situating his plays in their cultural, historical and intellectual contexts. Ibsen played a seminal role in the development of modern European drama at the end of the nineteenth century. Ledger's book traces the theatrical evolution of his plays as well as considering his impact on late-Victorian London, his response to the 'woman question', his anticipation of Freudian psychology and his debt to Darwinism."--BOOK JACKET.
Criticism has been voiced that government and society are gradually transforming in South Africa, but not the media and that they are in fact obstructing democratisation. Is this criticism justified? Should the media in fact be obliged to play an active role in consolidating democracy, or is this role adequately filled by the objective reflection on events, protected by press freedom principles enshrined in the constitution? What do we mean when we speak of media, and does the media represent South Africa's widely different social interests?This book considers these and many other questions. Seven contributors, representing divergent interests, explore the complex interface between the media and democracy in the South Africa today. They consider the legislative and policy environments necessary for the media to play a meaningful role in building democracy, including the steps needed to develop sustainable, diverse and independent media. South Africa's reintegration into the global community is also reflected in some of the contributions, with two providing international perspectives on questions pertinent to our media today.
This Handbook provides a complete survey of the vibrant field of political sociology. Part I explores the theories of political sociology. Part II focuses on the formation, transitions, and regime structure of the state. Part III takes up various aspects of the state that respond to pressures from civil society.
Modern ideas of freedom and human rights have been repeatedly contested and are hotly debated at the beginning of the third millennium in response to new theories, needs, and challenges in contemporary life. This volume offers culturally diverse contributions to the debate on freedom from the literatures and arts of the postcolonial world, exploring experiences that evoke, desire, imagine, and perform freedom across five continents and two centuries of history. Experiences of Freedom opens with an introductory philosophical essay by Achille Mbembe and is divided into four sections that consider: • resisting history and colonialism • the right to move and to belong • the right to (belie...
The Drama of History plumbs the rich relationship between drama and philosophy. Kristin Gjesdal offers a lively and accessible discussion of the philosophical aspects of Henrik Ibsen's work. She shows how well-known nineteenth-century philosophers such as Hegel and Nietzsche develop their thoughts in interaction with the dramatic arts. At the heart of this interaction is a shared interest in exploring the existential condition of human life as lived and experienced in history. In this sense, Gjesdal engages philosophy's capacity beyond its narrow academic confines.