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Helmi’s Shadow tells the sweeping true story of two Russian Jewish refugees, a mother (Rachel Koskin) and her daughter (Helmi). With determination and courage, they survived decades of hardship in the hidden corners of war-torn Asia and then journeyed across the Pacific at the end of the Second World War to become United States citizens after seeking safe harbor in the unlikely western desert town of Reno, Nevada. This compelling narrative is also a memoir, told lovingly by Helmi’s son, David, of growing up under the wings of these strong women in an unusual American family. Rachel Koskin was a middle-class Russian Jew born in Odessa, Ukraine, in 1896. Ten years later, her family fled fr...
Millions of immigrants were attracted to the Canadian West by promotional literature from the government in the late 19th century to the First World War bringing with them visions of opportunity to create a Utopian society or a chance to take control of their own destinies.
Painted Fires, first published in 1925, narrates the trials and tribulations of Helmi Milander, a Finnish immigrant, during the years approaching the First World War. The novel serves as a vehicle for McClung’s social activism, especially in terms of temperance, woman suffrage, and immigration policies that favour cultural assimilation. In her afterword, Cecily Devereux situates Painted Fires in the context of McClung’s feminist fiction and her interest in contemporary questions of immigration and “naturalization.” She also considers how McClung’s representation of Helmi Milander’s story draws on popular culture narratives.
In the late nineteenth century, European expansionism found one of its last homes in North America. While the American West was renowned for its lawlessness, the Canadian Prairies enjoyed a tamer reputation symbolized by the Mounties’ legendary triumph over chaos. Westward Bound debunks the myth of Canada’s peaceful West and the masculine conceptions of law and violence upon which it rests by shifting the focus from Mounties and whisky traders to criminal cases involving women between 1886 and 1940. Lesley Erickson reveals that judges’ and juries’ responses to the most intimate or violent acts reflected a desire to shore up the liberal order by maintaining boundaries between men and women, Native peoples and newcomers, and capital and labour. Victims and accused could only hope to harness entrenched ideas about masculinity, femininity, race, and class in their favour. The results, Erickson shows, were predictable but never certain. This fascinating exploration of hegemony and resistance in key contact zones draws prairie Canada into larger debates about law, colonialism, and nation building.
A hotel in Singapore is opened at the turn of the century, when the island is still a jewel in the crown of the British Empire. Each day, new faces appear and swiftly disappear – guests and staff alike. Every ten years, we check in to meet the hotel’s residents: a Cantonese nanny, an Indian spiritualist, a Malay film star, Japanese soldiers, transgender sex workers, wedding guests, suspected terrorists, and more. They live out the pivotal moments in their personal lives, as empires die and new ones are born from their ashes. Even though the chambermaids clean up after them, readying the room for the next guests, traces of the past persist, and time reveals its cyclical nature. Ghosts com...
A unique, full-color guide to the art of taking amazing photos with a digital camera Aimed at photographers of all levels and ranges of interest, this new edition of Aaland's popular guide takes readers beyond the technology of the latest cameras and equipment to teach them the unique aesthetics of the digital image. Helpful examples explain how to take full advantage of RAW file formats, JPEG 2000, panorama automation, and more. Mikkel Aaland (San Francisco, CA) is an award-winning photographer and author whose photography has been published in magazines and exhibited around the world.
Exiled. Powerless. The world he grew up in is changing—he feels it, feels the devastation being wrought. But what can he do so far away from home? Lost. Afraid. She’s being enlisted to help save Alam Dongeng—a magical world she knows little about. How can she tell stories she doesn’t even know? Worried. Confused. He’s long forgotten his grandfather’s stories—it’s familiar, but he’s never really believed in them. Why should he start now? ~ Dongeng tells the story of Sara and Helmi’s awakening to magic in their own country. There’s a war to protect Alam Dongeng, helmed by the Orang Bunian and Garuda. But are the ranks of Hantu really their enemies? They may very well be fighting the wrong battle. A sequel to Coexist, Dongeng draws you into a whole new realm of fairy tales.
This book provides recent understanding about the sustainable development in agriculture. It includes information regarding new approaches for sustainable development in agriculture, horticulture and fisheries. It examines the effect of climate change and provides information on climate smart practices. In addition, some important aspects like quality seed production, role of bioinoculants, on-farm water harvesting, non-thermal processing of food, importance of water use in organic agriculture have also been discussed. It also presents in detail plant disease aspect and their management strategies. This book aims to provide an overall understanding of all aspects related to the study of envi...
As a young artist and musician Wesley Wehr became a friend and often a confidant of many of the painters, poets, and musicians who lived or worked in the Northwest in the 1950s and 1960s. Drawing on his journals, Wehr provides an engagingly written, intriguing, and informative series of vignettes of painters Mark Tobey, Pehr Hallsten, Helmi Juvonen, Guy Anderson, and Morris Graves; photographer Imogen Cunningham; gallery owner Zoe Dusanne; poets Thoedore Roethke, Richard Selig, Elizabeth Bishop, and Leonie Adams; philosopher Susanne Langer; musicians Ernest Bloch and Berthe Poncy Jacobson; and actor Margaret Hamilton.